Claude Ventura

Фильмы

Chorus : La première émission Rock d'Antoine de Caunes
Director
Gainsbourg... Casino de Paris 1986
Director
In Search of the Papin Sisters
Director
An in-depth investigation into the double crime of the Papin sisters, which made headlines in the early 1930s and has fascinated readers ever since. Claude Ventura returns to the circumstances of the savage murder of their boss by the Papin sisters, which occurred in Le Mans on February 2, 1933. This case fascinated Jean-Paul Sartre and Simone de Beauvoir as much as Jean Genet and Jacques Lacan.
Boetticher Rides Again
Director
A “Cinéma, de notre temps” series episode directed by french filmmakers Philippe Garnier and Claude Ventura, originally aired 13 September 1995.
Johnny Hallyday à la Cigale
Director
Chambre 12, Hôtel de Suède
Director
Claude Ventura's documentary Chambre 12, Hotel de Suede, was made for the French television channel Arte in 1993. Ventura checks into room twelve in the hotel's final week of operation: it is demolished the day after he checks out. Room twelve was one of the principal locations for Jean-Luc Godard's New Wave masterpiece Breathless, and Ventura's documentary investigates the production of Godard's film.
Jour de fête: In Search of the Lost Color
Director
Episode of the French television series "Cinéma Cinémas" which documents the discovery of the negatives that led to the completion of the color version of Jacques Tati’s 1949 film "Jour de fête".
Godard (Blues)
Director
Documentary on Godard, spanning his career to date with insights from his collaborators and on-set footage from various films. Produced for the French television program "Cinema Cinemas"
17ème jour de tournage du film
Director
Letter from a Filmmmaker: Chantal Akerman
Producer
A filmmaker’s self-portrait, asking hard questions of herself and of us. Invoking Aurore Clément as a kind of stand-in or proxy, a glamorous counterpart to Akerman who sports a drawn-on moustache. What is cinema for? Who is it for? If the Mosaic prohibition on making graven images includes film images, then where does that leave a Jewish filmmaker?
Комната 666
Producer
Во время Каннского кинофестиваля 1982 года Вим Вендерс по очереди пригласил своих коллег для интервью в комнату, где был специально помещен телевизор как главный источник угрозы для кино. Вендерсу были интересны не только ответы коллег, но и их реакция на присутствие телевизора. Вот почему взятые интервью невозможно издать в виде книги или радиопередач. Это надо видеть.
Touche pas à mon copain
Cannes Film Festival 1976