Nora Goulart

Isolated on the beach, the powerful business woman Frederica prepares an awaited New Year`s party. In the middle of a marriage crisis with photographer Constantin, which affects directly her teenage daughter, she has to manage her life and the career of pop icon Lenny, who decided to write a mysterious work alongside writer João Wommer. When a strange creature appears from the bottom of the sea, the crisis takes place in the web of affections, and Frederica will have to face her biggest fear: loss.

Ernesto, a seventy-eight-year-old Uruguayan photographer living in Brazil, faces the limitations of old age. One day, Bia storms into his life. And Ernesto realizes that aging can be about rejuvenating with the company of a girl.

40 years after fighting for what he thought was new and revolutionary, a former anonymous militant against the now fallen Brazilian dictatorship is accused of being conservative, antiquated and anachronistic by his own son.

Photographer gets involved with a family as he seeks for a new model in a small town.

Written in 1625 by the British playwright Ben Jonson, the play “The Staple of News” provides a historic root for this discussion about the role of the press in modern day Brazil. Journalists of several generations discuss the dilemmas of the selection and focus of their subjects, the resistance of the media in accepting itself as a political agent, the inevitability of interpretation as there are no hard facts in nature, and above all the search for an always complex balance between credibility and the public’s growing demand for news.

Picucha may seem old-fashioned, but she has modern ideas and a great sense of humor. As the matriarch of a big family, she is involved in the daily lives of her children, grandchildren and other relatives. Undeterred by the typical problems of old age, she uses her many years of experience to solve problems in the best way possible.

Ciba (Rodrigo Santoro) is an independent investigator who works together with the police. A typical fallible hero who struggles with strong personal issues, while preventing crime and injustice. His partner, Deputy Ulisses (Luis Miranda), is a well-meaning professional who recognizes the difficulty in securing his function using only common artifacts, and Ciba's unofficial contact is of utmost importance for the progress of his investigations.

The countryside of Rio Grande do Sul, and high-school student, Daniel, spends a normal adolescence life with his family, studying, riding his bicycle, playing games on the Internet and expecting one day to move to the big city of Porto Alegre. Daniel has a crush on his girlfriend Mim, who has just broken up with him but is still his friend, and his best friend, Lucas, is one of the best students in São Lucas High-School. Daniel is the son of Elaine and the photographer Daniel, who left Elaine when she was pregnant and moved alone to Thailand. Daniel is raised by Elaine and his stepfather Antônio, and shares a house with his half-sister, Maria Clara. One day, Daniel receives a letter from his biological father, who has malaria, and he is reluctant to open the envelope.

When they discover their town lacks funding for a sewage system, but does have a federal grant to make a movie, a group of villagers decide to make a sci-fi joint about a monster who lives in the building site of a septic tank.

When they discover their town lacks funding for a sewage system, but does have a federal grant to make a movie, a group of villagers decide to make a sci-fi joint about a monster who lives in the building site of a septic tank.

To whom does the poison belongs? to the young lovers? or to their parents, whom in old hands "behold rusted hatred"?

To whom does the poison belongs? to the young lovers? or to their parents, whom in old hands "behold rusted hatred"?

After her boyfriend's death, a successful executive finds some unfinished scripts in the dead man's computer, and decides to make a film of them. Her relationship with the world of movie-making is going to change her life.

A reporter goes out to investigate a suicide.

Eder (Lázaro Ramos) is arrested after confessing the murder of a man. Duca (Darlan Cunha), a 15 years old boy who is Eder's nephew, wants to prove the innocence of his uncle, he's sure that his uncle confessed the crime to protect his girlfriend, Soraya (Deborah Secco), ex-wife of the deceased. Duca also wants to win the heart of Isa (Sophia Reis), a classmate who seems more interested in his best friend, Kid (Renan Gioelli). To be able to prove his theory, Duca gets help from Isa and Kid.

Betrayed wife of a powerful and corrupt Senator, turns him in, and his fraud schemes and lies are exposed. After one of his lovers commits suicide, he has his illegitimate son kidnapped and taken to a decadent seaside resort in the country's extreme southern coast. The Senator chooses another former lover to take care of his son, and the two of them become involved beyond that of a mother son relationship.

André, 19, lives in Porto Alegre, Brazil, and works as a photocopier operator. He likes to see his neighbor Sílvia with a pair of binoculars. She works selling clothes. Becoming attracted to her, he tries to get nearer, and goes to her shop to buy something, but finds out that he can't afford it. So he puts the photocopier to other uses, and begins to envisage fishy schemes to earn some money.

A coming of age dramatic comedy dealing with the effect that two "summers" have on the lives of several teenagers. The main story involves an innocent teenage boy and a conniving teenage girl who meet on a beach one summer in Southern Brazil. They meet up again the following summer

A couple's last moments: their meetings, separations and a sandwich.

Dolores, a beautiful, wealthy and paralyzed woman, hires detective Otávio to follow her husband Inácio and find out what his real relationship is with a young woman named Alice. A story of lies, false leads and obscure motivations, in which four characters of dubious morals try to appear honest to each other.

Mockumentary on a German moviemaker and an old vampire film in Southern Brazil.

A tomato is planted, harvested and sold at a supermarket, but it rots and ends up in the trash. But it doesn’t end there: Isle of Flowers follows it up until its real end, among animals, trash, women and children. And then the difference between tomatoes, pigs and human beings becomes clear.