Philippe Guilbert

Willing to risk it all, an unscrupulous art dealer and his socially-awkward painter and longtime friend develop an extreme and ludicrous plan to save themselves.

Antoine and Christian, two long-estranged brothers from Normandy, couldn’t be more different from each other: while the former is happily married with two kids and a successful boat driver, the latter is a facetious globe-trotting hustler who likes to engage in bar fights. But when Antoine starts getting involved in sleazy activities, Christian flies to his rescue. In an unexpected bonding-adventure they take upon themselves to defend the family they thought they’d never be.

Тьерри проводит дни, разбирая фотографии и думая, что все хорошее осталось в прошлом. Когда его жена Клэр объявляет, что уходит от него, Тьерри предлагает повторить напоследок «Грецию 98», - лучший отпуск с семьей. Официально - чтобы провести последнюю неделю с детьми прежде, чем объявить о разводе. А на самом деле – чтобы вернуть свою жену. Стремясь придать огоньку отношениям в паре, он создает угрозу пожара в своей семье.

Убийство — это не повод для смеха. Обычно. Но вот попробуйте сдержать улыбку, когда преступление происходит среди харизматичных богачей на курорте Сен-Тропе, а расследование ведет весьма эксцентричный и не самый смышленый сыщик. Мотив есть у каждого, а вот с дедукцией — явно дефицит! Чтобы распутать это дело, горе-детективу придется притвориться дворецким и затеряться между пафосными знаменитостями и знойными женщинами в этом Провансе гламура и роскоши. Что ж, такой отпуск точно будет незабываемым.

Christine’s life has not been easy lately. Her lonely routine is divided between free food banks distributions and wandering the streets. On a cold winter night she founds Suli, an 8-year-old Eritrean boy, sobbing in front of her shelter. Christine understands that he is lost and has been separated from his mother. Bounded by their marginal condition, they embark together on an emotional journey to find Suli’s mother in the underground world of Paris...

When French writer Marguerite Duras (1914-96) published her novel The Sea Wall in 1950, she came very close to winning the prestigious Prix Goncourt. Meanwhile, in Indochina, France was suffering its first military defeats in its war against the Việt Minh, the rebel movement for independence.

Gina, 15, lives in a city on the edge of the forest. She admires her father, unpredictable and whimsical, able to take his children at night in the woods, even to forget them. Jimmy's more and more frequent skids end up alarming his wife Carole. Soon, the fragile family balance is broken when Jimmy is interned in a psychiatric hospital. When Gina meets Nico, a boy from her neighborhood, she awakens to love and sees a chance to escape her father.

Действие фильма разворачивается вокруг молодого писателя, который пытается отыскать утерянные письма великого поэта к своей возлюбленной.

Чтобы спастись от увольнения, продюсер-неудачник должен найти ​группу, ​которая соберёт полный зал Олимпии. На него снисходит озарение, и он организует весьма оригинальный бойз-бэнд: католический священник, раввин и имам. Смогут ли разные представления о мире стать помехой на пути к вершине музыкального Олимпа?

In a small town lost in the middle of nowhere, Edmond Zweck's funeral business is on the wing. The company now has only two employees: Georges, Zweck's right-hand man, and Eddy, a young man still a novice in the trade. One fine morning, however, a dead man pointed his nose. Hope is born again. Georges and Eddy are responsible for leading the deceased to his last abode. But in search of the cemetery that can not be found, the funeral convoy goes astray and the journey turns into a fiasco.

В запале предвыборных дебатов рафинированный буржуа Жан-Этьен Фужероль неосторожно бросает с экрана телевизора, что его любимая Франция открыта для любых иммигрантов, они повсюду найдут себе кров и еду, даже в его доме. Не проходит и суток, как у его ворот появляется цыганский табор во главе с наглецом Бабиком. Не пустить — потерять голоса избирателей. Размеренной семейной жизни приходит конец: нежданные гости плавают в крытом бассейне, устраивают концерты во дворе, обживают хозяйский туалет, пьют коллекционные вина и даже пытаются приударить за женой Жан-Этьена.

A former European song contest singer, fading away in a pâté factory, falls in love with a young, aspiring boxer. Together, they decide she should attempt a comeback.

Matthieu, a 33 year old Parisian who finds out that the father he never knew has died and decides to go to his funeral in order to meet his two siblings in Quebec. But once in Montréal, he realizes that nobody is aware of his existence or even interested in it. He is alone, in hostile territory…Filled with secrets, this story about one man’s coming to term with the foreign family he never knew he had is complex with interconnected themes such as masculinity, family, paternity and filial devotion coiling in the layers underneath.

Луиза Легран живёт с двумя своими детьми в спокойном провинциальном городке. Она не хочет покидать виллу с заветной грушей в саду, где когда-то была так счастлива со своим покойным мужем. Как бы ей не было непросто одной, тайно влюблённый Пол для неё не более, чем хороший друг, помогающий в трудную минуту. Это становится особенно ясно, когда Луиза случайно сбивает на дороге не слишком общительного и замкнутого в себе Пьера. У женщины появляется возможность выбора…

Daniel is a former police officer turned debt collector. Now in his late fifties, he goes about his "dirty job" without emotion or sympathy. One winter's day, he stops at a roadside parking lot and is approached by Laura, an 18-year-old young woman who asks him to drive her home. He accepts, and on the way, she offers him "her services" in exchange for money. Daniel is furious, and throws her out of his car. But his feelings of remorse and the violence of his reaction lead him to turn around and retrace his steps, only to discover that Laura has disappeared...

An elderly couple in their eighties with a mixed past escape into a fantastic world, full of their desires and fears, the door to which is a motorway rest area and their son's tombstone. Having lost the keys to their car, they walk down into the woods together, then apart, to better find themselves and each other.

The meeting of two lonely, marginal souls. There is Henri, a man in his 50s, limp, resigned, somewhat alcoholic. And Rosette, a (slightly) retarded woman who dreams of love, sexuality, normality

Nathalie, Christophe and Joëlle are in the midst of an existential crisis. Brought together by Selma, 95 and seriously ill, they will spend a memorable summer on the banks of the Moselle. How ironic that the one whom they had intended to help to die should help them to live...

After ten years, Jacques comes back to France to handle his father’s succession. He had left France to live in the USA to escape a painful past he shared with Mado, his former wife, who in the meantime built a new life with Stéphane and their 7 year old son, Paul. Upon his return, Jacques and Mado meet again; he asks to meet her son Paul; Mado hesitates, then accepts but hides it from her husband. Soon, Paul and Jacques get close and they start to see each other secretly.

La Valse is dance a film by Thierry De Mey based on the choreography created on Maurice Ravel’s La Valse as the final part of ZOO’s performance Accords. Created as part of the triptych Equi Voci, the film La Valse exists in versions for one or three screens.

In the 1950s, Louise left her husband when their children were still little. She was never heard from again. Her daughter Martine stayed in the small seaside town, where she became a doctor. Martine's daughter, Audrey, a thirty-year-old independent woman, returns to visit her parents. By chance, she finds a notebook that belonged to her grandmother, a diary that may at last explain her departure. Will it reveal the things left unsaid, that have altered the relationships within the heart of the family ever since? In it, will Audrey find answers to the questions that she is asking herself about her own future?

After several years in the United States, Sylvain heads back to France to attend his grandson’s christening. He wastes no time trying to catch up with his ex-wife and their children, but not everyone is pleased by his unexpected return...

A sixteen year-old girl living with her widowed father in the Ardennes forest befriends a twenty-two year old orphan whose manipulative aunt contrives to keep him immature in the feature directorial debut of filmmaker Stéphan Carpiaux. A tragic accident has claimed the life of Alex's mother, and now the grieving teen will be forced to grow up before her time. Though Alex's father Frank wages a valiant struggle to overcome the apathy that consumes him following the loss of his beloved wife, the situation grows complicated when the naïve adolescent unintentionally compounds her father's pain. As tenderness threatens to give way to desire, Alex makes the acquaintance of twenty-two year old Hector. Later, as a friendship begins to blossom between Alex and Heather, Alex becomes acutely aware of just how damaging her relationship with her father has become.

In Paris, Ariane and Lena are sisters. Ariane writes photo novellas for the magazine "Toi et Moi." She's emotional and her long-time boyfriend, Farid, has her in a state because he won't propose, won't ask her to live with him, and often is unavailable. Lena is a cellist, quiet and circumspect in life and in her playing. She lives without passion with her boyfriend François; they're talking about having a baby.

I travelled across Mauritania to find a tree that I saw from my window in Belgium. It wasn't a mythical tree, but rather one that could be anywhere. On my way, I met men and women who shared their perception of this quest and in doing so, in a roundabout way they shared some of their visions of the world and of existence. For some, my tree was the sign from the spirits, of the invisible or a call from light. For others, it was the symbol of a history, a culture or the end of a period in time. For yet others, it was a tree that you see only when you get lost...

Roger Closset is a man who obviously loves his family, though that doesn't always make them feel better. Dad is an obsessive type with a short fuse and a long list of curious ideas, and his wife and children must often bear the brunt of his eccentricities. Roger works as a reporter, a job he doesn't like which doesn't pay especially well, either. One day, Roger learns an area business association is sponsoring a contest for a family that can break a world record, with the grand prize being a new car. Suddenly, Roger gets a brainstorm -- if his son can open and shut a door 40,000 times in 24 hours, the car will be theirs. 15-year-old Michel, however, is not at all happy to have been drafted into this new responsibility, especially when dad builds a practice door in the backyard and finds a trainer to teach Michel how to open and close it with greatest efficiency.

In musical terminology, the term " study " designates pieces to approach a specific problem : study for arpeggios, for the left-handed etc. The question here is how to merge dancing footage with elements of fiction. What is the right tone, the golden proportion to tell/dance the stories without resorting to techniques of a musical or a ballet ? New ways of telling a story: this is, without a doubt, a critical challenge for dance today. Twenty-one micro fictions by four Cie Michèle Anne De Mey dancers in witch the educational aspect of experimentation soon gives way to the pleasur of joyful poetics: an original blend of tender insolence and srtict elegance.