Cristina Comencini

Cristina Comencini defines the film as a "thriller of the soul." It's the story of a woman who returns to Italy from the US to attend the funeral of her late father, an American admiral living in Naples. Here she meets a man who seems to know too many things about her.

Cristina Comencini defines the film as a "thriller of the soul." It's the story of a woman who returns to Italy from the US to attend the funeral of her late father, an American admiral living in Naples. Here she meets a man who seems to know too many things about her.

The story of Italian cinema under Fascism, a sophisticated film industry built around the founding of the Cinecittà studios and the successful birth of a domestic star system, populated by very peculiar artists among whom stood out several beautiful, magnetic, special actresses; a dark story of war, drugs, sex, censorship and tragedy.

Лучия и Мария дружат со школы. Они разные настолько, что не могут друг без друга. Лучия — правильная, строгая и немного закрытая, Мария — яркая и позитивная душа компании. И в отношениях с мужчинами то же: Лучия не может прийти в себя после неудачного замужества и практически поставила крест на личной жизни, а Мария готова пустить в свою постель первого встречного. Все меняется, когда в жизни подруг появляется 19-летний Лука. Пройдя череду комичных и порой неловких ситуаций, поборов свои страхи и справившись с неудачами прошлого, подругам предстоит вновь обрести себя.

Лучия и Мария дружат со школы. Они разные настолько, что не могут друг без друга. Лучия — правильная, строгая и немного закрытая, Мария — яркая и позитивная душа компании. И в отношениях с мужчинами то же: Лучия не может прийти в себя после неудачного замужества и практически поставила крест на личной жизни, а Мария готова пустить в свою постель первого встречного. Все меняется, когда в жизни подруг появляется 19-летний Лука. Пройдя череду комичных и порой неловких ситуаций, поборов свои страхи и справившись с неудачами прошлого, подругам предстоит вновь обрести себя.

Лучия и Мария дружат со школы. Они разные настолько, что не могут друг без друга. Лучия — правильная, строгая и немного закрытая, Мария — яркая и позитивная душа компании. И в отношениях с мужчинами то же: Лучия не может прийти в себя после неудачного замужества и практически поставила крест на личной жизни, а Мария готова пустить в свою постель первого встречного. Все меняется, когда в жизни подруг появляется 19-летний Лука. Пройдя череду комичных и порой неловких ситуаций, поборов свои страхи и справившись с неудачами прошлого, подругам предстоит вновь обрести себя.

Лучия и Мария дружат со школы. Они разные настолько, что не могут друг без друга. Лучия — правильная, строгая и немного закрытая, Мария — яркая и позитивная душа компании. И в отношениях с мужчинами то же: Лучия не может прийти в себя после неудачного замужества и практически поставила крест на личной жизни, а Мария готова пустить в свою постель первого встречного. Все меняется, когда в жизни подруг появляется 19-летний Лука. Пройдя череду комичных и порой неловких ситуаций, поборов свои страхи и справившись с неудачами прошлого, подругам предстоит вновь обрести себя.

The five daughters of a famous actor, all from different mothers and different nationalities, get together on the 10th anniversary of his death for a celebration of his career.

The five daughters of a famous actor, all from different mothers and different nationalities, get together on the 10th anniversary of his death for a celebration of his career.

The five daughters of a famous actor, all from different mothers and different nationalities, get together on the 10th anniversary of his death for a celebration of his career.

After meeting during their vacation, two young people with solitary lives suddenly come into a relationship that could benefit both of them.

After meeting during their vacation, two young people with solitary lives suddenly come into a relationship that could benefit both of them.

After meeting during their vacation, two young people with solitary lives suddenly come into a relationship that could benefit both of them.

Longtime Italian cinema star Stefania Sandrelli (The First Beautiful Thing) is Alba, the mother of two very different adult sons. While Giorgio is a playboy who constantly cheats on his wife, Leonardo (Luca Argentero, Eat Pray Love) is always unlucky in love. When Leonardo finally meets the woman of his dreams, Sara, he brings her home to meet the family, but it appears this is not the first time that Sara has met Giorgio. Directed by Luca Lucini and stars Luca Argentero, Alessandro Gassman and Stefania Sandrelli.

Until the 1970s, Italian cinema dominated the international scene, even competing with Hollywood. Then, in just a few years, came its rapid decline, the flight of our greatest producers, a crisis among the best writer-directors, the collapse of production. But what are the true causes and circumstances of this decline? In an attempt to provide an answer to this question, Di Me Cosa Ne Sai strives to depict this great cultural change. Begun as a loving examination of Italian cinema, the film transformed into a docu-drama that alternates between interviews with the great names of the past and fragments of cultural and political life of the last 30 years. It is a travel diary that shows Italy from north to south, through movie theatres; television-addicted kids; Berlusconi and Fellini; shopping centers; TV news editors; stories of impassioned film exhibitors and directors who fight for their films; and interviews with itinerant projectionists and great European directors.

Every Thursday a group of ladies would gather to play cards and discuss their loves, lives and children while their daughters played in the next room. Thirty years later, the daughters meet at a funeral for one of the mothers. Like their mothers, they discuss their hopes, dreams and fears.

Racial integration is Elena's profession and passion, not only filling her working day as a cultural mediator assisting immigrants, but spilling over into her home life as well. All too often her husband Carlo must attend charity events where he feels distinctly out of place. During one of these evenings, Carlo meets Nadine, a beautiful black woman.

Racial integration is Elena's profession and passion, not only filling her working day as a cultural mediator assisting immigrants, but spilling over into her home life as well. All too often her husband Carlo must attend charity events where he feels distinctly out of place. During one of these evenings, Carlo meets Nadine, a beautiful black woman.

Фрейдистское препарирование сексуального подсознания человека. В центре сюжета молодая женщина, выросшая в семье педофила, которая медленно сходит с ума. На втором плане развивающаяся лесбийская любовь её подруг и её молодой человек, у которого на работе начинается роман с красивой и сексуальной девушкой.

Фрейдистское препарирование сексуального подсознания человека. В центре сюжета молодая женщина, выросшая в семье педофила, которая медленно сходит с ума. На втором плане развивающаяся лесбийская любовь её подруг и её молодой человек, у которого на работе начинается роман с красивой и сексуальной девушкой.

Фрейдистское препарирование сексуального подсознания человека. В центре сюжета молодая женщина, выросшая в семье педофила, которая медленно сходит с ума. На втором плане развивающаяся лесбийская любовь её подруг и её молодой человек, у которого на работе начинается роман с красивой и сексуальной девушкой.

The lively goings-on of a modern family seen trough the eyes of a young girl just about to receive her first Communion.

The lively goings-on of a modern family seen trough the eyes of a young girl just about to receive her first Communion.

Matrimony is a drama about the complexity of relationships. On Christmas Eve, perfect housewife Giulia Francesca Neri is worried about a family heirloom which has cracked and rushes to the junk shop to get it repaired -- little anticipating her perfect marriage is about to fall to pieces as well. While everyone in Bologna is making last minute preparations, Giulia runs into her childhood sweetheart, Fausto Paolo Sassanelli. The meeting rekindles old feelings and Giulia realizes that to create the perfect marriage which everyone adores, she has sacrificed her own personality. While waiting to meet her parents at the station, she climbs into a departing train and disappears. The family slowly disintegrates, as if she were the binding element.

The complicated travails of several generations of Italian women provide the basis for this drama that is based on a novel by Susanna Tamaro. It begins with the peaceful death of Olga, the elderly family matriarch. Marta, her granddaughter returns from the US to attend the funeral and once in Olga's villa in Trieste, begins reading her grandmother's diary. Olga's story unfolds via flashback. As a young woman, Oldga had to marry Antonio a man she didn't love. Later she became passionately involved with a handsome doctor at the local spa. He impregnates her and shortly thereafter dies in a terrible car wreck. The result of their love is Illaria, who grows up to be terribly neurotic. She bears Marta and then she too dies in an automobile accident, leaving Marta to be raised by Olga.

The complicated travails of several generations of Italian women provide the basis for this drama that is based on a novel by Susanna Tamaro. It begins with the peaceful death of Olga, the elderly family matriarch. Marta, her granddaughter returns from the US to attend the funeral and once in Olga's villa in Trieste, begins reading her grandmother's diary. Olga's story unfolds via flashback. As a young woman, Oldga had to marry Antonio a man she didn't love. Later she became passionately involved with a handsome doctor at the local spa. He impregnates her and shortly thereafter dies in a terrible car wreck. The result of their love is Illaria, who grows up to be terribly neurotic. She bears Marta and then she too dies in an automobile accident, leaving Marta to be raised by Olga.

A young lawyer returns home and discovers that a man has committed suicide jumping through a window of his house. His wife, Maria, says that she let the unknown man enter because he said the lawyer was the only one who could help him. Bernardo start to investigate about the man and about the reasons of his suicide.

Italian-French costume dramedy that takes place in France in the end of 18th Century during the French Revolution. It is "The Marriage of Figaro" meets "The Dangerous Liaisons" and it tells the story of two women, Mathilde Seurat, the actress and Julie Renard, the aristocratic wife and a mother (Delphine Forest plays both) with the same face who came from the different parts of society and at one point exchanged their identities and their lives. The movie also features Giancarlo Giannini and great Vittorio Gassman.

Italian-French costume dramedy that takes place in France in the end of 18th Century during the French Revolution. It is "The Marriage of Figaro" meets "The Dangerous Liaisons" and it tells the story of two women, Mathilde Seurat, the actress and Julie Renard, the aristocratic wife and a mother (Delphine Forest plays both) with the same face who came from the different parts of society and at one point exchanged their identities and their lives. The movie also features Giancarlo Giannini and great Vittorio Gassman.

Italian-French costume dramedy that takes place in France in the end of 18th Century during the French Revolution. It is "The Marriage of Figaro" meets "The Dangerous Liaisons" and it tells the story of two women, Mathilde Seurat, the actress and Julie Renard, the aristocratic wife and a mother (Delphine Forest plays both) with the same face who came from the different parts of society and at one point exchanged their identities and their lives. The movie also features Giancarlo Giannini and great Vittorio Gassman.

In this romantic story, a couple (Michel Serrault and Virna Lisi) who have been married for over forty years are forced to separate, one to each of their two children's families, when they can no longer pay the rent on their longtime apartment. Absence, in this case, refreshes their memory of the love they have shared, and they take to meeting one another furtively in hotel rooms for sex and affection. One summer, as each of their daughters families takes them on separate vacations, they have had enough, and elope, finding contentment as lighthouse keepers off the coast of Sicily.

Martina lives in the Rome's zoo, because her father is the guardian. She becomes friend with a young Slavic escaped from a gypsy camp. When the police arrives searching for the kid, they run away riding an elephant!

Martina lives in the Rome's zoo, because her father is the guardian. She becomes friend with a young Slavic escaped from a gypsy camp. When the police arrives searching for the kid, they run away riding an elephant!

Martina lives in the Rome's zoo, because her father is the guardian. She becomes friend with a young Slavic escaped from a gypsy camp. When the police arrives searching for the kid, they run away riding an elephant!

In 1988, Figaro magazine asked a few famous directors to direct a series of short movies to celebrate the 10 years of the revue. The movies have been released for the French revolution bicentenary. Includes: Werner Herzog's Les Gaulois, David Lynch's The Cowboy and the Frenchman, Andrzej Wajda's Proust contre la déchéance, Luigi Comencini's Pèlerinage à Agen, Jean-Luc Godard's Le dernier mot.

Фильм снят по первому тому «Истории моей жизни» Джакомо Джованни Казанова, охватывая его детские и юношеские годы. Правдивое бытописание жизни Венеции середины 18 века: традиции, обычаи, медицина, религиозные обряды, моды и костюмы, но более всего - всепроникающее лицемерие. Бенефис Леонарда Уайтинга (Ромео образца 1968 г. Франко Дзефирелли) и божественной Сенты Бергер. Приятная комедия (местами трагикомедия) для семейного просмотра.