Elfriede Datzig

This film is a kind of anthology about Vienna, from the invention of film to the present day. The aim is to break down the usual clichéd "image of Vienna" such as that found in the traditional "Vienna Film" by juxtaposing documentary footage, newly shot material and subjective sequences created by various artists. Individual, self-contained sections of the film gain new meaning within the context of historical material. Familiar sites appear estranged when edited together with historical scenes. Other scenes appear like a persiflage or satirical. The film does not incorporate any commentary whatsoever. It is a collage of diverse materials aimed at conveying a distanced image of Vienna to the viewer

There's only one way for the farmer Assbichler to save his farm from ruin: he has to marry off his son Toni to the pretty Rosl, the daughter of the rich farmer Pius Mang. Mang, however, wants his daughter to marry a well-off man; and so Assbichler has to borrow some cattle to give the farm the appearance of a large farming estate.

Vienna, around 1900. The master baker Streussler’s most ardent wish is to see his daughter Nelly as a student at the university. With the help of his famous “streusel cake” he succeeds in luring all kinds of helpers for this endeavor into his house. But Nelly has entirely different plans: she is in love with the chimney sweep Heinz, the son of a neighbor, with whom Papa Streussler has been fighting for years. So it’s no wonder then, that the grump confectioner is doing everything he can to break up the relationship.

A nervous private investigator, his bumbling boss, a woman in love, 10,000 Reichsmark and two reversed cases. A crime comedy directed by E. W. Emo.

Скромный бакалейщик Флориан Кладхофер мечтает выдать свою красавицу-дочь Гретль за богатого крестьянина. То, что девушка против такого способа улучшения её благосостояния, отца не волнует. Тогда она попросту сбегает из дома. Устроившись в Вене, Гретль пишет домой письма, которые сердитый на неё отец никому не разрешает вскрывать. Наконец, из открытки он узнаёт, что Гретль вышла замуж. Решив, что его зять – богатый человек, Кладхофер решается на примирение и едет в гости к дочери. После приезда его в Вену начинается самое интересное… Комедия Эдуарда Эмо «Моя дочь живет в Вене», снятая в первые годы нацистского правления, ещё полна беззаботной австрийской лёгкости и юмора.

Comedy with Hans Moser as grumpy valet who takes corrective action with mumbling peevishness in the fortunes of his family household count.

Vienna is celebrating New Year’s Eve 1913/14. It is the year, which will see the outbreak of the First World War. In Hotel Sacher, the mood is excellent; and although the political atmosphere is charged, there’s an undercurrent of hate and intolerance in the air. It is with this background that Nadja, a Russian spy, meets the Austrian civil servant Stefan. He loves her, but comes under suspicion of being an agent because of this love.

Four orphaned friends move after the Abitur, supported by the janitor of her school, together in a flat and look for work to be able to finance her study. Two make the acquaintance of a frivolous young baron. One shoots in her outrage at him, nevertheless, is acquitted in court. - Stereotyped Jung's girl's cheap sensationalism, broken up by popular comic. Hans Moser stands out by his delightful character comic. The last in Austria produced film before the invasion of the armed forces ('Wehrmacht').