Anne-Louise Lambert

A young, restless Jewish mother and her family move to an idyllic country property at the base of a mystical and sacred Aboriginal mountain (Gulaga, or “Mother Mountain”), with the hope of starting a new life. Still haunted by a marriage break-up and a strained relation with her parents, she struggles to find a meaningful connection with her new partner. When her daughter is bullied at the local school, an enigmatic Indigenous boy Ren comes to her aid and opens her eyes to the magic of the mountain and its bucolic surrounds. But an unexpected visit from her parents reopens old wounds, with unexpected consequences.

A compelling personal journey with David Stratton, as he relates the fascinating development of our cinema history. David guides us from his boyhood cinema experience of Australia in England, where he saw the first images of this strange and exotic landscape via the medium of film, to his migration to Australia as a ‘ten pound pom’ in 1963 and onto his present day reflections on the iconic themes that run through our cinematic legacy. All of this reflects a passionate engagement in a uniquely Australian medium. Parallel and at the heart of the series is the story of an industry whose growing pains David has witnessed over a lifetime. Alongside David, the protagonists of this history are the giants of Australian cinema – both behind the camera and in front of it.

A family attempt to connect with the murderer of their daughter after he's spent 20 years in prison for the crime.

Short documentary about making of "Picnic at Hanging Rock" (1975) including interviews with actors, crew and Peter Weir himself.

После очередного скандала с матерью Хейди убегает из дома и устраивается работать на заправочную станцию рядом с горнолыжным курортом. Она знакомится с богатым фермером Джо, с которым у нее начинается страстный роман. Отношения с Хейди пугают Джо, заставляя его изменить свои взгляды на секс, на свое место в жизни и свои планы на будущее.

For forty years Lilian Singer has been locked up in a 'loony bin' by her father. Her release is eventually secured by her eccentric Aunt Kitty and her brother, John. Lilian starts to carve out a place for herself. As she explores Sydney and the people who live and work around her she sees others looking for love. Lilian shows us it is never too late to change your life and that even unusual choices can bring contentment.

The adventures of Golden Retriever pup Napoleon and his friend, the parrot Birdo Lucci.

BREATHING UNDER WATER is the story of a woman's journey into an imaginary underworld city. The birth of her daughter into an increasingly perilous world has unsettled everything in Beatrice's (Anne Louise Lambert) life. Her growing unease prompts Beatrice to undertake a journey - an investigation into human nature, a confrontation with the fears of our time, and a search for clues that will ultimately give her an answer to the central riddle of the film: why has humankind set the stage for its own extinction? The director’s preoccupation with humankind’s tendency to self-destruct was one factor that lead to the creation of this complex film.

JUST DESSERTS is a reflective and evocative film which looks at the development of Maria Stroppi's sexuality through food. Set in 70s' suburban Australia, the film deals with fragments of Maria's memories of her turbulent past growing up in an Italian Catholic family.

A mystery, a comedy with an undercurrant of terror, about the expose of scandal in big business transactions and how a three year-old boy and his father lost each other.

A poet and journalist must take under the role of a Basque army commander during the siege of the Basque Count

A humble orphan suddenly becomes a gentleman with the help of an unknown benefactor.

1694 год. Мистеру Нэвиллу предложено сделать рисунки имения Гербертов. Невероятно выгодный контракт не вызвал подозрений Нэвилла. На деле никто не собирался льстить его таланту, Нэвилл втянут в сеть опасных интриг. Его детальные до мелочей рисунки превращаются в улики готовящихся или уже совершенных преступлений. Нэвилл напрасно считает себя проницательным наблюдателем. В этой игре ему отведена совсем другая роль. Он не свидетель, не следователь, не сообщник и даже не жертва.

В 1900 году, в День Святого Валентина, группа австралийских школьниц во главе с учительницей отправляются на пикник в район Висячей скалы, местной достопримечательности, и бесследно исчезают…