Producer
A lowly brothel maid captures the attention of Shanghai triad leaders, pulling her into a brutal war where she learns to rise above the odds in order to survive.
Herself
In 2013, the Golden Horse Film Festival celebrated its 50th anniversary. The ministry of Culture commissioned director Yang Li-chou to make a documentary about the history of Golden Horse. What is unique to this film is that it's not an ode to celebrities but about the role cinema plays in ordinary people's lives. It's a love letter to cinema, filmmakers and audiences.
Producer
He Man awakes from a coma thinking that she’s still on her honeymoon with her husband Xie Yu, but she gets a rude shock: there’s a five-year gap in her memory, and during that time the couple has divorced. Confused and desperate to figure out how their marriage crumbled, He Man seeks out her ex-husband and her ex-best-friend for answers.
Self
Documentary about Chinese film director King Hu.
Producer
In Chengdu, China, a retired female opera singer named Master Chang takes in a trio of young tenants into her boarding home. The tenants include a rock singer and a college student who has run away from home.
Producer
A Japanese girl (Kato Youki) is on a three month visit in Taiwan after breaking up with her boyfriend to study Chinese at a language center. One day she has a brief affair with Wu and later he requests her to sign a contract to be his girlfriend for 90 days and she agrees. One of the condition of the contract is they must get separated after 90 days. However, after getting know each other quite well, both find that the relationship seems to be true love and both are unwilling to break the contract agreement as the dateline approaches. What is the outcome of their love story in the end?
Executive Producer
Тянь Ко подрабатывает разносчиком обедов в ресторанчике своих родителей. В один прекрасный день он доставляет еду в бассейн для команды по плаванью с нарушением слуха. Там он встречает двух сестричек, одна из которых его явно заинтересовывает. По счастливой случайности Тянь Ко изучал язык жестов в колледже, поэтому пообщаться с девушками ему труда не составило. Между парнишкой и девчушкой с забавным именем Ян Ян завязываются отношения… Но Ян Ян начинает понимать, что отдаляется от своей сестры, и решает больше не видеться с Тянь Ко. Но парень-то безнадёжно влюбился. Завоюет ли он сердце Ян Ян, или проблема нарушения слуха станет непреодолимым препятствием для них?..
Producer
In 1899, Lord Kang must decide which of his three sons will take over his family's Chinese banking empire. When circumstances dictate that he appoint his unreliable youngest son, family bonds are pushed to the limit as father and son clash in a climate of political turmoil. Winner of the Special Jury Award at the 2009 Shanghai International Film Festival.
Producer
Chen Chuan (Francis Ng) is a simple man who seems to be cursed with bad luck all the time. Convinced by a blind fortune teller that he must eliminate the "villain" that is bringing him the ills, Chen vows to kill the person responsible for his misfortunes. But he soon has second thoughts when he suspect that the "villain" is none other than his own wife.
Producer
Ученица старших классов Юджэн влюблена в Шихао из школьной команды по плаванию. Он влюблён в её одноклассницу и лучшую подругу Кероу. А Кероу... она, кажется, любит Юджэн.
Producer
Шестнадцатилетнему деревенскому парню крупно повезло. Приехав в Пекин, он нашел отличную работу в курьерской компании, выдавшей ему великолепный горный велосипед, который необходимо было выкупить. В тот момент, когда Гуе почти закончил выплаты, велосипед исчез. После долгих поисков пропажа нашлась, но у велосипеда был уже новый хозяин. Гуе приходит к решению выкрасть свое сокровище.
Screenplay
Шестнадцатилетнему деревенскому парню крупно повезло. Приехав в Пекин, он нашел отличную работу в курьерской компании, выдавшей ему великолепный горный велосипед, который необходимо было выкупить. В тот момент, когда Гуе почти закончил выплаты, велосипед исчез. После долгих поисков пропажа нашлась, но у велосипеда был уже новый хозяин. Гуе приходит к решению выкрасть свое сокровище.
Producer
A cute coed leaves her mother's home and gets involved with a pastry chef who has links to the local criminal element.
Producer
В XXI веке в Тайване семь дней непрерывно идет дождь. По радио постоянно сообщают об эпидемии и эвакуации жителей города. В небоскребе живут два жителя — молодой человек на последнем этаже и девушка этажом ниже. Они общаются через дыру в потолке.
Herself
This highly personal film essay demonstrates that Chinese cinema has dealt with questions of gender and sexuality more frankly and provocatively than any other national cinema. Yang ± Yin examines male bonding and phallic imagery in the swordplay and kung fu movies of the '60s and '70s; homosexuality; same-sex bonding and physical intimacy; the continuing emphasis on women's grievances in melodramas; and the phenomenon of Yam Kim-Fai, a Hong Kong actress who spent her life portraying men on and off the screen.
Producer
1997 documentary, part of the Taiwan-produced series "Personal Memoir of Hong Kong", is both a self-portrait and a depiction of Hong Kong during the 40 years preceding the handover by the United Kingdom to China.
Producer
Stanley Kwan's view in this film is both personal and collective memories towards Hong Kong in 1997. He cites one famous line from Cantonese opera 'Princess Chang Ping', 'I deny, I deny, but in the end I cannot deny' as a metaphor for Hong Kongers' troubled minds when they have to recognize their identity as Chinese. To make a statement of the theme, Kwan adopts a complicated structure, mixing excerpts from his previous films, his stage play, even the soundtrack of Wong Kar-wai's Days of Being Wild.
Writer
Ее взлет к славе был стремителен. Жуань Линъюй начала сниматься в кино в 16 лет и почти сразу стала любимой актрисой немого китайского кинематографа, но меньше чем через десять лет, в расцвете красоты и на пике успеха, свела счеты с жизнью…
Self
This film is a record of the first Yamagata International Documentary Film Festival. It reflects the various ways the festival was given shape by nascent global changes embodied by Perestroika, the Tiananmen Square massacre, and many other contemporaneous events.