Maren Eggert

On a barren island, a mother and son confront years of silence and misunderstandings in writer-director Hanna Slak’s formidable fourth feature film starring Maren Eggert, scored by Amélie Legrand, and shot by Claire Mathon.

Идеальных мужчин не существует, но теперь их можно создать! Том — робот-красавчик, запрограммированный угадывать и исполнять любые желания своей владелицы Альмы. Но она оказывается не так проста и предсказуема. Теперь каждому из них предстоит узнать, что значит любить и быть человеком.

Строится тоннель, соединяющий Данию и Германию. Настоящее приходит в движение, ветер перемен свистит в ушах. В центре сюжета — этнограф Дара, которая приезжает исследовать дома, подлежащие сносу, и в одном из них обнаруживает дневники бывшей владелицы. Луцик — молодой поляк, который вместе с другими соотечественниками трудится на строительстве тоннеля и остается без зарплаты. Кете работает на пароме и наблюдает за циркуляцией людей, их историй и товаров, проплывающих мимо нее.

Head of the famous pencil corporation tries to make his 16 year old granddaughter ready to take his place.

Cын Астрид исчез. Cпустя неделю подросток вернулся домой безо всяких объяснений. И она сама, и учителя подозревают, что это может быть связано с потерей отца. Очень медленно жизнь возвращается в нормальное русло. Изменились представления Астрид об искусстве. Дома матери-одиночке всё труднее мириться с тем, что сын ведёт самостоятельную жизнь. А потом он попадает в больницу с заражением крови. Астрид переживает нервный срыв, её мучают угрызения совести, беспокойство за сына, сознание собственной никчёмности.

25 years ago, Cornelius left his then girlfriend Julia to live with Frank. After Julia fled to the USA at the time, she is now returning and wants to live in the former common house, which puts the relationship between Cornelius and Frank to the test.

Четыре молодых еврея переживают Третий Рейх в середине Берлина, так безрассудно живут, что становятся «невидимыми».

Theres and Kenneth are both young when they first meet whilst on holiday. They fall in love but are unable to prevent themselves from losing each other. Thirty years later, in another country, another couple: Ariane leaves her husband David because she no longer loves him. The paths they both take lead them to Kenneth and Theres.

Conflict-avoidant Thomas just wants a relaxing holiday in the Swiss Alps. But, it's a slippery slope from the beginning. In an effort to repair his own family ties and to impress his boss, he takes his family and his employer's daughter with him. Tragedy strikes and Thomas feels responsible. Should he be his typical passive self? Or risk doing the right thing at the expense of his relationships with his family and employer?

Christine and Conrad are what we call modern parents nowadays: While he stays home to raise children, she makes a career as a doctor, earning big money. When Konrad with comes home with the offer to act as a theater director again, organizing the day-to-day family life becomes increasingly difficult. Who will take care of their daughters Emma and Kate? As it turns out, it is in fact not that easy to find a competent girl.

At the Paris airport Orly, a woman falls for a stranger, a family heads to a funeral, a couple lose touch, a wife reads her husband’s break-up letter. All wait for their planes. Absorbed in their immediate fates, they move through the impeccably structured space, unaware of a looming threat outside.

1818 in the Münsterland: Innumerable pilgrims seeking comfort and consolation visit the bedside of Anna Katharina von Emmerich, a nun whose body bears marks of the holy wounds of Christ on her chest, forehead and hands. Clemens von Brentano, an artist in his prime, visits the nun′s sickbed as a simple "writer of the wonders of God" to take down her visions and beliefs. He believes himself to be in charge of his life as a devout Catholic. The former rake′s encounter with the charismatic nun proves fateful, however. For both of them.

Marseille describes an interlude in the life of young Berlin photographer Sophie. Wanting a change, Sophie does an apartment swap, so she can go photograph the city of Marseille, and most of all get away from Berlin.

В ходе научного эксперимента 12 обыкновенных людей добровольно становятся на две недели «заключенными» тюрьмы, в то время как 8 таких же добровольцев становятся надзирателями. Задача первых — соблюдать правила тюремного режима; задача вторых — поддерживать порядок. Но человеческая природа берет свое, и эксперимент выходит из-под контроля: под бесстрастными взглядами ученых надзиратели упиваются властью, унижая заключенных, и в тюрьме назревает бунт…

Werner Schroeter's lovely and touching portrait of the great German actress Marianne Hoppe, whose career spanned from the glory days of the Weimar era through the Nazi years to a postwar return to the stage in Shakespeare, Tennessee Williams, and experimental productions by Robert Wilson and Heiner Müller.

Nick and Charlotte are a married couple. As both are more than busy earning money, there is no time for love or sex - only Tuesdays. Soon, Charlotte finds a lover, Luis, who is an unsuccessful, married artist. He and his wife Eva also have no time for sex, as Eva has to support her artist and the couple's 3 and 6 year old kids by working in a restaurant. The secret affair of Luis and Charlotte lasts quite a while, they decide to spend a romantic week in Venice, Italy. But by accident, Eva finds out about the couple and their destination. She forces Nick, Charlotte's husband, to join her on a trip to Venice in order to restore her marriage as well as his.