Norman Helms

Marco Valois wants to direct a serious movie inspired by the life of a soldier living with post-traumatic stress disorder. He soon realizes that the young soldier home from Afghanistan won't open up that easily. Marco, willing to do just about anything to get his story, follows Éric Lebel to his hometown.

Three friends go on a fishing trip. Well ... that's what everyone believes.

Томми — 10 с половиной лет, и он очень хорошо знаком социальным службам. Его считают «угрозой обществу», поэтому помещают в специальный центр для несовершеннолетних. Жиль, сотрудник этого центра, пытается вытащить пацана из мира всепоглощающего насилия, в котором тот пребывает.

When gambling addict Michele moves in with her childhood friend Janine, their teenaged daughter’s burgeoning friendship produces both humorous and heartbreaking results.

Молодой американец просыпается в порту канадского Монреаля — голый, избитый и без памяти. Единственное, что он помнит, так это то, что его имя «Джеймс Брайтон» и что он гей. Парень тщетно пытается вспомнить, что с ним случилось накануне.

Suspecting that the cecassion of the tides may indicate an impending earthquake, Seismologist Alice arrives in her hometown of Baie-Comeau, Quebec to commence her investigation. Soon confronted by numerous figures from her past, the unusual weather and inexplicable behavior of the citizens lead Alice to believe that something beyond her comprehension is occurring to her old hometown...

After 20 years of marriage and almost perfect love, Sophie leaves her husband Gilles for another guy. Many misadventures await Gilles in his nervous breakdown, while trying to get a way to reclaim his love back to Sophie.

Marcel and Joseph are tireless walkers. Their itinerary is an invitation to discover improbable places and fascinating people. Everlastingly looking for Stanley, Marcel’s only friend, they meet an unlikely crowd of extravagant characters. Each has a story to tell, his hope to share.

Through clever stylistic composition, this experimental film shows that everything is interdependent, even in the arts, and that, inevitably, both the artist and the viewer are being manipulated.