Thomas Kist

1828 in the German port city of Bremen: Two very different women collide in an age that has no place for either of them. One strives for a career in law, at a time when women aren't even admitted to universities. The other has lived life outside the law and may now have to pay the tab. One of them needs to get her head together – while the other would do anything not to lose hers. -- Based on a true story.

This comedy/theatre show is the sequel to 'Micha Wertheim: Somewhere Else'. This second show starts exactly where the first show ended: in the same theatrical scenery, with the same robot. But this time Wertheim surprises his audience by showing up. He tells about how the first experimental comedy show was received and contemplates about the magic of theatre and art in a society about the right to exist of art in a society that allows less and less doubt and confusion. When Robot falls into a depression, the boundaries between theater and reality begin to blur.

Stage registration of the sixth comedy special by the Dutch comedian Micha Wertheim. The comedian notices that he has found his own audience through the years. But Wertheim also notices that his audience projects their own biased opinion on the performance, and there's nothing that Wertheim can do to change that opinion.

Stage registration of the fourth comedy special by Dutch comedian Micha Wertheim. A show about anger, repetition, change, and repetition.

In this comedy show (the only full show by Jeroen van Merwijk that has been captured on screen) the Dutch musical comedian talks and sings about Mozart, America, the invention of new words and death.

The Dutch musical comedians Theo Nijland, Maarten van Roozendaal, Jeroen van Merwijk and Kees Torn sing and play a selection of their songs to promote the Dutch theater song.

Affected by tragedy, a married couple decide to role play a blind date.

Live from Toomler, Amsterdam. Micha Wertheim tells about his time in hospital when he was treated for thyroid cancer.

Матерый, циничный, но не слишком удачливый политический журналист Пьер получает задание взять интервью у актрисы с русским именем Катя — звезды мыльных опер и «бэшных» хорроров. Задание это его не слишком сильно радует, так же как и саму Катю совсем не радует общение с малоприятным типом, задающим ей дурацкие вопросы. Тем не менее, Кате и Пьеру предстоит незабываемый вечер в обществе друг друга. Вечер игры в эмоциональные кошки-мышки. Причем ответ на вопрос кто охотник, а кто жертва, отнюдь не очевиден…

A middle-aged journalist interviews the real-life Dutch star Katja Schuurman, in her own loft. Pierre, the journalist is annoyed at being given such a fluffy assignment, as he is normally a political correspondent. Initially he has no questions for Katja, but soon they are coaxing their darkest secrets out of each other.

Documentary about the Dutch theatregroup the Werktheater. The aim of the company was to create socially relevant theater by means of cooperative processes and improvisation. They often played their performances on location, such as in hospitals, prisons, healthcare institutions and schools. In this documentary, those involved are interviewed about this remarkable theater group.