Himself
Over the course of more than fifteen years, Clémenti films a series of intimate diaries, starting from daily encounters. In La deuxième femme, we see Bulle Ogier and Viva, Nico and Tina Aumont, Philippe Garrel and Udo Kier, a performance by Béjart, a piece by Marc’O, concerts by Bob Marley and Patti Smith (not always recognisable)... It’s like a maelstrom of psychedelic images that are passed through a particle accelerator.
Robert - Assistant
Рене Видаль, режиссер, находящийся не в лучшей форме, решает сделать ремейк немого фильма 1915 года "Вампиры" Луи Фейяда. Не найдя подходящую французскую актрису на главную роль Ирмы Веп (анаграмма имени "Вампира"), он приглашает Гонконгскую звезду Мэгги Чун, хотя она не знает французского. Актриса настолько входит в роль, что в свободное от съемок время начинает слоняться по крышам и вести себя странно.
The journey on the edge of an ocean of a poet, two terrorists, a film-maker, a reporter and two lovers, in search of a ship leaving for Nowhere. A ship like hope for all those who wait: the misguided, the misaligned, the displaced, the exiles that we are at certain times, that we are one day or another, a little earlier, a little later.
The guest (uncredited)
Мюриэль замужем за издателем, который открыто заводит любовные романы. У неё взрослый сын, который скоро будет жить самостоятельно. Единственным развлечением в её пустой, но обеспеченной жизни являются посиделки с подругами за чашкой кофе. Не желая отставать от мужа, Мюриэль тоже заводит интрижку. Чтобы договориться с мужем о разводе, она нанимает частного детектива, чтобы документировать свои измены.
Pierre Clémenti's Soleil presents a psychedelic meditation on his life and his detention in an Italian Prison in 1972.
"Chronicles of the Present Times" - An experimental trilogy comprising 'Visa De Censure No.X', 'Livre De Famille' and 'Anima Mundi'. New Old flows together footage from more than a decade of his wandering between scenes, sets, and drugs, an accelerated world tour through various iterations of the counterculture.
(uncredited)
Shot in 1967 but not released until 1975, actor Pierre Clémenti’s acid-infused experimental whirlwind of colour and music featuring a who’s who of the French 60s underground.
Baby
A composition of symbolic, surreal and almost mystic images.
Positano is an island of the Amalfi Coast that Neptune would have, according to legend, created for the love of a nymph. Perched on the rocks of the island, the house of Frédéric Pardo and Tina Aumont became in 1968 a meeting place for the underground community. Pierre Clémenti stays there for a while and makes images of dazzling sensuality. Beyond Pierre Clémenti's intimate love of these faces and bodies often naked in this Mediterranean landscape, the film reveals the moving beauty of a utopia where living together could still be achieved in a territory of sharing and permanent creation. Flow of perceptions of consciousness, visual impressions, physical impregnations, the work of Pierre Clémenti is an ode to sensuality and "life-cinema".
Half family photo album, half ciné-tract, the film was shot in Paris during the events of May ‘68 and in Rome where the actor was featuring in the film Partner by Bertolucci. Rediscovered in a basement in 1999, this silent film appears to be one of Clémenti’s most purely beautiful and concentrated works, at times recalling Brakhage and Eisenstein. - MUBI
