Núria Gago

Жизнь сталкивает нас с ними каждый день. Неприятный сосед, коллега на работе, подруга, выходящая замуж, безумная семейка на улице, старый знакомый или хитрый продавец. И никто не знает, о чем же они думают на самом деле. Может им просто хочется вас убить? Семь историй, в которых чёрный юмор соседствует с кошмаром, а смех превращается в крики ужаса.

Bea is a successful architect who lives in Barcelona (Catalonia, northeast to Spain) with her boyfriend and boss, Víctor, a CEO of an important company. During a night celebration of an important contract signed to make a skyscraper designed by Bea, in the bar appears the famous TV reporter and anchorwoman Rebecca Ramos, Victor's personal erotic fantasy. Not measuring the consequences of her actions due to the alcohol she drank, Bea makes a meeting between Víctor and Rebecca. When to the next day she wakes up, Víctor proposes to wed Bea and she accepts, but after she arrives to the job, Bea learns about a videotape where Víctor and Rebecca make the love in a car that it's in all TV channels. In front of all CEOs during a full meeting, Bea slaps Víctor and destroys her design, being fired from the job. Looking for a break, she travels her natal coastal town, Santa Clara, just to discover that her rest isn't so easy as it seems: her eccentric, free-spirited and eternal smiling mother ...

Уиджи — это доска для спиритических сеансов вызова душ умерших. Ее называют доской Дьявола, потому что общение с загробным миром не обходится для живого человека без последствий. Тот, кто берет в руки Уиджи, должен знать, что она обладает страшной властью открывать врата чудовищному злу, противостоять которому практически невозможно. Вероника, красивая и веселая старшеклассница, даже представить не могла, чем для нее закончится то, что она считала невинной игрой. Игра с Уиджи впустила в жизнь девушки не только призрак умершего отца, но и саму Смерть.

A woman tormented by her past meets an old man with whom she immediately connects.

David is a boy who sends signals into space and has contact with an extraterrestrial. Twenty years later, his rocket is finally ready to see him again.

В канун нового года пассажирский поезд терпит аварию и застревает на пустынном участке. Время неумолимо движется к полуночи, а помощи все нет. Пассажиры теряют последнюю надежду встретить праздник в кругу своих близких. Уныние сменяется отчаянием и подозрительностью. Всем начинает казаться, что один из путешественников — опасный преступник, вынашивающий кошмарные планы…

Maria is 30 years old, she is a peculiar person and has one goal: become a normal person. But first of all she must discover what is exactly this. Which kind of person is she? Is she a normal person? What does exactly means? That question goes deeper into her mind. After she lists every requirements, she proposes to reach them. In that journey she will find her brother's help, Alex, a 25 years old boy who is mentally challenged and achieves every list requirements. She meets Borja as well, a boy obsessed with diets and lose weight. They will make a curious pact: she helps him to live an active and healthy live, and he helps her to meet her goal: become a normal person.

A month's vacation with the family can mean a lot, which is what Lily realizes when she returns home after several years living abroad. Her mother, a character with an exceptional simplicity, forces her to visit their relatives, giving her a family tour through the abandoned landscape of her childhood making her explore her own frustrations, limitations and faults we all inherit.

Silvia is a young girl marked by a dark childhood. When she is barely twenty-five, she decides to start over and to face the people, feelings and emotions that keep her bound to the past. In her fight against adversity and against herself, she will learn to control her fears and become an adult, responsible for her own actions.

Молодого Диего ровно накануне свадьбы бросает невеста. Он придумывает план, согласно которому пропажу невесты необходимо скрыть, появиться в церкви в день свадьбы, напиться, прочитать речь, заново влюбиться в свою первую подружку… и вернуть невесту.

"Serrallonga" is the story of a bandit who becomes a legend, in a hard time when the struggle to survive was the main concern of a people enslaved by hunger and with banditry as one of the few exits from misery. Joan Sala, alias Serrallonga, is above all a rebel. Robberies and assaults make him admired by the people and his legend grows unstoppably until the end of his days.

When a man of identical appearance to him is killed in the street, scientist Diego Durand realises that the flashes of déjà vu that torment him are part of a sinister secret past that he must uncover.

A 40-year-old woman feels that people do not value her as a person, so she decides to woo a colleague with the help of an actress and a table-tennis coach.

A group of friends in their 30's meet at a bar in Buenos Aires everyday. They used to hang here as students, laughing at the world, and now they still dream of changing the world from the cafe's table. Unable discuss politics or football, the only thing they can talk about is women. When one of their friends commits suicide, a female from his past shows up to confront old feelings.

A Sunday, three young friends read the obituary of a schoolmate with whom long ago they lost contact. They go to the morgue and realize that they are wrong: that burial is not that of their fellow student. From this, the confusion and random weave a story of friendship, love and death.

Adolescent Hector faces a major lifestyle change after moving into his aunt's flat in a blue-collar suburb of Madrid.

Impelled by a spirit which still preserves a patina of idealism, Alfredo arrives to Madrid with the intention to create "a performance that is free, straight from the heart, capable of making people feel alive". His concept of what acting should be begins beyond the stage, out in the streets face to face with the public. Outdoors, in any town square, in a park or in the city's most commercial street, Alfredo and his troupe November start the show; demons to provoke passers-by, displays of social conscience, actions taken to the extreme to put the forces of law and order on full alert. There are no limits, no censorship; only ideas which are always valid so long as the public ceases to be the public and becomes part of the show swept by surprise, fear, tears or laughter. Theater as life, life as theater… there is no longer any difference.