Etty Fraser

In six decades, Teatro Oficina has done more than revolutionize theatrical language in the country: the aesthetic influence of José Celso Martinez Corrêa's company extends from Tropicalism to the renewal of Brazilian audiovisual languages ​​from the 1960s onwards. The film revisits a story that it involves personalities such as Caetano Veloso, Glauber Rocha, Lina Bo Bardi, Chico Buarque and Zé do Caixão, brings together scenic art, ecology, architecture and sexuality, and mixes art and life in the search for a Brazilian based language.

Após perder a esposa e a caminho do suicídio, um homem se depara com O Livro dos Espíritos e começa uma jornada de transformação interior rumo aos mistérios da vida espiritual e suas influências no mundo material.

Бейби – не просто заядлая, но страстная курильщица; Пикассо мог бы нарисовать с нее никотиновый аналог «Любительницы абсента». Она одинока, однако появление на этаже нового, весьма колоритного соседа-ровесника, становится поводом для обоснованных любовных воздыханий. Впрочем, это – центральная, но единственная линия бразильской кинопанорамы, жанр которой формулируется так: «маленькие комедии большого дома».

Cristina still lives with her mother and wants to find her true love. She looks for help in a matrimonial agency, that arranges a meeting between her and Paulo. She likes the guy, but Paulo doesn't seem too enthusiastic. As time goes by, Chico, the owner of the agency, feels he is becoming too fond of Cristina...

Durval and his mother Carmita live at the back of "Durval Discos", a record store they own in São Paulo, specializing in vinyl records. They lead a boring and unattractive life, until the day Durval hires a maid, Celia, to help his mother with the housekeeping. However, on her second day, Celia goes away leaving a 5-year-old child behind, Kiki, and a note promising to be back in a couple of days. Durval and Celia are charmed by the child at first, but soon they see some sad news about Celia and Kiki on TV that will change the whole situation.

Fantasy comedy about Brazilian writer Oswald de Andrade, one of the most important icons of Modernism in Brazil. In the film, Oswald is played by two actors: Ítala Nandi, as his feminine anima, and Flávio Galvão, as the masculine half.

Juliano is a millionaire who leads a boring life amidst the facilities that money provides him. One day, he decides to change his routine and associates with a mad scientist, Professor Kunz, who invents a magic potion, a drug that releases the other side of the personality of those who consume it. Juliano becomes a guinea pig and tries the potion, transforming into the beautiful Juliana (Vera Fischer). However, the effects of the new drug will cause many confusions between the millionaire and the crazy professor, creating complicated situations for both of them.

Thirteen people from different parts of the world are chosen by an English nobleman to share his fortune. After his passing, they gather in his castle. However, the heirs begin to be murdered, one by one.

Documentary wich tries to capture the iconoclastic spirit of the 1922 Week of Modern Art, to tell about the beginning of cinema made in the city of São Paulo.

Eleven small stories, loving chronicles about Rio de Janeiro and its people, written by some of the best Brazilian writers of the time.

Carlos is a young man from the São Paulo middle class who works for a big company during a time when foreign automobile industries were settling in Brazil. Shortly after, he accepts a job at a factory that makes automobile parts, where he becomes manager. To a certain extent, he is a family man who works hard, earns well and lives unsatisfied. Without any prospects in his life to change the condition he rejects, his last resort is escaping.