Achero Mañas

Ernesto learns that his mother has passed and yet worse that they plan to bury her in a graveyard. Determined to fulfill his late mum's wishes, he plans to steal the coffin.

Ernesto learns that his mother has passed and yet worse that they plan to bury her in a graveyard. Determined to fulfill his late mum's wishes, he plans to steal the coffin.

Leo is immediately set adrift by his new found responsibilities as a single parent, a feeling that is made doubly distressing when Dafne, herself understandably confused and heartbroken by her mother's absence, asks for an "artificial" mother to help her fall asleep at night. It is here that Mañas takes the road less traveled, but to write any more about the plot line he introduces would be unfair to both the viewer and filmmaker alike. Suffice it to say that Leo's actions are both surprising and potentially dangerous, as they require Leo to subsume his own identity to the point where he nearly loses it.

Leo is immediately set adrift by his new found responsibilities as a single parent, a feeling that is made doubly distressing when Dafne, herself understandably confused and heartbroken by her mother's absence, asks for an "artificial" mother to help her fall asleep at night. It is here that Mañas takes the road less traveled, but to write any more about the plot line he introduces would be unfair to both the viewer and filmmaker alike. Suffice it to say that Leo's actions are both surprising and potentially dangerous, as they require Leo to subsume his own identity to the point where he nearly loses it.

Impelled by a spirit which still preserves a patina of idealism, Alfredo arrives to Madrid with the intention to create "a performance that is free, straight from the heart, capable of making people feel alive". His concept of what acting should be begins beyond the stage, out in the streets face to face with the public. Outdoors, in any town square, in a park or in the city's most commercial street, Alfredo and his troupe November start the show; demons to provoke passers-by, displays of social conscience, actions taken to the extreme to put the forces of law and order on full alert. There are no limits, no censorship; only ideas which are always valid so long as the public ceases to be the public and becomes part of the show swept by surprise, fear, tears or laughter. Theater as life, life as theater… there is no longer any difference.

Impelled by a spirit which still preserves a patina of idealism, Alfredo arrives to Madrid with the intention to create "a performance that is free, straight from the heart, capable of making people feel alive". His concept of what acting should be begins beyond the stage, out in the streets face to face with the public. Outdoors, in any town square, in a park or in the city's most commercial street, Alfredo and his troupe November start the show; demons to provoke passers-by, displays of social conscience, actions taken to the extreme to put the forces of law and order on full alert. There are no limits, no censorship; only ideas which are always valid so long as the public ceases to be the public and becomes part of the show swept by surprise, fear, tears or laughter. Theater as life, life as theater… there is no longer any difference.

El Bola is a 12-year-old boy raised in a violent and sordid environment. Embarrassed by his family life, he avoids becoming close to classmates. The arrival of a new boy at school changes his attitude towards his classmates and friendship. The heart of the story is the change in El Bola's life, at almost all levels, after befriending this new classmate.

El Bola is a 12-year-old boy raised in a violent and sordid environment. Embarrassed by his family life, he avoids becoming close to classmates. The arrival of a new boy at school changes his attitude towards his classmates and friendship. The heart of the story is the change in El Bola's life, at almost all levels, after befriending this new classmate.

A group of children tells to the camera how they torture various animals, such as lizards, cats or mice. One of them tells how last summer, after attacking a cat with his friends, he saw something that made him reflect on what they did.

A group of children tells to the camera how they torture various animals, such as lizards, cats or mice. One of them tells how last summer, after attacking a cat with his friends, he saw something that made him reflect on what they did.

Barbara, a journalist in the beginning of the 20th century, searches in the border between Portugal and Galicia a bandit called El Argentino. In her travel she meets two men that say that they belong to his gang.

An air-hostess is pregnant but she does not know the name of the father, a foreigner. When the baby is born, she gives it to her sister that has already two children. The child grows up as another member of the family. Although the adults keep the secret, the children know that he is different.

Legend has it that, a long time ago in Galicia (Spain), witches were transformed into hornets to harm men and change the destiny of their lives.

После циркового представления трое подонков-зрителей врываются в «домик на колесах» красавицы-циркачки и с дьявольской жестокостью насилуют ее. На следующее утро всех троих находят мертвыми. Она просто вышибает им мозги из большого ружья. Но, утратив честь, она не может жить. Она продолжает убивать мужчин. Убивать, убивать…

Путешественник и исследователь Стенли, обнаружил у одного из племен в Южной Азии волшебный Оранжевый камень, способный обращать предметы в золото, делать их невидимыми, а затем материализовать и полностью их разрушить. Однако камнем овладевает злой барон Некруч, который с его помощью хочет обрести власть над всем миром. Но Стенли удается выкрасть камень вместе с бюстом бога Вишну. И вот теперь он приехал к профессору Осборну, чтобы вместе с ним противостоять Некручу желающему забрать у него камень.В замок профессора приезжают Энрике, учитель физкультуры и его сестра Анна. Вместе с ними музыкальная группа Коконут (Кокос). Борьба добра и зла в фильме сопровождается веселыми песнями в исполнении Энрике и Анны в сопровождении группы Коконут и завершается победой над бароном Некручем.