Rain Li

Сексозависимая лос-анджелесская тусовщица Мэдс с мелкокриминальными наклонностями и непоколебимой любовью к Иисусу берёт на продажу партию наркотиков. Но после бурной вечеринки товар и выручка пропадают, и теперь над Мэдс и двумя её лучшими подругами-подельницами нависает угроза не самого приятного знакомства с безжалостной бандиткой Квини. Девушки решают залечь на дно, притворившись монахинями.

A mother and daughter reunite after having not been in touch for ten years.

A mother and daughter reunite after having not been in touch for ten years.

BEIJING, NEW YORK is a touching and complex love story that bridges time, distance and culture, intertwining the lives of two Chinese childhood friends and an American artist. It is set against the backdrop of economic power shift between China and America. As the film's complex love triangle takes the audience on a wild ride, interweaving its way through the plot and each character's unique existence, it ultimately forces each of them to face life's eternal questions head-on. BEIJING, NEW YORK is a truthful and thrilling look into the journey to find true happiness and the joy, pain and adventure that ensues when one is forced to integrate their dreams into reality.

BEIJING, NEW YORK is a touching and complex love story that bridges time, distance and culture, intertwining the lives of two Chinese childhood friends and an American artist. It is set against the backdrop of economic power shift between China and America. As the film's complex love triangle takes the audience on a wild ride, interweaving its way through the plot and each character's unique existence, it ultimately forces each of them to face life's eternal questions head-on. BEIJING, NEW YORK is a truthful and thrilling look into the journey to find true happiness and the joy, pain and adventure that ensues when one is forced to integrate their dreams into reality.

BEIJING, NEW YORK is a touching and complex love story that bridges time, distance and culture, intertwining the lives of two Chinese childhood friends and an American artist. It is set against the backdrop of economic power shift between China and America. As the film's complex love triangle takes the audience on a wild ride, interweaving its way through the plot and each character's unique existence, it ultimately forces each of them to face life's eternal questions head-on. BEIJING, NEW YORK is a truthful and thrilling look into the journey to find true happiness and the joy, pain and adventure that ensues when one is forced to integrate their dreams into reality.

Marcus and Kate moved to a residential neighborhood in New England. He is a frustrated architect, she is a young housewife who has discontinued her studies. The daily newspaper of a crisis is strictly narrated among the immutable spaces of the bourgeois suburbs: houses, gardens, shopping centers.

Бобби находит телефон и сообщает об этом в телефонную компанию. Через 5 минут раздается звонок, и незнакомец, представившись Дмитрием, говорит, что это его телефон, и просит отдать его. Бобби и Дмитрий договариваются о встрече около ресторана. Телефон опять звонит, и уже другой голос в трубке заявляет, что это его телефон, и он хочет его забрать…

Prominent cinematographer Christopher Doyle continues to hone his talents as a director with this thriller set in Eastern Europe and inspired by the as-yet-unsolved murder of a Polish politician in 2001. A young prostitute is spending the evening with a prominent Polish official when he's suddenly assassinated in Warsaw. In the aftermath of the hit, the triggerman takes the prostitute to an apartment and subjects her to a complex personality replacement program designed to wipe out any memories she may have retained about the evening's events.

Портлендский тинейджер Алекс каждый день ходит со своим скейтбордом в парк, где катаются ребята, но сам попробовать не решается. Поглубже натягивает капюшон, когда до него доносятся рассуждения о предстоящем родительском разводе, тяжело вздыхает, примериваясь к необходимости потерять девственность с парочкой очевидно запавших на него девиц, и особенно напрягается, когда в его школе возобновляются допросы о загадочной гибели полицейского, которого на днях нашли мертвым в соседнем железнодорожном депо.

Парень влюбляется в девушку, но упускает момент для знакомства. Муж планирует расстаться с супругой, но именно в этот момент она показывает ему результаты обследования: последняя стадия рака... Этот фильм - мозаика из восемнадцати историй о разных проявлениях любви, каждая из которых происходит в разных округах Парижа.

Парень влюбляется в девушку, но упускает момент для знакомства. Муж планирует расстаться с супругой, но именно в этот момент она показывает ему результаты обследования: последняя стадия рака... Этот фильм - мозаика из восемнадцати историй о разных проявлениях любви, каждая из которых происходит в разных округах Парижа.

This program features three digital short films by Asian filmmakers. Singapore veteran filmmaker Eric Khoo's NO DAY OFF (39 min) records the life of a maid who leaves her husband and baby for Singapore. Darezhan Omirbayev's ABOUT LOVE (38 min) is a bitter love story based on Anton Chekhov's novel, in which a lonely math teacher falls in love with her married university classmate. Pen-ek Ratanaruang's TWELVE TWENTY (30 min) depicts the encounters of a man and a woman on a long haul flight, where they spend the next twelve hours and twenty minutes reading, drinking, eating and watching movies and sleeping by each other's side, as if they are a married couple.

One of three films commissioned by the Jeonju International Film Festival in 2006. It is a short film based on Beauty and an Airplane, a short story by Gabriel Garcia Marquez, Ratanaruang's film tells the story of a man (Ananda Everingham) who falls in love with a woman (Khemapsom Sirisukha) he sees at the check-in counter of an airport. Most of the film takes place in the sleek blackened interior of the plane's cabin -- the camera panning between the two seats, lighting now one, now the other of the occupants. The two passengers never exchange a word, title cards occasionally allowing us to know what the man is thinking. Those familiar only with his work on Dumplings or Wong Kar-wai's films might be surprised at cinematographer Christopher Doyle's uncustomary restraint. Christopher Doyle doubles as both taxi driver and captain in the film.