Charlotte Sieling

1402 год. Королева Маргарита правит Швецией, Норвегией и Данией через своего приемного сына Эрика и надеется организовать его брак с английской принцессой.

1402 год. Королева Маргарита правит Швецией, Норвегией и Данией через своего приемного сына Эрика и надеется организовать его брак с английской принцессой.

Хелле всю жизнь ждала, когда же, наконец, её муж-трудоголик уйдёт на пенсию и они смогут вместе насладиться осенью своей жизни. Ей хочется попутешествовать с ним, посмотреть мир. Но когда в последний день Петер возвращается с работы, происходит неожиданный поворот. Муж подготовил для неё сюрприз: он начинает новую карьеру импортёра вин и вложил все их сбережения в виноградники в Австрии. Хелле и Петер расстаются, и каждый движется своим путём, открывая новые возможности, сталкиваясь проблемами, мечтая. Но можно ли начать всё заново после 50 лет совместной жизни? И возможна ли жизнь друг без друга?

Simon is the king of the Danish art scene - eccentric, successful, wealthy, with a beautiful wife and a young mistress. Life is beautiful, until the day his unknown son Casper turns up and attracts all the attention. It turns out that Casper is the world-famous graffiti artist “The Ghost”. This is a provocation and a challenge to Simon, and the relationship between father and son is put to a serious test. However, against all odds he two slowly grow closer to each other, but the question is whether blood ties are enough? Because after all Simon has no plans of being a father, and Casper has other plans with his father than simply getting to know him…

Simon is the king of the Danish art scene - eccentric, successful, wealthy, with a beautiful wife and a young mistress. Life is beautiful, until the day his unknown son Casper turns up and attracts all the attention. It turns out that Casper is the world-famous graffiti artist “The Ghost”. This is a provocation and a challenge to Simon, and the relationship between father and son is put to a serious test. However, against all odds he two slowly grow closer to each other, but the question is whether blood ties are enough? Because after all Simon has no plans of being a father, and Casper has other plans with his father than simply getting to know him…

15-year-old Julie feels that time stands still in the suburban neighborhood where she lives with her helpless mother and older sister. When her sister's boyfriend drops by the house a warm day during summer vacation she sees the opportunity to not only escape from the heavy weighing atmosphere of her childhood home, but also to satisfy some of the restlessness and curiosity that lives in her evolving teenage body.

This is the day when the lives of an intertwined group of people take a new direction. Everything they have taken for granted starts to change. While Anne and Ask's relationship succumbs to 'metal fatigue', Charlotte has to realise that her husband Carl may not be right for her. At the same time Bente has to decide if she is prepared to wait for ever for her lover, while her ex-husband Bjørn must face the pain of finally letting Bente go. The characters and their children are twirled around in an ever-increasing drama which peaks during the opening night of Hamlet. Anne is on stage as Ophelia, and the question remains: to be or not be responsible for one's own happiness.

This is the day when the lives of an intertwined group of people take a new direction. Everything they have taken for granted starts to change. While Anne and Ask's relationship succumbs to 'metal fatigue', Charlotte has to realise that her husband Carl may not be right for her. At the same time Bente has to decide if she is prepared to wait for ever for her lover, while her ex-husband Bjørn must face the pain of finally letting Bente go. The characters and their children are twirled around in an ever-increasing drama which peaks during the opening night of Hamlet. Anne is on stage as Ophelia, and the question remains: to be or not be responsible for one's own happiness.

Any significant contact with another person requires exceeding the 45 cm. The excess can be provocative. It always involves exposure and the risk of being invaded, intimidated - or perhaps loved.

Rebekka, Claudia and Sofie are freshmen in high school and will no longer accept being treated as juniors. Taking matters into their own hands, they devise a rite of passage, the 'fortune teller', symbolizing their entry into adulthood. As they take turns challenging each other's sexual boundaries, they eventually have to ask themselves whether performing weird rituals is the easiest way to get to know themselves and feel grown up.

On the surface Henrik and Nina Christofferson are an ordinary family living happily. But they have a problem. Their daughter, Stine, a difficult 14 year old, has a habit of telling lies in class. When Stine accuses her father of sexual abuse, and is believed by seemingly eager social workers, their family is thrust into crisis. Could Henrik have done it? And when Stine prepares to return home, the ugly side of family life is exposed.

В 1967 году Йорген Лет снял двенадцатиминутный короткометражный фильм «Совершенный человек» (Det Perfekte Menneske), документ о поведении человека, охватывающий все наиболее важные темы, пронизывающие все творчество Йоргена Лета. В 2000 году Ларс фон Триер предложил Йоргену Лету снять вместе пять римейков этой картины, причем каждый раз Триер ставил перед ним препятствия, заставляя Лета переосмысливать сюжет и характеры персонажей фильма, сделанного в 1967 году. Притворяясь наивным антропологом, Лет пытается преодолевать хитроумные препятствия, воздвигаемые перед ним хитрым и коварным Триером. Пять раз Лету приходилось подчиняться приказам Триера, преодолевать вводимые им ограничения и запреты.

In Cape Town, a police inspector named September color discovers that the dreaded Mabasha, hired murderer, is in talks with a right-wing organization. In Skåne, southwest of Sweden, is given to the real estate agent Louise Åkerblom by missing and the case is assigned to Inspector Wallander. Just start research supposedly empty building explodes. An unusual weapon, a transmitter Russian and index finger of a man of color are found in the wreckage of the building ...

Rosa is a lonely 13 year old wearing a leg prosthesis. She lives with her single father in a small town.

A lifeboat floats ashore at the coast of Skåne. Inside are two dead men who who've been murdered. Policeman Kurt Wallander is assigned to the case. The men are identified with the help of the police in Latvia. One of their officers travel to Sweden to to help but when he returns to his home country he is mysteriously murdered. Kurt flies to Riga to find out why and is drawn into complex conspiracy.

A dying elderly scientist proposes love-sick Jonas a cure that will improve the youngster's physical skills and general sex-appeal. What the scientist really aims to accomplish is a body switch: he wants to survive in a young man's body and gladly leaves Jonas to wake up in his own wasted frame. Jonas must somehow signal his predicament to his friends. Both men rev up for a survival-of-the-fittest chase.

Set in 1962 during the Berlin crisis, the contented lifestyle of Carmen and her kid brother, whom she's nicknamed Babyface, comes to an abrupt end when their parents acrimoniously separate.

Jan thinks he is Swedish-Danish, but after his mother's death he discovers he was adopted. As his world begins to fall apart, he decides to find his birth parents. The hunt leads him to Portugal - in a taxi - where more surprises await him.

At a Swedish company with international contacts, a bestial murder is committed. The murdered person has been employed by the company - everything indicates that the chairman of the board is guilty.

One of the students in a school, a young girl, is found strangled. Everything indicates that the gym teacher is guilty.

At a porn club in Stockholm, a brutal murder is committed - and one of the striptease dancers takes the blame.

Pia gets sexually seduced by her S&M interested ex-boyfriend which makes her question her relationship with her new boyfriend. Denmark’s “Fifty Shades of Grey” was made 25 years prior to the American version.

Poet-filmmaker Jørgen Leth taps his own earliest inspirational veins by free-floating through a camera/microscope-enhanced set of poems with love as their first and final subject. For example, how a tropical island woman prepares for a meeting with her lover. The film was shot partly in the South Pacific with more than a nod to social anthropoliogist B. Malinowski's historical work The Sexual Life of Savages.