Ning Ying

Novice flight attendant Sasha was looking forward to her first flight, but nervous. On the plane, she inadvertently offends a male passenger. He was a handsome and suave man - a typical diamond bachelor. Moreover, he turns out to be thoughtful and considerate. A time passes they become attracted to each other.

The film is inspired by the story of Hao Wanzhong, a policeman in Ordos, Inner Mongolia. Following his career, through the inner workings of a modern Chinese police department in Inner Mongolia. While rising through the ranks Hao Wanzhong successfully solves difficult cases. His story carries us through vicious murders, corruption, and social unrest, against a backdrop of majestic winter landscapes, opulent cities and the raw industrial districts of this remote region of China. Hao's obsession with detective work leads to his meteoric rise from beat cop to district police chief, however his maniacal dedication comes at a cost, a cost to his family and ultimately leads to his death. - Written by Sean O'Dea

Chen Ping protects a young boy named "Christophe" from his kidnappers.

A film by Ning Ying.

Hangzhou, China, the present day. Chen Congming, an associate professor at a medical college who is popular with his students, alarms his superiors with his theory that everyone has the potential to go crazy, and that the dividing line between sanity and insanity is paper-thin.

Niuniu, a wealthy middle aged woman living in Beijing, discovers that her husband is having an affair after coming upon a romantic e-mail. She knows only that it is one of her close friends but not which one. Determined to discover the truth, she invites her friends Qinqin, a ditsy actress, Lala, a successful artist, and Madam Ye, a property developer over to her lavish siheyuan home. There the four women share stories of their sexual past over food and mahjong. Niuniu, however, still has her plan to execute...

Railroad of Hope consists of interviews and footage collected over three days by Ning Ying of migrant agricultural workers traveling from Sichuan in China's interior, to the Xinjiang Autonomous Region, China's northwest frontier.[1] Through informal interviews aboard the cramped rail cars, Ning Ying explores the hopes and dreams of the workers, many of whom have never left their homes before.

Selected for the Venice Biennale. A short documentary made on the "Commune by the Great Wall": a contemporary architectural museum of private houses designed by 12 Asian artists. (Cinematography: Andre Kawazudi.)

Filmmaker Ning Ying returns to her favorite theme – the gradual decay of traditional Chinese values and culture at the dawn of the 21st century – in this low-key drama. Desi (Yu Lei) is a cab driver who has recently broken up with his wife. Lonely, Desi is searching for a new love, and as he drifts through Beijing in search of fares and a girlfriend, he sees a city that is increasingly bending to the influence of the West, with traditional pastimes and customs forced to make way for the onslaught of the free-market economy. Xia Ri Nuan Yangyang has been screened on the international film festival circuit in two different versions; the cut shown at the 2001 Rotterdam Film Festival ran 99 minutes, while the film was only 79 minutes when it appeared at the Berlin Film Festival that same year.

Filmmaker Ning Ying returns to her favorite theme – the gradual decay of traditional Chinese values and culture at the dawn of the 21st century – in this low-key drama. Desi (Yu Lei) is a cab driver who has recently broken up with his wife. Lonely, Desi is searching for a new love, and as he drifts through Beijing in search of fares and a girlfriend, he sees a city that is increasingly bending to the influence of the West, with traditional pastimes and customs forced to make way for the onslaught of the free-market economy. Xia Ri Nuan Yangyang has been screened on the international film festival circuit in two different versions; the cut shown at the 2001 Rotterdam Film Festival ran 99 minutes, while the film was only 79 minutes when it appeared at the Berlin Film Festival that same year.

Filmmaker Ning Ying returns to her favorite theme – the gradual decay of traditional Chinese values and culture at the dawn of the 21st century – in this low-key drama. Desi (Yu Lei) is a cab driver who has recently broken up with his wife. Lonely, Desi is searching for a new love, and as he drifts through Beijing in search of fares and a girlfriend, he sees a city that is increasingly bending to the influence of the West, with traditional pastimes and customs forced to make way for the onslaught of the free-market economy. Xia Ri Nuan Yangyang has been screened on the international film festival circuit in two different versions; the cut shown at the 2001 Rotterdam Film Festival ran 99 minutes, while the film was only 79 minutes when it appeared at the Berlin Film Festival that same year.

1996 film

Take crime out of police work, and what's left is procedures. In the western sector of Beijing, we follow the tedium of police officers. A rabid dog is loose in Guoli's beat: a gang of police officers hunts it down. Then, word comes from on high to pick up all the dogs in the sector: fear of rabies combines with the dogs' being status symbols of the nouveau riche. Occasionally a criminal is picked up: someone selling porn, someone running a three-card-monte game. Cops smoke, go to meetings, and hold trainings. They patrol on bicycles and enforce edicts. Guoli works nights. He's lazy at home, his wife wants him to do more. Is there any more to do?

Take crime out of police work, and what's left is procedures. In the western sector of Beijing, we follow the tedium of police officers. A rabid dog is loose in Guoli's beat: a gang of police officers hunts it down. Then, word comes from on high to pick up all the dogs in the sector: fear of rabies combines with the dogs' being status symbols of the nouveau riche. Occasionally a criminal is picked up: someone selling porn, someone running a three-card-monte game. Cops smoke, go to meetings, and hold trainings. They patrol on bicycles and enforce edicts. Guoli works nights. He's lazy at home, his wife wants him to do more. Is there any more to do?

Take crime out of police work, and what's left is procedures. In the western sector of Beijing, we follow the tedium of police officers. A rabid dog is loose in Guoli's beat: a gang of police officers hunts it down. Then, word comes from on high to pick up all the dogs in the sector: fear of rabies combines with the dogs' being status symbols of the nouveau riche. Occasionally a criminal is picked up: someone selling porn, someone running a three-card-monte game. Cops smoke, go to meetings, and hold trainings. They patrol on bicycles and enforce edicts. Guoli works nights. He's lazy at home, his wife wants him to do more. Is there any more to do?

Required to retire from his job as a utility man at a Peking Opera theater, Old Han is at loose ends, wandering the backstreets of Beijing looking for something to correct.

Required to retire from his job as a utility man at a Peking Opera theater, Old Han is at loose ends, wandering the backstreets of Beijing looking for something to correct.

The debut film by Chinese director Ning Ying, starring Shi Puyuan, Fang Zheng, Ma Xiaoqing, and others. Tells the story of a pair of friends who went to the karaoke hall as musicians but were involved in smuggling.