Ana Moreira

Педру, Мария и Паулу, трое неразлучных молодых людей, сталкиваются с драмами и разочарованиями, типичными для их возраста. Их встречи - единственные моменты счастья и свободы, где они экспериментируют и рискуют, чтобы никто не мог знать... Дома Педру находит безработного и апатичного отца, отсутствующую и скрытную мать. В тот день, когда дедушка Антониу переезжает в Лиссабон из деревни, внук сталкивается с дилеммой: дать возможность тем, кто действительно хочет с ним познакомиться, или соблюдать договор о свободе, который связывает его с друзьями...

Years after her son's disappearance, a mother keeps trying to find him after an abduction that justice cannot solve while she is moving in a universe that wants to force her to mourn a child that she believes is still alive.

'In the course of my cleaning duties, I examined the belongings of each guest of the hotel and observed through the details, lives that will remain unknown', says the temporary Chambermaid in a large seaside hotel, which, unable to communicate, lives through a rigid methodology of analysis of the exterior and a ritualised quotidian. Until the uncontrollable comes to disrupts this dynamic. Hotel Royal is fragmented and incomplete mosaic of contemporary societies. It could be dubbed a film about the horrors of the soul, about voyeurs or simply about misfits.

Several Portuguese creators occupy the director's chair in this collective short film shot during the COVID-19 pandemic shutdown in an unfolding of personal perspectives.

Can a turtle, the most pacific animal on earth, start a range of significant events that are going to forever change a couple's life? After dividing all their assets, Arnaldo e Barbara still have one decision to make before they formalize their separation: what to do with the turtle? Amongst hesitation and failed solutions, unintended burglaries, police stations, plastic natures and misunderstandings, a single turtle fate is postponing this couple's separation. Because they know that, when they give the turtle back to its natural habitat, their relationship will be over. Are they ready for that last step?

Поначалу никто им не верит, но весть об этом разносится по всей стране, что становится толчком для масштабного паломничества в Фатиму. Десятки тысяч религиозных паломников начинают стекаться к этому месту в надежде стать свидетелями чуда. То, что они испытают, навсегда изменит их жизнь.

Cinema and affections from life in images and what goes on outside the frame. 'Snapshots' of shootings and the present-day memory of directors, actors and technicians.

A woman returns. Now that the night has fallen, a storm approaches.

In an abandoned aqua park, a boy and a girl hide from the exterior world.

In an abandoned aqua park, a boy and a girl hide from the exterior world.

Double revenge in two separate stories. Set in both a near future and the historical past, revenge is served not by violence, but by love.

Marta and Jorge have been a couple for seven years. All their friends think they are living a perfect romance. Too perfect, perhaps, for the despair of all: Bruno, who is much younger than Marta but madly in love with her; Lígia, who is Bruno's sister and Marta's best friend and would love to see her brother happy; Carlos, Jorge's friend, who maintains a superficial romance with Lígia while secretly in love with Marta; and for Jorge himself, who is afraid this idyllic romance will imprison him and, convinced that his love and his lover's desire to marry will take away his freedom, decides to show her the way into Carlos arms.

Ubi Sunt. Porto. Cartography of an imaginary place attracted by the margins (social and geographical) Hybrid and eclectic project, it is the outcome of a audiovisual research residency of humam and urban exploration of an expanding city. Ubi sunt qui ante nos fuerunt?, meaning "Where are those who were before us?". Reflective essay on mortality and life's transience, it emerges from that dialectic, of a and episodic and fragmented structure with a choreographed cinematography; where the memory intersects the contemporary.

Rosa, a recently single mother holds on to the idea of getting back with her ex. After a few public tribulations Rosa ends up locked in a room by him. Only to be saved later by a young neighbour, who will not only help her get out of the room but also to move on with her life.

Joli returns home after spending a long period in rehab. Her father, Anthony, a famous city politician, is quite concerned about her conduct and reintegration into society. This is the time when father and daughter will fix the broken ties of the relationship.

The tragedy and comedy in Carlos' life begins, grows and ends like the tragedy and comedy of Portugal. In the company of his close friend, João da Ega, allegedly a brilliant writer, Carlos, with his idle existence as an aristocratic doctor, spends his time to enjoying friends and lovers. Until he falls in love. She is a new character in this revolutionary novel. It's a vertiginous passion that goes beyond that past gloominess to reach a new and darker abyss, incest.

In the sixteenth century the Padrão Real hung from the ceiling of the Map Room in the Casa da Índia. It was a secret map, guarded from the eyes of foreign spies, which was changed and reworked with the comings and goings of each expedition. Aided by scientific equipment to measure distance, the navigators dreamed up the representation of the expanses that they had covered. When at sea, they looked up to the heavens and gauged their path by the stars, hands drawing in space fictional lines that carved territories. Upon returning to shore, they took the map that had previously belonged to others as their own, erasing divisive lines and constructing new borders. The map that they followed has been lost over time, and what remains of it is a stolen copy, made from memory by one of the cartographers in order to outwit enemies.

Умирая, эксцентричная старушка просит двух соседок разыскать некоего мужчину. Женщины находят незнакомца, который рассказывает им трогательную историю их любви в колониальной Африке и их преступления, после которого они больше никогда не виделись.

On a day like any other, a woman leaves work and heads to a party in the outskirts of Lisbon. On her way there she sees a man ready to jump off a bridge. She stops the car and approaches the man, trying to save him.

Somewhere on top of a mountain, there is a miraculous cave: it is the PARIDEIRA. Tells the legend that if an infertile woman enters there, she becomes pregnant out of the cave. But for that to happen, an adult must die within that night.

Inspired by the mythology of "Boco do Inferno" and the magical practices of Crowley and his followers in "Boudoir", a closed woman in your room performs a ritual, like all rituals, will have its consequences.

Lisbon, today. In a room of a house at Douradores Street, a man invents dreams and theorizes about them. The essence of the dreams itself becomes physical, palpable, visible. The text itself materializes in its musicality. And, in front of our eyes, this music can be felt with the ears, brain and heart. It spreads itself in the street where the man lives, in the city that he loves above all and over the entire world.

Quitterie, a 40 year-old woman, relives the great love for her deceased 18 year-old Japanese partner, by successively meeting up with young strangers.

A young French actress in Lisbon to shoot a movie is intrigued by a nun she sees kneeling in the chapel where she is filming.

In a dystopian future where survival of all life on the planet depends on the ragged remnants of what used to be the Amazon rainforest, eco-activist couple Rob and Ryan acknowledge the fact that their mission to save humanity from extinction is doomed. Leaving the rainforest behind, they and adopt little Sasha, born of a young woman who rented her womb for money only to die giving birth. Forced to look straight into the cynicism and selfishness of their choices, while Apocalypse rages around them, Rob and Ryan must finally face their own contradictions without hypocrisy.

Adaptation of a 1987 novel by Agustina Bessa Luis, a multi-generation exploration of a wealthy family with a mysterious past and a house on the island of Madeira.

A loner, narcissistic and suicidal teenager attracts most of the people he meets like a fatal aura, a black light. He falls deeply in love with Teresa but does she exist or is she a mere figment, an image, a reflection? Teresa is an apparition. A pretext for an amoral violent uprising, for doomed love.

The darkness of night, a barely lit place, motorbikes flirting with danger: a group of teenagers at a crossroads playing chicken with unaware passing cars. Jota (Eduardo Frazão) stands out from this group, unclassifiable; his destiny has no straight lines save those on the asphalt. Jota lives in permanent conflict with everything and everybody in his small town. No room for stillness. And then comes Margarida (Ana Moreira). Jota has no inside, Margarida has no outside. In spite of, or because of, that, they meet. What can they do? They can just ride, they can get away with it even if its all messed up. Love is to be lived.

A man has to sell the home he has spent such happy times in. His daughters have grown up and left. Reluctantly, he shows the house for some buyers: a young couple with a kid. When they arrive, in love and so happy, the house owner sees a reflection of himself years before. This unexpected glimpse of his past makes handing over somehow easier to bear…

Sonia, a girl from St Petersburg, decides to seek a better life in western Europe. She first gets a job at a car dealer in Germany. But she is suddenly kidnapped and sold into sexual slavery. She will be dragged from country to country and resistance will only bring her misery and humiliation.

There are two months to the end of High School Spanish classes in Lisbon and it's time to decide the destination for the end of year trip. That decision will cause a real "Civil War" between two irreconcilable groups: the "class nerd", who propose the typical cultural trip to Paris, and "freeloaders" who prefer to enjoy the week in Benidorm, the "New York's Costa Blanca ".

In a remote island where mourning was settled, a man decreed that there will never be sex or children anymore... The island gets desolate and he decided to send his daughter, Adriana, to the mainland to form a family by natural methods.

Christmas Night. A man, a serial killer gets out in order to search another victim. The thoughts could be our own but the end is unpredictable.

It's summertime and the bosom of the family Setién comes a foreign student, Mina, whose stay in the house has entered the Summer University. Mine will live with the family and in return, provide language classes to the children of the family. Mine hides a tortured personality, contradictory and deceitful, it is a homeless woman-child who desperately seeks to be part of a normal family and fleeing a mysterious and painful past.

An intriguing story about a family and a manor house (where some terrible crimes were committed in the past by a member of that family) adapted from a novel with the same title by Tabajara Ruas.

When almost everyone in their senses (or in their powers to do so so) has left a Western European Capital of millions of people under the threat of a colliding commet, a bar stays open in defyance. Two lovers are too self absorbed but not so much so that between drinks they cannot realise the barmen's infatuation with the lost girl who thinks she's just his last plaything and keeps playing jukebox songs (American/French-Italian/American) to that effect.

A philosophy-obsessed serial rapist stalks a university campus in broad daylight.

Ana lives in a little village by the sea, with her husband and daughter. He decides to leave for a few days. That seems to be the ideal solution, because Ana needs to finish a work she has been doing for a long time. But her concentration seems threatened when she starts doing her daily walks by the village and the beach: she saves a stranger from death in the sea, meets young Alexandre and Emilia, and her friend Vera turns up in her house. And then, everything changes…

A touching and tragic real life story about a group of Portuguese fishermen who get caught in the middle of a storm in the Tejo river (Lisbon) and struggle to survive.

Three homeless teenage rejects struggle to survive together. Of them, Andreia is pregnant, while Pedro and Ricardo hustle, steal and are exploited by a pornographer.