Claus Strandberg

The story of Juliane, a young woman who learns how to take her fate in her own hands and to trust nobody but herself. The plot is set in the Copenhagen tenements of the 1880s. Juliane is trapped in an unhappy marriage to a man who suffers extended periods of insanity. They have two children. She struggles to improve her social status, however, striving to attain the level of her two elder sisters is not easy. The great upheaval comes when she meets Otto, a smith, younger than Juliane, and in many ways her opposite. He is an ardent socialist, whereas she believes in herself. It is love at first sight when they meet and waltz on the pavement, but their passion really bursts into flame as time goes by. At last Juliane has found a man as strong-willed as she is.

Говорят, что внутри каждого человека прячется маленький идиот. По крайней мере, так считает группа молодых людей, живущих веселой коммуной в шикарном, но абсолютно пустом загородном доме.Чтобы праздное существование не казалось скучным, члены компании выпускают своих скрытых идиотов наружу, притворяясь душевнобольными. Они со знанием дела изображают даунов в различных общественных местах, смущая окружающих людей до беспредельности.Ведь идиоту можно все: крушить сервизы в ресторане, совершать увлекательные экскурсии в женскую душевую нагишом и даже заняться групповым сексом со своими соратниками по «идиотизму». Но приходит день, когда игра перестает быть расслабляющей и забавной…

Four high school friends meet up in an abandoned house to play 'Backstabbed', a game of murder with headphones and plastic weapons. Meanwhile, a serial killer is leaving a trail of blood on his way to the house, and soon the game of murder becomes much more than make-believe.

In 1950s Copenhagen, Jens is a law student with a part-time job in a law firm. He lives at home and is more or less engaged to Lis. Jens' life is very regular and organized until he meets slightly older Erhard, a head clerk at the firm. Erhard lures Jens into the mysterious city nightlife, and from now on, Jens' life changes. The engagement is broken off and his education is neglected.

PUK SCHARBAU plays Lise Nørgaard in the epic film adaptation of her fascinating life story. In a chronicle of both love and war, masterfully directed by Peter Schroeder, we follow the woman who would later give us 'Matador', from her early childhood to her controversial career as a journalist with a Denmark of yesterday, and a Europe in flames as convincing backdrop.

Set in the neurosurgical ward of Copenhagen's Rigshospitalet, the city and country's main hospital, nicknamed "Riget", a number of characters, staff and patients alike, encounter bizarre phenomena, both human and supernatural.

Johannes is upset because his parents have divorced and because his father never phones him. Before going to bed he wants his mother to read something from the Bible for him, instead of one of the usual stories from Superman. She reads some lines from the Revelation of St. John. Johannes asks her what "the end is near" means. She explains that it is when Jesus comes back, and sends the good people to Paradise and the evil ones to Hell. In the middle of the night Johannes sees a dazzling light and lots of water pouring out from the toilet. Suddenly an androgynous being is standing in the bathroom. Johannes thinks it's Jesus, and the being doesn't deny it. Johannes asks Jesus if his parents are going to Hell, as he thinks they are evil.

Benny and Arnold are homeless and along with others living on Nørrebro in Copenhagen. The police is set to clear the building they squat in, but on the night of the forced eviction, local acid head Spacy jumps from the sixth floor.

Old rockers, like soldiers, never die, they only pass away. Well, Erik Clausen turns nostalgia into a vivid tribute to the moods and manners of the 1950s Danish Rock'n Roll by picking up a group of dispersed fellow bandsmen from wherever life and fate have left them stranded to have them revive their group and relive the good old days. A spirit of social solidarity permeates throughout.

This trucker road movie tells the story of four men driving 30-ton meat-carriers in shuttle service between Denmark and Italy. Against their will, the truckers get involved in criminal activities that flourish as a result of European custom service bureaucracy. Their bonding as friends and their strongly rooted family life help them through.

From a working class coming-of-age novel, Morten Arnfred fashioned his feature film to recapture the feel, the sting, the pain, but also the spirit of solidarity of the 1950s in the metropolitan city of Copenhagen: at the center, young Johnny, helpless, hapless, happy, unhappy, going through the motions of growing up. Bodil awards: Best Film and Best Actor (Allan Olsen).

A young man finds love and settles down, but when his young wife spirals into depression they both have decisions to make.

Crime film about a Copenhagen social worker who, out of boredom, seeks away from his environment and into the criminal underworld, which he soon becomes part of - with fatal consequences.

TV reporter Mille wants to be liberated from matrimonial restraints and have more than one man in her life. She spends time with her friends, bisexual intellectual Suzanne and prostitute Lise. They mostly talk about men and women's lib.

A middle aged married woman suffers from depression. Her husband suggests she get a dog, but instead she gets a job. Treatment of the women workers leads her into a hilarious fantasy in which roles are reversed and bearded men sit behind typewriters worrying about their looks and what to buy for dinner. She gets involved in a strike and loses her job, but has found some friends and a more positive attitude to life.