Hebe Camargo is one of the most emblematic entertainments in Brazil. At her 60s, she went on to control her own career and, despite the criticism, the dreadful husband and the powerful and sexist bosses, she revealed herself to the public as an extraordinary woman, capable of overcoming any personal or professional crisis.
Dear Mom centers on the conflictive relationship between Heloisa, a recently divorced doctor, and her mother Ruth. Heloisa blames Ruth for her bad relationship with her own daughter, her failed marriage, and even her unsuccessful career. It’s a conflict that worsens when Ruth, after being diagnosed with cancer, finds out that Heloisa has fallen in love with Leda, a painter she met at the hospital where she works. The new relationship is not well accepted by her family, let alone by Ruth, which worsens the friction between them.
Successful at work, Fernanda is an example of women of the third millennium, free to make their choices and independent. Yet in her personal life she finds herself struggling to find a husband. Like other women of her generation, Fernanda put her personal life on hold to devote herself to her career and now suddenly feels her love life situation has become an emergency. Being single at 39 is quite different from being single at 29, after all "the fertile egg has an expiration date"!
This film documents in depth the life and artistic trajectory of the musician and poet Itamar Assumpção. He was one of the pillars of a moment of Brazilian popular music that was conventionally called "Vanguarda Paulista". Starting from extensive research which resulted in more than 250h of images and a dive into the personal universe of this incredible artist, Itamar comes up with a poetic, intuitive plot where facts and testimonies speak louder than preconceived ideas.
Five maids in São Paulo are observed in this episodic, impressionistic film. The women interact with each other, ride busses, work, and have longings: Rai for a husband, Créo for her lost daughter, Roxane for a career in modeling. Quitéria is naive, a gull for thieves. Cida has a husband and also a lover. While each woman gets what she wishes for (more or less), it doesn't always make things better.
