Barbara Dziekan

Marta is a romantic and a loser in school. She shares a room with her sister Kasia and grandma, who tells her granddaughters insurgency stories instead of fairy tales. In the room behind the wall, the parents - Tadek and Elżbieta - live their married life. He is an intelligent constantly humiliated by the state, he also makes his own moonshine after work and silently envies his prosperous brother in law. She is the leader of the "Solidarity" union at work, with the need for freedom and a dream to get out of Poland. The real adventure for the family starts when they manage to get their dream orange Fiat 126p. Ela and Tadek discover their appetite for trading and trips abroad, and the growing Marta will fall in love for the first time.

Stories of three women struggling with alcohol. Dorota is a great prosecutor. Using her immunity, she tries to avoid responsibility for her offenses committed under the influence of alcohol. Her husband, a famous politician, helps her keep the problem secret and rescues her from many troubles but he slowly loses patience. A respected children surgeon Teresa has lost her family due to drinking problem, all she is left with is her job at the hospital where she is the main doctor. The situation goes out of control when the woman comes drunk to the hospital. A student, Magda, likes to party hard and because she is a good student and has a great job, no-one opposes that. At one moment, the girl loses control. A tragedy happens.

A 40-year old actress (single and strong, yet lonely), her sister (an emotionally unstable schoolteacher whose married-with-kids life appears more orderly) and their domineering father, who gradually loses control over his family due to his wife's sudden illness and his own health troubles; these are the three individuals at the heart of this film, a touching story about the strength of family ties in a situation of imminent danger.

The story of youth, friendship and love in a time when man took his first steps on the moon, the streets became saturator, transistors pulsed rock'n'roll, and the fondest dream of every fan of the domestic automotive industry was the Fiat 125p. Film trip to the sixties, colorful era "flower children", hippies and bigbitu. Year 1969. Fascinating in aviation Adam is called to the army. However, much to his own chagrin, she gets an assignment to serve in the ... Navy. In Antek, older brother, embark on the sea. During several days of traveling through Poland to visit old friends and make new friends. Antek - incorrigible womanizer and the king of nightclubs - wants to prepare a shy brother to life. However, the meeting with a beautiful and mysterious woman calls a lot of complications in the life of Adam, initiating a series of surprising events.

Piotr (Paweł Królikowski) jest psychiatrą. Siedzi na nocnym dyżurze, gdy na jego oddział przywożą chłopaka. To Kamil (Lesław Żurek), syn którego nie widział całe lata. Chłopak znika ze szpitala równie szybko, jak się pojawił. Jednak Piotr postanawia nawiązać z nim kontakt. Zaprasza go do siebie i poznaje ze swoją piękną, młodą narzeczoną (Anna Geislerová). Po wizycie Kamila kobieta uświadamia sobie, że Piotr jest dla niej zagadką i naprawdę nic o nim nie wie. A Piotr rzeczywiście skrywa mroczną tajemnicę…

The unusual bond between a blind female writer and an acclaimed poet changes their lives and forms an exceptional creative cooperation, free of politics and the complexities of mundane life.

Bogdan and Marta take part in a TV show 'Blind Date' and eventually win a romantic stay at the luxurious hotel for the long May Day weekend. They seem to be so different, however, that they hardly stand each other.

Two prison cellmates get a one-day leave out of jail to dress up as Santa Claus and an angel and give presents to children from an orphanage. But the presents don't seem to be for kids.

Jajo to zaniedbany chłopak z rozbitej rodziny. Wzorem życiowego sukcesu jest dla niego "profesja" złodzieja samochodów w elitarnym gangu Maksa. Przed złodziejską karierą przestrzega bohatera właściciel warsztatu samochodowego, w którym on pracuje. Jajo, chcąc zdobyć respekt Maksa, kradnie wspaniałego jaguara, czym jednak niechcący naraża się gangsterowi.

A journalist from "Gazeta Wyborcza" recalls his investigative reports and the consequences he suffered while trying to reveal the truth.

Второй фильм трилогии «Три цвета» напоминает анекдот в пушкинско — гоголевской традиции. Притча о необходимости равенства между людьми во всем мире приобретает в этом фильме черты трагикомедии, саркастической истории о человеке, который теряется в цивилизованном мире — зато прекрасно чувствует себя в постсоциалистическом обществе. Лишь в финале этот сатирический набросок нравов превращается в щемящий рассказ о жажде любви…

A renowned actor, Rafal Nawrot, is invited to play the main part in a theatre production of "Romeo and Juliet" in a backwater town. Upon arriving he realizes his mistake and is packing to leave when Julia, a beautiful blonde teenager appears at his hotel room door, the starstruck emissary from a local fan club. The encounter triggers a host of erotic fantasies and dreams for Nawrot, who decides to stay in town after all. Although his dreams more or less come true when Julia becomes sexually involved with him, his growing obsession with the young woman is paralleled by her emotional growth in a simultaneous relationship with a lover her own age.

Jacek, an angry drifter, murders a taxi driver, brutally and without motive. His case is assigned to Piotr, an idealistic young lawyer who is morally opposed to the death penalty, and their interactions take on an emotional honesty that throws into stark relief for Piotr the injustice of killing of any kind.

В фильме три центральных персонажа, до поры — никак между собой не связанных, даже незнакомых. Каждый живет в своем мире. Но в какой-то момент их судьбы пересекутся… Первый, 20-летний Яцек — ничем не примечательный, праздношатающийся провинциал, не знающий, чем себя занять. Он словно пытается зацепиться за что-то в городском пейзаже, установить с миром какую-то связь. Но контакт все не возникает… В пару ему режиссер дает немолодого таксиста, столь же бессмысленно кружащего по улицам Варшавы. Его съедает безнадежность и мизантропия. Оба они — неудачники, человеческие осколки большого неприветливого города, вызывающего у них схожую неприязнь. И, наконец, третий герой — адвокат, положительный, молодой и красивый, верящий в святость и гуманизм своей миссии. Однако и ему суждено стать участником и даже в каком-то смысле проводником события, вынесенного в заголовок фильма…

Made in 1982, shelved for five years. Story opens with Lucja Krol's husband under the tram. She gives birth to her fourth son on the floor of their new apartment. Neighbor Wiktor, a communist intellectual, befriends the poverty-stricken family but is soon arrested and sent to jail. During the war Lucja narrowly escapes a Nazi roundup at the black market. Her sons hold ardent Communist meetings in their apartment, with her blessing. Lucja works hard, but without complaint. After the war, Klemens is inexplicably arrested, accused by the new regime of being a collaborator. Wiktor, now a high-ranking party member, trying to defend him, himself falls into disgrace. Klemens is tortured to "confess" and dies in jail, a Communist to the end. Lucja is never told about his fate.

A psychological portrait of Ewa, a young Polish theatre actress searching for her own way in life. She plays a minor role in Jasieński's 'The Ball of Mannequins', a complete opposite of her real personality, while aspires to star as Cordelia in Shakespeare's 'King Lear'. Ewa lives on her own, occasionally visiting a famous old actress to talk about theatre, taking care of a poor neighbor, and fights her sophisticated mother rejecting the truth about her beloved father, who died an alcoholic.

A dramatisation of the workers' protests in June 1976 in Radom, seen from the perspective of the local Secretary of the Polish United Workers' Party. [Produced in 1981, but not commercially released until 1996.]