Birgit Brüel

Half a century ago, Brazilian composer and musician Antonio Carlos "Tom" Jobim (1927-1994) introduced bossa nova to a worldwide audience with "The Girl from Ipanema." This relaxed, cool, sensuous music blended jazz and samba. After recording an album of songs by his friend Jobim, Frank Sinatra is reported to have said, "I haven't sung so quietly since I had laryngitis." Naturally, "The Girl from Ipanema" and Frank Sinatra are featured in this musical collage of countless seamlessly edited excerpts of concert footage that cover decades of events all over the world: from Rio de Janeiro to Lisbon, Paris, Copenhagen, Jerusalem, Tokyo, Montreal, New York and back to Rio.

Nick is a handsome 13-year-old runaway whose search for a family leads him into the arms of male prostitution. While Nick's sexual exploits with strange men keep his pockets lined with cash, the experience does nothing to preserve his waning innocence. Soon enough, he's as hardened as a man three times his age.

The last movie in the Thralls-trilogy.

A three part story about the plague, religion and revolt in Northern Europe in the period 1349 to 1542.

From a working class coming-of-age novel, Morten Arnfred fashioned his feature film to recapture the feel, the sting, the pain, but also the spirit of solidarity of the 1950s in the metropolitan city of Copenhagen: at the center, young Johnny, helpless, hapless, happy, unhappy, going through the motions of growing up. Bodil awards: Best Film and Best Actor (Allan Olsen).

A story about the thrall boy Halte who is being sacrificed to the Gods after he tries to kill a rich man.

A middle aged married woman suffers from depression. Her husband suggests she get a dog, but instead she gets a job. Treatment of the women workers leads her into a hilarious fantasy in which roles are reversed and bearded men sit behind typewriters worrying about their looks and what to buy for dinner. She gets involved in a strike and loses her job, but has found some friends and a more positive attitude to life.

This is a film about the stuff dreams are made of, yet, there is nothing elevated in this concept, on the contrary. The characters around the bar Strudsen (the ostrich) are doing what ostriches do, hiding themselves from the threats of life and keeping their dreams to themselves. Scriptwriter Benny Andersen being a poet is rendering a loving portrait of a number of persons, who fail to try to make their dreams come true, possibly not being sufficiently dissatisfied with their life after all. The manager would like a bar of his own but dare not admit to it, the butcher would like to be an opera singer, the window cleaner (sorry, window polisher) is secretly in love with the bar lady, but dare not show it and the pianist willingly listens to all the different dreams being presented to him. This film was the best accomplished movie from Henning Carlsen since his debut with 'Sult'.

Teacher Jan, who is married to Ingrid office lady, falls in love with the divorced teacher Tone. Ingrid agree that Tone moves in with them, and that the two women has Jan together as theire lover After a crisis is Jan and Ingrid divorced. Jan finds a third woman, while Ingrid and Tone holds together

A look at what happened when Denmark abolished censorship in the late 1960s.

The film is a window into the world of fifteen-year-old Tim, sharing his joys and sorrows and his first encounter with love, during the German occupation of Denmark in World War II.

In this romantic drama, Niels (Jens Osterholm) is a petty thief and irresponsible lout who meets Lone (Yvonne Ingdal), a hospital lab assistant who is just the opposite of Niels. The two meet, fall in love, and must learn the old adage that opposites attract. The unenviable Niels and the model citizen Lone are helpless to fight their passionate chemistry when they are together.

A group of better-off thirty-somethings meet for a weekend in Knud and Beth's home. The host couple is prone to bickering regularly. The married couples (Jan and Ilse, and Kjeld and Tove) that are visiting understand and try to stay out of the way. Bachelor Lars, however, comes into his own and is a constant source of provocative comments.

Ib Schønberg is again the kindly father - and now he is crowned "the ideal driver". This means that he can take all his four children to winter holiday in Norway.

Frederik Larsen (Lau Lauritzen Jr.), a sailor and has sailed since he was 15. Now he has lost the desire for a sailor life, especially after his best friend Bob was lost in a hurricane. When his ship docks at Copenhagen, shortly before Christmas, he signs off with all his hire on the pocket. He seeks accommodations in sailor home Bertel, located on the nice side of Nyhavn. Here he can stay and eat for very little money. He delivers his kitbag to the concierge Henrik (Mogens Hermansen) before he was lured by accordion music and the laughter that comes to him from the "naughty" side of Nyhavn. In the Cafe "The black sails", he accidently joins Inger (Lisbeth Movin) at the same table, whose profession is not in the phone book, although it is the world's oldest. Inger is in the company of an unemployed stoker Vladimir W. Olsen (Poul Reichhardt) that is full of scams, and has a good mood.

Everyday portrayal of a single father with four children