Novel
Spain, fifties. In a town grew around a living factory Jorge (Tristan Ulloa), the youngest son of the founder, and Elisa (Laia Marull), daughter of accounting. The two live with their families and are able to endure the monotony of their lives because they spend the afternoon on Wednesdays and Saturdays at a hotel in the city. This secret life together is essential for both. The small room in the city where encounters occur has become the only place where they can be themselves. That little space, a little sinister, find it more cozy, warm and near the home of Elisa gorgeous, spoiled by the mother, or the great house of George, full of family memories. Both are aware of the type of relationship they have created, and not demand more. Until Elisa decides to break the rules.
Writer
Novel
Michael is the younger son of a middle-class family, a strong-willed and free-thinking fellow, who is off in some distant country fighting for a revolutionary cause.
Writer
Pietro is a young bourgeois lawyer who married Giuliana, a pretty girl who was a little unscrewed, and met at a party of artists. Despite the premises, everything between the two seems to work best.
Maria di Betania
Фильм описывает жизнь Иисуса с марксистско-католической точки зрения режиссёра и является как одним из самых критикуемых, так и одним из самых известных исторических картин. Фильм считается очень правдивой экранизацией текста Библии, хотя Пьер Паоло Пазолини заявлял, что "... изображения никогда не смогут достичь поэтических высот текста". Для экранизации Пьер Паоло Пазолини выбрал Евангелие от Матфея, потому, что посчитал, что Евангелие от Иоанна слишком мистическое, от Марка — слишком вульгарное, от Луки — слишком сентиментальное.