Elena Ceaușescu

1968, The Socialist Republic of Romania. Women catch up on the latest tendencies in beachwear, the young hippies of Hamburg are harshly criticized by Romanian students, while Nicolae Ceaușescu reads the famous defiance speech against the intervention of the Warsaw Pact troops in Czechoslovakia. Floating solemnly over all this is The Internationale, sung on a stadium by a crowd of pioneers dressed in white shirts and red ties. A certainty for each probability: the documentary is at the same time a history lesson and an ideological warning sign, the director’s endeavour permanently draws our attention to the functions of the propaganda film, yet without tarnishing the fascination that dwells in the core of the images, that of the figures that wave at us from a past buried in commonplaces and political parti pris.

Two journalists born in the mid '80s decide to take a look back at how their country changed in the last 30 years since the fall of communism. The end product is a documentary containing footage of political events and historical milestones significant to Romania accompanied by a narrator's voice walking the viewer through the events, and also interviews with Romanian politicians and other influential public figures sharing their thoughts and their different views on those events.

A first hand account of one of the biggest cases of human trafficking during the Cold War. A story of greed, courage, hope and remorse.

The three-hour-long documentary covers 25 years in the life of Nicolae Ceaușescu and was made using 1,000 hours of original footage from the National Archives of Romania.

Фильм, составленный из любительских снимков и передач государственного румынского телевидения после его захвата демонстрантами в декабре 1989 года, показывает первую в истории революцию, в которой решающую роль сыграло телевидение.

Veteran journalist and author Edward Behr spent a year investigating the rise and fall of Nicolae Ceausescu. Executed on Christmas Day 1989, Ceausescu was once a hero to his own people, and in the west. Behr's film reveals the truth behind the myth, in a tale of megalomania, farce, and horror.