Gabriel Barylli

In the life of TV presenter Lisa, everything revolves around her talk show, celebrities and the ratings. There is just as little room for love as there is for her mother Maria. When the 66-year-old loses her memory after a fall in her apartment and wakes up in the hospital, she can only remember that she has never been to New York and sets off immediately. Lisa goes in search of Maria with her makeup artist Fred. She struck gold on a cruise ship that was just leaving for New York. As stowaways, the three have no choice but to earn the passage. While Fred is hired as an assistant by the Greek on-board magician Costa, Lisa and Maria have to work in room service. The crossing soon takes surprising turns for mother and daughter: Maria falls in love with the charming dancer Otto, who supposedly knows her from before, and Lisa takes a liking to the widowed statistician Axel Staudach, who is traveling with his son Florian.

At some point in the not-so-distant future, an unnamed European city has evolved into a bizarre dystopian metropolis, whose residents inhabit towering utopian high-rises and work, collectively, in a single compound.

Любовь... не столько счастье, сколько испытание и лишнее потрясение, неумолимо ведущие к трагедии...Наследник австро-венгерского престола Рудольф в любой момент может стать императором. Его жизнь принадлежит Империи. Рудольф несчастлив в браке. Многие дамы хотели бы оказаться рядом с ним, но только баронесса Вечера смогла зажечь в нем настоящее чувство. Их яркая, сумасшедшая любовь была заранее обречена...

Biologist Karin Aich hopes to reintroduce wolves in Bavaria, making many enemies, including her own neighbors and family, along the way. One of her few supporters is a girl who befriends a feral wolfdog.

The new forester Georg Walch wants to put the poachers out of business. Believing that the animal will return to him, the poacher Wolf Pachler leaves him his hunting dog Krambambuli. The feature film "Krambambuli" is based on the eponymous novella by Marie von Ebner-Eschenbach, the script was provided by Felix Mitterer. The main roles are played by Tobias Moretti, Gabriel Barylli and Christine Neubauer.

After the last concert of a long tour, Dr. Kurt Ostbahn retires to his favorite café to relax. He is suddenly dragged into a bizarre criminal case. His vacation then fills with vice, perversion and murder. Of course, this is not just a story; Dr. Kurt Ostbahn experienced everything himself! The characters are not inventions; they are personal acquaintances of Dr. Ostbahn. Only the names and details have been changed so as to make them barely recognizable. And the story is more exciting than real life.

German Comedy

German Comedy

German Comedy

Короткое семейное счастье сменили ожидание и неудовлетворенность. Луи, офицер французской армии, ушел на войну, а Жанна слишком молода и чувственна, чтобы все это время томиться в одиночестве. Французская женщина есть французская женщина. Она не в силах отказаться от чудесного дара любви. И готова заплатить за него высокую цену.

Germany, around the turn of the century. When sailor Poldi returns to his Bavarian home village after many years at sea he falls for his childhood friend Dorle. But Dorle is already promised to the village blacksmith Domini. A bitter rivalry between the two ensues.

The Distant Land (German: Das weite Land) is a 1987 Austrian-German drama film directed by Luc Bondy. It was screened in the Un Certain Regard section at the 1987 Cannes Film Festival. Based on a play by Arthur Schnitzler, which is generally referred to in English as The Vast Domain and was also adapted by Tom Stoppard as Undiscovered Country.

Picking up where "God Does Not Believe In Us Anymore" leaves off, Freddy struggles to find work after arriving in New York in 1940. His world of refugee acquaintances includes the depressed daughter of a poet/delicatessen owner, an aging surgeon who cannot find work, and a lovable charlatan photographer. Corti's trilogy continues with "Welcome in Vienna"

Телевизионнный фильм. Третий фильм из цикла «Туда и обратно» австрийского режиссёра Акселя Корти. Два еврея — Фредди, эмигрировавший из Вены после гитлеровского вторжения, и Адлер, бывший левый интеллектуал из Берлина — возвращаются в 1944 году в Австрию солдатами американской армии. Фредди влюбляется в дочь фашиста, Адлер пытается перейти в коммунистическую зону. Однако с наступлением холодной войны и обострением антисемитизма, идеализм обоих разбивается о всеобщий цинизм, оппортунизм и самообман.

In preparation for Operation Overlord, the Allied invasion of Nazi occupied territory, the 'overlords' were the few Allied agents who knew the details of the operation. When one them is captured by the Germans, a double agent must infiltrate occupied Paris, with the help of a high level German officer and the French resistance.

In October 1936, a high official in the Austrian government receives a letter from a German Jewish woman with whom he had an affair in 1925 asking him to help place an 11-year-old, half Jewish boy in a good Austrian school. Is the child his? Should he help? And above all should he help now, at a time when Nazis are becoming powerful in Austria?

Within the span of 48 hours "contemporaries" encounter each other. In the middle is Max, who lost his job years ago because of his affair with the wife of an influential man. The story of an encounter which turns out badly because the people involved can't quite communicate.

Kurt Gerber is attending his final class and gets into trouble with the math professor, a frustrated self-assured petty bourgeois sadist. The duel ends in catastrophe.