Chung Mong-Hong

Мать и дочь вынуждены справляться с разногласиями и недопониманием, застряв вместе на карантине во время пандемии COVID-19.

Мать и дочь вынуждены справляться с разногласиями и недопониманием, застряв вместе на карантине во время пандемии COVID-19.

Мать и дочь вынуждены справляться с разногласиями и недопониманием, застряв вместе на карантине во время пандемии COVID-19.

“Leg” follows the journey of a wife who battles to keep her husband’s body intact after he dies of a leg amputation.

“Leg” follows the journey of a wife who battles to keep her husband’s body intact after he dies of a leg amputation.

“Leg” follows the journey of a wife who battles to keep her husband’s body intact after he dies of a leg amputation.

A group of former high school pals see their friendship put to test amid their struggles with love, marriage and careers.

A group of former high school pals see their friendship put to test amid their struggles with love, marriage and careers.

Судьба простой семьи из четырёх человек, оказавшейся под гнётом неожиданной трагедии, несбывшихся желаний и непоколебимой гордости.

Судьба простой семьи из четырёх человек, оказавшейся под гнётом неожиданной трагедии, несбывшихся желаний и непоколебимой гордости.

Судьба простой семьи из четырёх человек, оказавшейся под гнётом неожиданной трагедии, несбывшихся желаний и непоколебимой гордости.

Девушка по имени Сяо Мэй внезапно исчезает. Без следа и объяснения. Девять людей из ее жизни пытаются сопоставить свои воспоминания и странные домыслы о пропавшей, найдется место и неожиданным откровениям, что напускает еще больше туману на личность Сяо Мэй.

Девушка по имени Сяо Мэй внезапно исчезает. Без следа и объяснения. Девять людей из ее жизни пытаются сопоставить свои воспоминания и странные домыслы о пропавшей, найдется место и неожиданным откровениям, что напускает еще больше туману на личность Сяо Мэй.

Security guard Pickle and his trash collector friend Belly Button kill time together in night shifts watching the American-educated boss's dash-cam recordings of his various sexual encounters with women. Against the buddies’ will, something horrifying rather than erotic reveals.

Security guard Pickle and his trash collector friend Belly Button kill time together in night shifts watching the American-educated boss's dash-cam recordings of his various sexual encounters with women. Against the buddies’ will, something horrifying rather than erotic reveals.

Мелкий жулик На Доу, промышляющий угоном скутеров, решив завязать и найти стабильную работу, случайно становится наркокурьером. Отправляясь на очередную доставку, он садится в машину хитрого пожилого таксиста Сюя, не подозревая, что за безумная поездка ждёт его впереди.

Мелкий жулик На Доу, промышляющий угоном скутеров, решив завязать и найти стабильную работу, случайно становится наркокурьером. Отправляясь на очередную доставку, он садится в машину хитрого пожилого таксиста Сюя, не подозревая, что за безумная поездка ждёт его впереди.

Мелкий жулик На Доу, промышляющий угоном скутеров, решив завязать и найти стабильную работу, случайно становится наркокурьером. Отправляясь на очередную доставку, он садится в машину хитрого пожилого таксиста Сюя, не подозревая, что за безумная поездка ждёт его впереди.

A-Chuan, a quiet 30-year-old man working as a chef in a Japanese restaurant, collapses suddenly and is rushed to a hospital. His colleagues send him to his father, who resides in the mountains. While there, A-Chuan becomes immobile: he won’t speak, eat or even go to the toilet on his own. One day his father returns from work only to find A-Chuan sitting in the corner with his daughter lying dead in a pool of blood. In an unfamiliar, eerily calm voice, A-Chuan says, “I saw this body was empty, so I moved in.

A-Chuan, a quiet 30-year-old man working as a chef in a Japanese restaurant, collapses suddenly and is rushed to a hospital. His colleagues send him to his father, who resides in the mountains. While there, A-Chuan becomes immobile: he won’t speak, eat or even go to the toilet on his own. One day his father returns from work only to find A-Chuan sitting in the corner with his daughter lying dead in a pool of blood. In an unfamiliar, eerily calm voice, A-Chuan says, “I saw this body was empty, so I moved in.

A-Chuan, a quiet 30-year-old man working as a chef in a Japanese restaurant, collapses suddenly and is rushed to a hospital. His colleagues send him to his father, who resides in the mountains. While there, A-Chuan becomes immobile: he won’t speak, eat or even go to the toilet on his own. One day his father returns from work only to find A-Chuan sitting in the corner with his daughter lying dead in a pool of blood. In an unfamiliar, eerily calm voice, A-Chuan says, “I saw this body was empty, so I moved in.

10+10 is a project initiated by the Taipei Golden Horse Film Festival to demonstrate the solidarity between Taiwanese film-makers. 20 directors are invited to make a 5-minute short film each on the theme of the “Uniqueness of Taiwan,” but allowed total freedom in all other aspects.

Ten year-old Xiang faces a lonely future after his father dies. Just when he thinks he's going to spend his life in the orphanage, his estranged mother shows up. And his life changes forever... A loveless mother, a hateful stepfather, a chilly home. Where's Xiang heading to? He finds comfort in drawing and his work reveals his longing for care and affection. Life is full of hope again when he meets the old school janitor who doesn't show his kindness easily and a portly man who has crazy ideas and is haunted with nightmares of his brother. A scary truth is about to be unmasked. Will Xiang be able to depict his own image in the fourth portrait?

Ten year-old Xiang faces a lonely future after his father dies. Just when he thinks he's going to spend his life in the orphanage, his estranged mother shows up. And his life changes forever... A loveless mother, a hateful stepfather, a chilly home. Where's Xiang heading to? He finds comfort in drawing and his work reveals his longing for care and affection. Life is full of hope again when he meets the old school janitor who doesn't show his kindness easily and a portly man who has crazy ideas and is haunted with nightmares of his brother. A scary truth is about to be unmasked. Will Xiang be able to depict his own image in the fourth portrait?

Ten year-old Xiang faces a lonely future after his father dies. Just when he thinks he's going to spend his life in the orphanage, his estranged mother shows up. And his life changes forever... A loveless mother, a hateful stepfather, a chilly home. Where's Xiang heading to? He finds comfort in drawing and his work reveals his longing for care and affection. Life is full of hope again when he meets the old school janitor who doesn't show his kindness easily and a portly man who has crazy ideas and is haunted with nightmares of his brother. A scary truth is about to be unmasked. Will Xiang be able to depict his own image in the fourth portrait?

On Mother's Day in Taipei, Chen Mo makes a date for dinner with his wife, hoping to bring their estranged relationship back together. While buying a cake on his way home, a car unexpectedly double parks next to his car, preventing his exit.

On Mother's Day in Taipei, Chen Mo makes a date for dinner with his wife, hoping to bring their estranged relationship back together. While buying a cake on his way home, a car unexpectedly double parks next to his car, preventing his exit.

On Mother's Day in Taipei, Chen Mo makes a date for dinner with his wife, hoping to bring their estranged relationship back together. While buying a cake on his way home, a car unexpectedly double parks next to his car, preventing his exit.

In 1996, Dr Wen's son, committed suicide in their home in Iowa City. Devastated, Dr Wen moved to Miami and years later would treat a young boy from Peru with cancer named Sebastian. Sebastian's optimism inspires Dr. Wen as we follow this inspiring story of youth and compassion.

Since the early 1990s, there had been a deep concern in Taiwan about the Lungmen Nuclear Power Plant (aka the Fourth Nuclear Power Plant). In 1994, a local referendum at Gongliao, where the nuclear power plant was to be built, was held and 96% of voters voted against its construction. Chung Mong-hong combined images from the resistance with that of Taiwan's local festivities and religious ceremonies. Juxtaposed in an experimental style and accompanied by Christian chants, these images appear fragmented but reference each other, before transitioning to a more social realist style. The work depicts the shifting urban landscape of Taipei, capturing the collective memories of the locals, demonstrating Chung’s unique and astute observation of the society.

Is being in a foreign land, separated from one’s familiar daily life and human relationships, another form of escape? Four seemingly unrelated footages from CHUNG Mong-hong's overseas studies represent a contemplation of the foreign land and self-identity. Fleeting images of the city, surrealist compositions, the multifarious landscapes and imageries presage CHUNG’s early experimental features. The monologue at the end narrates the absence of the father and the resulting solitude and regret, reflecting CHUNG’s delicate sensibilities towards family and human relationship. The local religious chants serve as a stark cultural contrast against the life overseas, highlighting the cultural barriers and loneliness brought about by estrangement.

In this short filmed during Chung Mong-hong's study in the United States, a giant cross hovers above, as floating images of the city segue into the vast expanse on the beach where an exorcism is underway, with people holding crosses and self-flagellating, contrasting with the skyline on the other side of the city, the nostalgia and alienation of the sojourner. During the exorcism, a voice-over relates the varied reactions of the bystanders. What is ‘exorcism’, and how do symbols, sounds and imagery relate to each other? In this highly experimental work, Chung compares the director’s montage with the process of exorcism, offering an alternative interpretation and reconstruction of the film’s structure and narrative.