Seventy-year-old Daisy Graham is having a hard day. No one in her small town wants to let her forget about the big ceremony tomorrow, a ceremony at the local high school in her honour. But Daisy has more important things to think about than some ceremony - she's dug out her rifle, now all she needs is a box of bullets.
Seventy-year-old Daisy Graham is having a hard day. No one in her small town wants to let her forget about the big ceremony tomorrow, a ceremony at the local high school in her honour. But Daisy has more important things to think about than some ceremony - she's dug out her rifle, now all she needs is a box of bullets.
When two squeegee kids descend upon Sarah and her luxury sedan, the fuse is lit on a tense cat and mouse tale of captors and captives. Sarah is forced to continue her trip to an isolated cottage where the twisted trio bait and entice one another in a reckless search for truth.
When two squeegee kids descend upon Sarah and her luxury sedan, the fuse is lit on a tense cat and mouse tale of captors and captives. Sarah is forced to continue her trip to an isolated cottage where the twisted trio bait and entice one another in a reckless search for truth.
In a desperate bid to take the guesswork out of finding a girlfriend, a faceless, voiceless, but obviously intrepid interviewer decides to make a job of it.
In a desperate bid to take the guesswork out of finding a girlfriend, a faceless, voiceless, but obviously intrepid interviewer decides to make a job of it.
In a desperate bid to take the guesswork out of finding a girlfriend, a faceless, voiceless, but obviously intrepid interviewer decides to make a job of it.
The film is a collage visually and thematically, though the narration serves to anchor the piece with a freestyle kind of story telling. Nicolaou drew upon experiences in her own life when creating the film, portraying a child's yearning for intimacy between parent and child. She incorporates footage from her family's home movies of the 60s and 70s.
