Fred Kelemen
Рождение : 1964-01-06, Berlin, Germany
История
Fred Kelemen was born in West Berlin/Germany. He studied painting, music, philosophy, religious science and drama studies and worked in various theatres as a director’s assistant before beginning his studies in directing and cinematography at the German Film & TV Academy Berlin (dffb) from 1989 to 1994. He graduated from the dffb with a diploma as a director and as a cinematographer. For his diploma film “Fate” he received the German National Film Award in 1995. Since then, he has made a number of films and videos as director and collaborated as cinematographer with several film directors like Joseph Pitchhadze (“Sweets”, Israel 2013), Béla Tarr (“Journey to the Plain”, Hungary 1995, “The Man from London”, Hungary/France/Germany 2007, “The Turin Horse”, Hungary, France, USA, Germany 2011 ), Rudolf Thome (“The Visible and the Invisible”, Germany 2006), Gariné Torossian (“Stone, Time, Touch”, Canada/Armenia 2005) a.o.
Director of Photography
Эсав, по одноименному роману израильского автора Меира Шалева, следует за 40-летним писателем, который спустя полжизни возвращается в дом своей семьи, чтобы встретиться с братом, укравшим его любовь и средства к существованию. Эта история — современная интерпретация библейской истории Иакова и Исава из «Книги Бытия».
Director of Photography
Presents moving images of society’s outsiders, the impoverished and oppressed, whose lives are contrasted with the opulent surroundings of contemporary Vienna.
Agent Albrecht
Молодая балерина отправляется в престижную европейскую танцевальную академию, где она сталкивается с чем-то зловещим и сверхъестественным. Теперь она должна выяснить причину серии смертей, чтобы не стать следующей жертвой проклятия.
Director of Photography
A young boy plays an accordion in a shopping mall. Béla Tarr picks up the camera one more time to shoot his very last scene. It is his anger about how refugees are treated in Europe, and especially in Hungary, that drove him to make a statement.
Camera Operator
Sarajevo Songs of Woe is a filmic triptych containing of the two tales (“Blue Ballad for Lovers” / “Blue Rondo for Survivors”) and the connecting middle part “Blue Psalm for Wolves” flowing into each other and so being united and building up one universal mosaic of life situated in Sarajevo.
Editor
Sarajevo Songs of Woe is a filmic triptych containing of the two tales (“Blue Ballad for Lovers” / “Blue Rondo for Survivors”) and the connecting middle part “Blue Psalm for Wolves” flowing into each other and so being united and building up one universal mosaic of life situated in Sarajevo.
Producer
Sarajevo Songs of Woe is a filmic triptych containing of the two tales (“Blue Ballad for Lovers” / “Blue Rondo for Survivors”) and the connecting middle part “Blue Psalm for Wolves” flowing into each other and so being united and building up one universal mosaic of life situated in Sarajevo.
Writer
Sarajevo Songs of Woe is a filmic triptych containing of the two tales (“Blue Ballad for Lovers” / “Blue Rondo for Survivors”) and the connecting middle part “Blue Psalm for Wolves” flowing into each other and so being united and building up one universal mosaic of life situated in Sarajevo.
Director
Sarajevo Songs of Woe is a filmic triptych containing of the two tales (“Blue Ballad for Lovers” / “Blue Rondo for Survivors”) and the connecting middle part “Blue Psalm for Wolves” flowing into each other and so being united and building up one universal mosaic of life situated in Sarajevo.
Himself
A documentary about the making of The Turin Horse, the last film directed by Hungarian master Béla Tarr.
Director of Photography
В 1889 году на улице итальянского города Турина случилось странное происшествие. Кучер хлестал кнутом свою старую лошадь, которая отказывалась тронуться с места. Неожиданно к повозке подбежал хорошо одетый господин с пышными усами и обнял животное за шею, при этом горько зарыдав. Это был не кто иной, как всемирно известный философ Фридрих Ницше. Его с трудом увели от лошади, а когда привели домой, выяснилось, что он не в себе. Ницше поместили в лечебницу для душевнобольных, где он провел остаток жизни… Но что же случилось с лошадью и ее хозяином? Об этом и расскажет фильм.
Fred Kelemen
Lucia arrives to Buenos Aires with a mission, take care of a Hungarian filmmaker invited to present his film at the Buenos Aires Independent Film Festival. Lucia meets Pablo, who introduces himself as the angel of prestigious film director Béla Tarr. Lucia and Pablo will join Laszlo Novak in a tragic adventure, moving heaven and earth to find his lost film.
Cinematography
Stone, Time, Touch is a documentary made by Gariné Torossian about the relationship of three Armenian women from the diaspora with the land of Armenia. The young woman (played by Kamee Abrahamian) is visiting Armenia for the first time. The older woman, Arsinée Khanjian has a more conflicted and analytical perspective of her identity and her relationship with the fledgling democracy, one of the former Soviet Union republics. She has been to landlocked Armenia many times and comments on photos taken by French photographer Marc Baguelin. The third trajectory is more subtle and is represented by Gariné Torossian herself whose face is super imposed from time to time in this stylistically-layered documentary.
Director of Photography
Stone, Time, Touch is a documentary made by Gariné Torossian about the relationship of three Armenian women from the diaspora with the land of Armenia. The young woman (played by Kamee Abrahamian) is visiting Armenia for the first time. The older woman, Arsinée Khanjian has a more conflicted and analytical perspective of her identity and her relationship with the fledgling democracy, one of the former Soviet Union republics. She has been to landlocked Armenia many times and comments on photos taken by French photographer Marc Baguelin. The third trajectory is more subtle and is represented by Gariné Torossian herself whose face is super imposed from time to time in this stylistically-layered documentary.
Director of Photography
Mary and Marquard are painters and lovers, with a common life. Once Marquard gets a prize of a considerable sum of money, his artistic creativity wanes. While Mary works in a series of paintings, Marquard visits his friend Gregor, a horse breeder and philosopher, sleeps with Angie and visits repeatedly her daughter Lucia. Marquard and Lucia, who have begun a tender and compassionate father-daughter relationship, spend two days in a seaside hotel, deciding not to speak in words. The feelings and communication emerge from a very special way. Mary, who does not know the whereabouts and the reason of the absence of Marquard, realizes it by herself: their love is over. Then, she abruptly interrupts her work so far and starts a new painting entitled "The visible and invisible."
Director of Photography
По одноименному роману бельгийского писателя Жоржа Сименона «L'Homme de Londres» (1933). Маллойн, стрелочник железнодорожной станции в порту, живёт в ветхой квартире со своей женой Камелией и дочерью Генриеттой. Однажды во время ночной смены он становится свидетелем происходящей на причале драки. Из окна своей башни Маллойн видит, как один из участников падает в воду вместе с портфелем, а второй спешит скрыться. Маллойн подбирает портфель, в котором находится крупная денежная сумма. Маллойн прячет деньги и никому не рассказывает о них. На следующий день он замечает следящего за ним Брауна. Вечером Браун безуспешно ищет портфель около места вчерашней драки и замечает Маллойна в окне башни...
Director of Photography
Прогуливаясь поздним вечером вдоль берега реки, молодой человек стал случайным свидетелем самоубийства женщины. А затем – полиция, медики, допрос… Можно было бы поставить точку, но Матисса Зелчса взволновала судьба этой несчастной, захотелось избавиться от укоров совести, и он решил выяснить причины, толкнувшие ее на столь ужасный поступок…
Production Design
Прогуливаясь поздним вечером вдоль берега реки, молодой человек стал случайным свидетелем самоубийства женщины. А затем – полиция, медики, допрос… Можно было бы поставить точку, но Матисса Зелчса взволновала судьба этой несчастной, захотелось избавиться от укоров совести, и он решил выяснить причины, толкнувшие ее на столь ужасный поступок…
Editor
Прогуливаясь поздним вечером вдоль берега реки, молодой человек стал случайным свидетелем самоубийства женщины. А затем – полиция, медики, допрос… Можно было бы поставить точку, но Матисса Зелчса взволновала судьба этой несчастной, захотелось избавиться от укоров совести, и он решил выяснить причины, толкнувшие ее на столь ужасный поступок…
Producer
Прогуливаясь поздним вечером вдоль берега реки, молодой человек стал случайным свидетелем самоубийства женщины. А затем – полиция, медики, допрос… Можно было бы поставить точку, но Матисса Зелчса взволновала судьба этой несчастной, захотелось избавиться от укоров совести, и он решил выяснить причины, толкнувшие ее на столь ужасный поступок…
Writer
Прогуливаясь поздним вечером вдоль берега реки, молодой человек стал случайным свидетелем самоубийства женщины. А затем – полиция, медики, допрос… Можно было бы поставить точку, но Матисса Зелчса взволновала судьба этой несчастной, захотелось избавиться от укоров совести, и он решил выяснить причины, толкнувшие ее на столь ужасный поступок…
Director
Прогуливаясь поздним вечером вдоль берега реки, молодой человек стал случайным свидетелем самоубийства женщины. А затем – полиция, медики, допрос… Можно было бы поставить точку, но Матисса Зелчса взволновала судьба этой несчастной, захотелось избавиться от укоров совести, и он решил выяснить причины, толкнувшие ее на столь ужасный поступок…
Producer
Once you stand still, things will come up to you. (Gottfried Benn) Using tableau-like takes of different places of the Muscovite suburb (Moskatchka), a poor quarter of the Latvian capital Riga, the film shows fragments of the choreography of life and combines them to form a picture of reality. Without making any comments, the camera observes the people’s behaviour, which reminds you of the early Flaherty and how his camera “stuck to” his film heroes . It also reminds you of the beginning of film art when the recording of reality on a strip of film was an event, in spite of its accidental character.
Director of Photography
A largely plotless, fado-scored journey through the gloomy cobblestone streets, zombie bars, and fetid basements of a sordid harbor town populated by German-speaking sots and Portuguese guest workers. An unhappy young couple, Leni and Anton, quarrel and split separately into the rat’s ass of the evening. Everyone is looking for love, but no one finds any—although Leni does pick up a trick.
Editor
A largely plotless, fado-scored journey through the gloomy cobblestone streets, zombie bars, and fetid basements of a sordid harbor town populated by German-speaking sots and Portuguese guest workers. An unhappy young couple, Leni and Anton, quarrel and split separately into the rat’s ass of the evening. Everyone is looking for love, but no one finds any—although Leni does pick up a trick.
Writer
A largely plotless, fado-scored journey through the gloomy cobblestone streets, zombie bars, and fetid basements of a sordid harbor town populated by German-speaking sots and Portuguese guest workers. An unhappy young couple, Leni and Anton, quarrel and split separately into the rat’s ass of the evening. Everyone is looking for love, but no one finds any—although Leni does pick up a trick.
Director
A largely plotless, fado-scored journey through the gloomy cobblestone streets, zombie bars, and fetid basements of a sordid harbor town populated by German-speaking sots and Portuguese guest workers. An unhappy young couple, Leni and Anton, quarrel and split separately into the rat’s ass of the evening. Everyone is looking for love, but no one finds any—although Leni does pick up a trick.
Director of Photography
Time of darkness. Time of fire kindled against cold and fear. During the Holy Night, the seven year old Micha has to escape with his young mother Marianne from the violence of his drunken father... During their one week odyssey through frozen Germany, mother and son meet people to offer them shelter... Crushed by their own poverty, or dominated by their feelings of being lost, these people just hurt them deeper and they can be nothing other than stations of their continuous escape
Production Design
Time of darkness. Time of fire kindled against cold and fear. During the Holy Night, the seven year old Micha has to escape with his young mother Marianne from the violence of his drunken father... During their one week odyssey through frozen Germany, mother and son meet people to offer them shelter... Crushed by their own poverty, or dominated by their feelings of being lost, these people just hurt them deeper and they can be nothing other than stations of their continuous escape
Editor
Time of darkness. Time of fire kindled against cold and fear. During the Holy Night, the seven year old Micha has to escape with his young mother Marianne from the violence of his drunken father... During their one week odyssey through frozen Germany, mother and son meet people to offer them shelter... Crushed by their own poverty, or dominated by their feelings of being lost, these people just hurt them deeper and they can be nothing other than stations of their continuous escape
Writer
Time of darkness. Time of fire kindled against cold and fear. During the Holy Night, the seven year old Micha has to escape with his young mother Marianne from the violence of his drunken father... During their one week odyssey through frozen Germany, mother and son meet people to offer them shelter... Crushed by their own poverty, or dominated by their feelings of being lost, these people just hurt them deeper and they can be nothing other than stations of their continuous escape
Director
Time of darkness. Time of fire kindled against cold and fear. During the Holy Night, the seven year old Micha has to escape with his young mother Marianne from the violence of his drunken father... During their one week odyssey through frozen Germany, mother and son meet people to offer them shelter... Crushed by their own poverty, or dominated by their feelings of being lost, these people just hurt them deeper and they can be nothing other than stations of their continuous escape
Director of Photography
Revisits of locations on the Great Hungarian Plain - the puszta - that were used in Tarr's Sátántangó and Werckmeister harmóniák. Recitations of short lyric poems by Hungary's national poet Sándor Petofi.
Director of Photography
The paths of people from various countries cross during the course of one night. They speak different languages, but they are fatefully bound together by the solitary quest for happiness and deliverance. Sloping paths are all that's left for them in an age of lost perspectives, lost refuges and lost homelands. They sink deeper with every movement that should be liberating them. Every gesture of love becomes a gesture of humiliation. The desperate dance of their life has become a passionate dance of death. In the centre of this centrifuge at the end of the millennium the Russian emigrant Valery and his lover Ljuba are turning around each other in a nocturnal round dance of desire and pain, hope and violence and the indestructible will to survive
Editor
The paths of people from various countries cross during the course of one night. They speak different languages, but they are fatefully bound together by the solitary quest for happiness and deliverance. Sloping paths are all that's left for them in an age of lost perspectives, lost refuges and lost homelands. They sink deeper with every movement that should be liberating them. Every gesture of love becomes a gesture of humiliation. The desperate dance of their life has become a passionate dance of death. In the centre of this centrifuge at the end of the millennium the Russian emigrant Valery and his lover Ljuba are turning around each other in a nocturnal round dance of desire and pain, hope and violence and the indestructible will to survive
Writer
The paths of people from various countries cross during the course of one night. They speak different languages, but they are fatefully bound together by the solitary quest for happiness and deliverance. Sloping paths are all that's left for them in an age of lost perspectives, lost refuges and lost homelands. They sink deeper with every movement that should be liberating them. Every gesture of love becomes a gesture of humiliation. The desperate dance of their life has become a passionate dance of death. In the centre of this centrifuge at the end of the millennium the Russian emigrant Valery and his lover Ljuba are turning around each other in a nocturnal round dance of desire and pain, hope and violence and the indestructible will to survive
Director
The paths of people from various countries cross during the course of one night. They speak different languages, but they are fatefully bound together by the solitary quest for happiness and deliverance. Sloping paths are all that's left for them in an age of lost perspectives, lost refuges and lost homelands. They sink deeper with every movement that should be liberating them. Every gesture of love becomes a gesture of humiliation. The desperate dance of their life has become a passionate dance of death. In the centre of this centrifuge at the end of the millennium the Russian emigrant Valery and his lover Ljuba are turning around each other in a nocturnal round dance of desire and pain, hope and violence and the indestructible will to survive
Director of Photography
Dark, deserted streets in a devastated European town at the end of the 20th Century.
People are on the run. Explosions. A woman and a man meet. And they lose sight of each other again after spending a night in a hotel room. Surrounded by a desolate and polluted universe where night never seems to end, these lonely souls are on their cynical quest for a lost world. But in the longed-for, world there cannot be any reality. In the other one, which is existing, life has ended. It needs to cross the wasteland and go beyond the horizon to find the starting point of something new.
Editor
Dark, deserted streets in a devastated European town at the end of the 20th Century.
People are on the run. Explosions. A woman and a man meet. And they lose sight of each other again after spending a night in a hotel room. Surrounded by a desolate and polluted universe where night never seems to end, these lonely souls are on their cynical quest for a lost world. But in the longed-for, world there cannot be any reality. In the other one, which is existing, life has ended. It needs to cross the wasteland and go beyond the horizon to find the starting point of something new.
Writer
Dark, deserted streets in a devastated European town at the end of the 20th Century.
People are on the run. Explosions. A woman and a man meet. And they lose sight of each other again after spending a night in a hotel room. Surrounded by a desolate and polluted universe where night never seems to end, these lonely souls are on their cynical quest for a lost world. But in the longed-for, world there cannot be any reality. In the other one, which is existing, life has ended. It needs to cross the wasteland and go beyond the horizon to find the starting point of something new.
Director
Dark, deserted streets in a devastated European town at the end of the 20th Century.
People are on the run. Explosions. A woman and a man meet. And they lose sight of each other again after spending a night in a hotel room. Surrounded by a desolate and polluted universe where night never seems to end, these lonely souls are on their cynical quest for a lost world. But in the longed-for, world there cannot be any reality. In the other one, which is existing, life has ended. It needs to cross the wasteland and go beyond the horizon to find the starting point of something new.
