Tomas' 3-year-old daughter was kidnapped by soldiers during the war in Guatemala, and 20 years later, he learns that she is living only 150 miles away.
Don Ramón
In Guatemala, violence is contagious. The neighbors of Villas de La Esperanza, in fear of an eventual invasion of those infected by violence, arm themselves and patrol nights, risking their lives for the safety of their families. But battling violence with violence only spreads the contagion, and the neighbors will realise that the greatest danger is not what lurks outside their secure gated community. The real danger lies within. In Guatemala violence is contagious, and we are all infected.
Joel is a 28 year old slacker who gets up every morning to drink beer and play his guitar. His older sister interrupts his daily routine by asking him to take care of her 6 year old kid. Joel thinks he can handle it, but things get complicated when the kid disappears from the house.
Johnny Montes
LENCHO, a 30-year-old artist and graffiti writer, is back in Guatemala after living a decade in New York. Eager to bring artistic expression to his home country silenced by over 30 years of terror, Lencho assembles a collective of artists to produce public art projects of social impact. As its first activity, the group organizes an art festival in Rabinal, a small, indigenous village in the Guatemalan highlands. The group's work comes of interest to the director of a secret "social cleansing" program of the national police designed to quash dissension and organizing among the youth. As Lencho labors to coordinate the music, poetry and muralism components of the festival, he finds himself increasingly haunted by memories of the death of his father, a journalist during the civil war. "El Regreso de Lencho" portrays one man's journey to self-knowledge and action: can Guatemala do the same?
Dandy pensión
Juan Gutiérrez, 44, an electrician, has been unemployed for a long time. He decides to leave his family to go find work in Madrid, believing that in the big city the opportunities will be greater. Once there, he discovers that things are not as he believed. He is an electrician. He doesn't want to clean windshields at stoplights or clean cabarets at dawn. He wants to work as an electrician. Occasionally she meets Andy, a Caribbean mulatto who boasts bulletproof optimism. With his sharp wit, he manages as best he can, trying not to be found by the immigration authorities. Despite the distances, "Gallego" and "Sudaca" become friends.
Tío José
Spain, 1974. A teenager and his father are traveling in a car that is the only property they have. Their life is a continuous move by desolate coastal apartments in the tourism low season. When forced to change route and get away from sea, their lives will change dramatically.
