Takeshi Caesar

Izo is an assassin in the service of a Tosa lord and Imperial supporter. After killing dozens of the Shogun's men, Izo is captured and crucified. Instead of being extinguished, his rage propels him through the space-time continuum to present-day Tokyo. Here Izo transforms himself into a new, improved killing machine.

Sequel to 'Fighting Knife Yoshi'

Kazuki spends his days training to leave his home town and become the best cook in Japan.

The story follows a trio of Japanese youths of Chinese descent who escape their semi-rural upbringing and relocate to Shinjuku, Tokyo, where they befriend a troubled Shanghai prostitute and fall foul of a local crime syndicate. Like many of Miike's works, the film examines the underbelly of respectable Japanese society and the problems of assimilation faced by non-ethnically Japanese people in Japan.

Nostalgia is Takashi Miike’s favorite film of his considerable body of work. Including biographical elements, Nostalgia centers around the home and school of a young boy, whose family mix the violent and dysfunctional with the comic and the loveable. Though containing elements of the sudden and shocking brutality that many associate with this director, Young Thugs – Nostalgia is more concerned with a child’s moment of leaving the internalized world of fantasy, and passing on eagerly to the next stage of life. A wonderful, touching, startling vision that is uniquely Miike’s.

After being brutally murdered in a gangster-style execution, Kensuke Hagane (Tsuyoshi Ujiki) finds himself brought back to life by a mad scientist and rebuilt as a robot-human hybrid with a serious thirst for vengeance and the tools to carry it out. Takashi Miike directs this action-packed sci-fi thriller that takes its cues from the more mainstream Robocop but amps up the violence for maximum effect.

A Takashi Miike film that is, to a degree, autobiographical-- Young Thugs: Innocent Blood follows three friends through their first year after leaving high school. Having robbed their teacher on their last day, Ryoko gets a job in a hair salon, while the two boys settle down into a career of enforcement and protection.

Семья потомственных якудза Фудо: папа и двое сыновей. Взрослый сын принимает активное участие в клановых буднях, а младший Рики Фудо ещё малыш. Один поспешно отданный старшим сыном приказ приводит к напряженности между гангстерскими кланами. Чтобы загладить ошибку сына, старший Фудо отсекает мечом голову спящему Фудо-среднему на глазах у случайно оказавшегося рядом Рики, которую впоследствии с демоническим хохотом предъявляет собравшимся на сходку боссам других кланов. Проходит 10 лет. Подросший Рики Фудо – тихий и приятный старшеклассник руководит собственным школьным бандформированием.

Dangerous street fighter Kazuyoshi Tamai finds out that his rival, Takeshi, is the leader of a gang responsible for a series of assaults. Kazuyoshi is ready to face off against Takeshi, but comic challenges keep his nemesis out of reach. It's not until years later -- when Kazuyoshi becomes a championship boxer and Takeshi is a pro wrestler -- that they meet again in a battle that pits two combatants with very different fighting styles.

When Masaki find themselves at a bar owned by his friend Akemi and ponder the recent strange happenings. He later accepted a proposal from his old rival Hattori and join the Todo-gang. A member, Hazama, beeing jealous over Masakis high rank and starts planning ways to get rid of the newcomer from the gang.

Одна семья японской якудза бьется с другой из-за бизнеса. Один полицейский решает остановить кровопролитие. При этом он действует нестандартными методами: насилует мужчин и женщин, от которых хочет добиться показаний.

A young foot soldier in the yakuza seeks revenge when his prostitute girlfriend dies after a session with a high-ranking Japanese politician with a taste for torture. He sets out on a 'kamikaze' mission to kill his bosses and the politician; along the way, he acquires the aid of a taxi driver who has recently returned to Japan after living in South America for several decades and is struggling to cope with poverty and the prejudices of native-born Japanese.