Фильм рассказывает о дружбе грузинских и словацких виноградарей. На фоне этой дружбы развивается главный сюжет фильма - любовь словацкой девушки Дарины и грузинского парня Заура.
Who could forget the Favorites figure Svákov Ragan in acting creations neopakovatel'ného Jozef Kroner? Three-part television film Sváko Ragan, created according to stories Ela Sándor already at its first introduction many years ago, soon won favor with audiences. Brought not only good fun, but also an attractive view of a world Myjavská site with many rustic Alpine traditions and characters and witty dialect used, especially Myjavský and Brezovský. Above all this, however, it is dominated by the ability to invent Svákov Ragan was even in the most uncomfortable situations ... Brezovskí tanners have been known not only to the quality of its products, but ischopnosťou their products at fairs successfully foreground. Highly after the fairs and markets in the near and distant surroundings Birch Nachod and Sváko Ragan and no wonder that their business has seen wandering the lot but cheerful and made many hilarious but also less hilarious "deal" ...
The bank officer Bedrich Hroch is sent by the bank director to the zoo, which asked an allocation of one and half kg of gold for a gold tooth for a hippo. During the check up of the hippo's teeth Bedrich is swallowed by the hippo. The man does not die in the hippo's guts and he chats quite happily with his frightened wife Dása. Journalist Pip Karen, his friend is also present to the dialogue and he has immediately an idea how to use this special situation. He tells to the new minister Borovec and his opponent professor Fibinger that there is a hippo in the zoo which can speak. He also tells them how to use this situation for a political propaganda.
1943. Captain Ian Nalepke, Chief of Staff of the Slovak regiment, bearing protection of military facilities in the small town of Belarus contacts the partisansand passes to them the obtained information about upcoming operations of the German forces.
A story of a man threatened by a fatal illness evaluating his life (the number 322 in the film title stands for the diagnosis of one kind of cancer). He understands his illness as a form of punishment for his cruel deeds in the 1950s. In the face of reality and his efforts to cleanse himself he hits a barrier of indifference, lack of interest, and individual and collective selfishness. He has to find his own reconciliation with his illness and his past and present life.
