Julia Ianina

Julia Ianina

Рождение : 1983-02-09, São Paulo, São Paulo, Brazil

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Julia Ianina

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30 Years Blues
Andre and Diego are two former filmmakers that are dealing with the 30-years-old crisis. Diego think that the solution to his problems is to get married and have kids while Andre seek to reestablish his youth again by having a relationship with a 20-year-old girl. An intimate portrait of relationships by Latin American elite.
Malasartes e o Duelo com a Morte
Fiandeira
Small-town trickster Pedro Malasartes has to face two great enemies: Próspero, who will do anything to impede such a lazy, cowardly person like Malasartes from dating his sister, Áurea; and Death incarnated, who wants to take a vacation after two thousand years collecting lives and intends on tricking Malasartes into assuming his tedious job.
Os Amigos dos Amigos
Histórias por Telefone
Fragma
Mulher
Two lives look for meaning into a time that was lived, dreamed, and above all, felt.
Thiago Pethit: Moon
Video for Thiago Pethit's "Moon."
Cara ou Coroa
Lilian
During the Brazilian military dictatorship in the seventies, two brothers working on a play will risk their lives to help the resistance.
3%
Bruna
A post-apocalyptic thriller set in near-future Brazil, where a select few are allowed to join a privileged society after undergoing an intense and competitive process.
Карандиру
Francineide
Если бы Сатана искал местечко для филиала ада на Земле, ему не пришлось бы долго возиться. Наверняка им стала бы тюрьма Карандиру, самое жуткое исправительное заведение в Бразилии. Фантастическая антисанитария, отвратительная еда, охранники-садисты и нарушения всех мыслимых прав человека сделали ее печально знаменитой задолго до того, как однажды в 1992 году доведенные до отчаяния заключенные Карандиру подняли мятеж. Полиция с огромным трудом потопила восстание в крови, убив 111 человек. В итоге, из-за разразившегося международного скандала властям пришлось разрушить тюрьму до основания как символ национального позора.
The Rehearsal
Isa, a young artist invited to propose a project for an exhibition, sets out to stage a dramatic adaptation of ‘The Posthumous Memoirs of Bras Cubas’, a satirical 19th-century novel by Machado de Assis. The rehearsal is marred by difficulties which the viewer must interpret as being due to the fact that Isa is a woman, young, black, all of the above, or as difficulties anyone would encounter.