Thecla Boesen

Based on Bjarne Reuter's 1975 juvenile novel, even broader comedy strokes are employed in the film version, but bright spark Bertram is still at the center of things when a nice but dubious uncle (he has a criminal record) takes all the kids of a working class family, hit with bad luck, away on an outing. A plot is cooked up to kidnap some rich kid. It works at first, but soon things get out of control.

The young headmaster of a boy's boarding school has decided that due to the virility of his young charges, they are a sort of national treasure. He believes that his school should become co-educational as soon as possible. In order to raise funds for the changeover, the boys stay behind during their summer vacation and temporarily convert the school into a love hotel.

The last day of school before the summer, held farewell to the school year. Hurray a long summer ahead. Rikke joined the feminist and is demonstrating against marriage.

Thomas, a naive young dental student, faces a rather difficult challenge. His millionaire aunt, a bit of a sex nut, will give both him and his dental school millions if he can prove that he is sexually able and skillful. His schoolmates hear rumors of this trial, but understand the challenge to be for him to keep his celibacy.

Police constable Møller'og psychiatrist Dr. Mogensen will have something to watch as the Pusle to everyone's surprise finds out that she can do magic. On her birthday she gets sent an ancient, magical figure from her uncle in South America. On the same day Pusle's parents has to travel to London, and the large family is now left to strict aunt Alma.

Erik and Lisbeth are getting married and then honeymoon to Austria. When Mom and Dad need to have another baby, the four small decides to go on the honeymoon as well. They hide in the caravan and come unseen to Austria. Since they do not have passports, Erik can not just send them home. The children are only listed in their mother's passport and she is in the hospital giving birth. Lisbeth and Erik have to take care of the kids. It provides a lot of fun entanglements between the wedding couple and the children. Erik and Lisbeth doing now what they can just get a few moments alone. However, there is always something, so it will be an unforgettable honeymoon with my sister's children.

Erik Lund is a child psychologist and defend a doctoral thesis on the subject. His knowledge is at the very theoretical level, and he will be seriously trouble when he for a time has to babysit his sister's six children ranging in age from baby to teenager. Fortunately, the neighbor cute daughter, Lisbeth has a more practical take on things.

I en lille provinsby residerer bankdirektør L.W. Jacobsen. Han er ikke særlig interesseret i sin kone, Elsebeth, men derimod i lærerinde og byrådsmedlem frk.Mortensen. Thorsen, byens manufakturhandler er medlem af samme byrådsgruppe som Jacobsen. Så kommer Don Olsen til byen. Olsen er ikke interesseret i det pænere borgerskab, men derimod i mennesker. Ved et tilfælde mødes Thorsen og Olsen og snart drikker de dus. Thorsen slæber ud på natten mælkemandens hest med hjem i lejligheden. Skandalen er en realitet. Thorsen vil flygte, men med Olsens hjælp bejler han i stedet til byens borgere og frk.Mortensen under mottoet "Gør gode tider bedre"

Forelsket i København is a 1960 Danish romance film directed by Finn Henriksen and starring Siw Malmkvist.

dansk film skal ses

Everyday portrayal of a single father with four children

-Søren Holm bliver præst i den lille by Harslev. Sognerådsformanden fru Andersen blander sig i præstefamiliens privatliv, og da Søren, for at komme i tale med byens mandlige ungdom, spiller med i en fodboldkamp, bliver fru Andersen gal. Halvdelen af sognet vender Søren ryggen. Men Søren gør et godt arbejde for ungdommen og efterhånden bliver han med degnens mellemkomst både accepteret af sognerådet og af byens ungdom.

Двое актёров путешествуют по миру, выступая в роли профессиональной танцевальной пары, которая с трудом сводит концы с концами. Йон — мечтатель, а Ирена — приземленный реалист. Ирена расширяет свой образ, изображая разочарованную женщину, отражающую тяжелую жизнь, через которую она прошла. Разочарованный оптимизм Йон переходит к насилию, что приводит к драматическим последствиям.

A lost hat brings a powerful director and an aspiring actress together.