Ezel Akay

Osman suffers from agoraphobia. Osman, who lives in an old mansion far from the city, avoids meeting people. Osman, who wants a more peaceful life, decides to leave the mansion. However, in order for him to move from the mansion, he must first fight with the five cute monsters and Nazli that he lives with in the mansion.

Живучая домохозяйка, ее муж и их семейный психолог формируют нездоровый любовный треугольник и оказываются втянутыми в борьбу за древнюю рукопись.

A man with no recorded memory about his past finds himself in a bar, following a mysterious woman whom he finds familiar. This abrupt encounter leads him to the discovery of his repressed, hidden desires. But his reactions to this unfamiliar world backlash, and he finds himself enclosed in a never ending loop.

Rimo and Zimo are two towns that are not very far from each other, divided by a small desert. Both towns’ people have stayed away from each other for a long time, feeling mutual hatred and fear. One day, two little rascals from Rimo, Bızdık and Minnik, decide to go to the desert for an adventure. Meanwhile, the Zimo Family enjoys a family picnic at the desert with their baby egg and little daughter.

A documentary about children in the Kurdish Southeast of Turkey.

Nine stories of resistance against solitary confinement of political prisoners in Turkey.

Nine stories of resistance against solitary confinement of political prisoners in Turkey.

Remake of a well-known Turkish musical comedy loved by generations, the film is about the adventures of flirtatious Hurmuz in late 1800's Istanbul. Hurmuz who lives in Taskasap, Istanbul has six husbands in a plot to solve her economic problems. She arranges to meet each of her husbands one day of the week. However, suddenly, she falls in love with the town's doctor whom she meets at her husband's barber shop. The doctor falls in love with her too... But, one night all six husbands come home at the same time, and Hurmuz and Safinaz - Hurmuz's "go-between/accomplice/friend" - find themselves in a series of very awkward yet funny situations.

Remake of a well-known Turkish musical comedy loved by generations, the film is about the adventures of flirtatious Hurmuz in late 1800's Istanbul. Hurmuz who lives in Taskasap, Istanbul has six husbands in a plot to solve her economic problems. She arranges to meet each of her husbands one day of the week. However, suddenly, she falls in love with the town's doctor whom she meets at her husband's barber shop. The doctor falls in love with her too... But, one night all six husbands come home at the same time, and Hurmuz and Safinaz - Hurmuz's "go-between/accomplice/friend" - find themselves in a series of very awkward yet funny situations.

A neighborhood story with loves and fights.

Killing The Shadows is a bawdy comic fable set in the Ottoman Empire during the mid-14th century based on two legendary figures in Turkish folkore, the jester Hacivat (Beyazit Ozturk) and the nomad Karagoz (Haluk Bilginer), men who apparently lived and died by their sense of humour.

Killing The Shadows is a bawdy comic fable set in the Ottoman Empire during the mid-14th century based on two legendary figures in Turkish folkore, the jester Hacivat (Beyazit Ozturk) and the nomad Karagoz (Haluk Bilginer), men who apparently lived and died by their sense of humour.

Killing The Shadows is a bawdy comic fable set in the Ottoman Empire during the mid-14th century based on two legendary figures in Turkish folkore, the jester Hacivat (Beyazit Ozturk) and the nomad Karagoz (Haluk Bilginer), men who apparently lived and died by their sense of humour.

Сюжет ленты разворачивается вокруг девушки Хоуп Кэссиди, переехавшей в Стамбул, чтобы начать карьеру компьютерного аналитика с чистого листа. Но ее личность раскрывается, банк замораживает ее счет и аннулирует кредитные карточки.С помощью своего друга, оставшегося в Лос-Анджелесе, она пытается убедить власти, обвиняющие ее в убийстве и хищении $14 млн., что кто-то воспользовался ее личностью.

In his award-winning debut feature film, director Ahmet Ulucay portrays the innocence of childhood and the lure of the cinema for two teens in a small Turkish village. Working for a watermelon seller by day, Remet spends his evenings trying to rebuild a film projector with his friend Mehmet. Both have big dreams to be famous film directors one day.

Hayri and Orhan are two music producers head over heels in debt. In an attempt to find the next big thing to turn the business around, they contact Ferhat, a gastarbeiter in Germany, and desperately bring him to Istanbul to sign him. As they are struggling to find the necessary funds to promote Ferhat's debut album, a mysterious rich woman named Firuze shows up and starts supporting them. The future now seems bright, but things are not always what they seem...

Hayri and Orhan are two music producers head over heels in debt. In an attempt to find the next big thing to turn the business around, they contact Ferhat, a gastarbeiter in Germany, and desperately bring him to Istanbul to sign him. As they are struggling to find the necessary funds to promote Ferhat's debut album, a mysterious rich woman named Firuze shows up and starts supporting them. The future now seems bright, but things are not always what they seem...

The story takes place in Harbiye town of Antakya just before the 1960 military coup d'etat. The economic and political crisis of those days are reflected by the both funny and sad story of a family. The story is told from the eyes of Cemal. Now a famous painter, Cemal goes back to his hometown years later and remembers his childhood. In those days Cemal's father and uncle, member of rival political parties, are in a continious struggle with each other. The film depicts this absurd struggle and the strange stories of people in Harbiye together with the lyric story of the famous waterfall of the town.

Махсун – стамбульский безработный и бездомный бедолага, помогающий местному рыбаку, чтобы не умереть от голода. Он великолепно вскрывает замки и угоняет автомобили – но лишь для того, чтобы в их салоне провести зимнюю ночь в тепле, не замерзнуть насмерть на улице, как его друг. Можно было бы, как делают многие бездомные, «устроиться» на зиму в тюрьму, но Махсуна не хотят туда брать – ведь тюрьму он уже успел обокрасть...