Mojca Gorogranc

Asja, a 40-year-old single woman living in Sarajevo, who meets Zoran, a 43-year-old banker, at a dating event. Zoran is not there looking for love though, but for forgiveness. During the war in 1993 he was shooting at the city from the opposite side, and he wants to meet his first victim. Now, they both have to relive the pain in their search for forgiveness.

A road trip comedy about a pig that is about to lose her virginity amid a brewing war.

Two best friends spend an afternoon on a football field, dreaming of making it to the local football team. But dreams come with a price.

Павел, травмированный гибелью девушки во время теракта в Тель-Авиве, нехотя соглашается на предложение своего одноклассника Плеха, который ищет нового штурмана дрона для съемок рекламы. Так же случайно Павел становится оператором на съемках избирательной кампании кандидата в президенты и постепенно втягивается в мир большой политики вместе с меркантильным Плехом – тот видит в кандидате «золотого гуся», который поможет нажиться. Идеалистическое мировоззрение Павла, мечтающего засудить Джорджа Буша за преступления в Гуантанамо, входят в противоречие с философией Плеха, считающего, что потребительство – тоже своего рода способ проявить общественную активность.

У Уны и инопланетного робота есть 24 часа, чтобы найти ее дедушку, который был похищен инопланетянами. Экстраординарное приключение приведет к дружбе, рациональная роботизированная логика сменится эмоциями, а самоотверженная любовь Уны спасет ее инопланетную семью.

The stories narrated by the film bring together individuals all over the world, spanning over sixty years and thus symbolically covering the approximate period of a single human life. Each of the stories is based on true accounts and events, summed up from newspaper articles, statements, and media announcements. Through internal monologues the collage makes up a whole which transcends any individual story.

Three different love stories, set in three consecutive decades, in two neighbouring Balkan villages burdened with a long history of inter-ethnic hatred: this is a film about the dangers – and the enduring strength – of forbidden love.

A family finds itself in a dead-end situation. They are only safe behind the walls of their own house and yard. As time vanishes from their home, the shelter slowly turns into a prison. However, nothing can keep the children from dreaming and yearning to be free and the urge to make a decision seems inevitable.

In order to perfect his research, Robert travels to Italy, where he meets an unusual homeless man. Overwhelmed and confused by the unexpected encounter with that mysterious man, Robert begins to follow him and disappears without a trace...

Young Koko has just moved with his parents from his idyllic countryside home to a big city. There, with the help of his new friends and a neighbour he investigates the mysterious case of a dead old man who used to live in the flat he has just moved into. Koko and the Ghosts is a family film based on a popular Croatian series of young-adult novels written by Ivan Kušan.

Nikola is a man who knows how to really enjoy life; he's even able to rouse sympathy for his sinful ways. His brother turns a blind eye to his philandering although, with a broken marriage behind him, he doesn't have a clear conscience, either. Is there anything positive to be said about infidelity, or does it simply deserve the utmost contempt, particularly when it's more premeditated than spontaneous?

Александра — 23-летняя студентка факультета английского языка в Любляне. Она не слишком увлечена учебой и более всего стремится заработать денег для лучшей жизни. Никто не знает, что Александра рекламирует себя под ником «Словенка», и что проституция ее тайный источник прибыли. «Словенка» скоро становится популярной в таблоидах, и Александре становится все тяжелее врать своим друзьям и особенно своему доброму и искреннему отцу. Но у нее нет выбора, ведь сказать правду будет значить потерять все.

The daily hardships of a war-scarred Bosnian village, where all that remains are widows and orphans, are painstakingly documented in this first feature from director Aida Begic. Snow offers insight about the psychological aftereffects of the 1992-95 civil war from a distinctively female point of view without showing any of the brutality or carnage.

At a small border-post on the Yugoslav-Albanian border, yet another generation of soldiers suffering the usual amount of boredom awaits the end of their service, counting days to the moment when they should take their uniforms off for good. It is the spring of 1987 and the thought never even crosses their mind that they would, in fact, put them back on quite soon and go to war.

Peter is in his early forties and until recently he worked in a factory, but after Slovenia's integration into the European Union, the factory closed down and Peter and his colleagues have been made redundant. Slowly but surely, he is losing self-confidence and self-esteem.

Guti (35, Slovenian) and Sig (50, Icelander) wake up naked and handcuffed to one another on a riverbank near Ljubljana. Sig suffers from memory loss, while Guti recalls a fight with skinheads Sid drunkenly participated in and Guti tried peacefully to intervene in. Sig has no passport or any clue about his identity—the skinheads have taken everything he owned. Guti is trying to build a new home for himself on a river raft after losing his house to the bank and his life to his ex-wife. He introduces Sig to his friends—suburban misfits, who remind Sig of a legend of the hidden people.

For the first time in his life, Miro (40) spends the night with a prostitute someone sent to him in a hotel after a business.