Carmine Amoroso

Italy, 1970. An increasing legion of harmless warriors begins a peaceful struggle for sexual freedom through pornography, shaking and shocking religious authorities and conservative political institutions. They are ironic, happy, crazy. They are dreamers, defenders of definitive communion between body and soul. But they were censored and humiliated. They were mistreated and arrested for demanding loud a new cultural renaissance.

Italy, 1970. An increasing legion of harmless warriors begins a peaceful struggle for sexual freedom through pornography, shaking and shocking religious authorities and conservative political institutions. They are ironic, happy, crazy. They are dreamers, defenders of definitive communion between body and soul. But they were censored and humiliated. They were mistreated and arrested for demanding loud a new cultural renaissance.

Italy, 1970. An increasing legion of harmless warriors begins a peaceful struggle for sexual freedom through pornography, shaking and shocking religious authorities and conservative political institutions. They are ironic, happy, crazy. They are dreamers, defenders of definitive communion between body and soul. But they were censored and humiliated. They were mistreated and arrested for demanding loud a new cultural renaissance.

Italy, 1970. An increasing legion of harmless warriors begins a peaceful struggle for sexual freedom through pornography, shaking and shocking religious authorities and conservative political institutions. They are ironic, happy, crazy. They are dreamers, defenders of definitive communion between body and soul. But they were censored and humiliated. They were mistreated and arrested for demanding loud a new cultural renaissance.

Cover-boy racconta l’amicizia fra Ioan (Eduard Gabia) e Michele (Luca Lionello) l’uno rumeno e l’altro italiano. Due mondi che casualmente s’incontrano: l’esperienza di chi, figlio della rivoluzione post comunista, è fuggito dal proprio paese alla ricerca di un futuro migliore e l’esperienza di chi, precario, vive la crisi del lavoro occidentale.

Cover-boy racconta l’amicizia fra Ioan (Eduard Gabia) e Michele (Luca Lionello) l’uno rumeno e l’altro italiano. Due mondi che casualmente s’incontrano: l’esperienza di chi, figlio della rivoluzione post comunista, è fuggito dal proprio paese alla ricerca di un futuro migliore e l’esperienza di chi, precario, vive la crisi del lavoro occidentale.

Дезидерия кажется девушкой довольно старомодной. Она романтична, доверчива, всегда старается сделать как лучше, даже тогда, когда возлюбленный оставляет ее без средств и разбивает сердце. Но это не пугает Дезидерию, у нее совсем другая проблема: Господь по ошибке вложил ее нежную женскую душу в грубое мужское тело. Однажды во время очередной облавы полицейский Паскуале узнает в длинноногой красавице брюнетке своего старого школьного друга Доменико…

Дезидерия кажется девушкой довольно старомодной. Она романтична, доверчива, всегда старается сделать как лучше, даже тогда, когда возлюбленный оставляет ее без средств и разбивает сердце. Но это не пугает Дезидерию, у нее совсем другая проблема: Господь по ошибке вложил ее нежную женскую душу в грубое мужское тело. Однажды во время очередной облавы полицейский Паскуале узнает в длинноногой красавице брюнетке своего старого школьного друга Доменико…

Like every year, everyone is going back to the ancestral family's home for the Christmas holidays. But this time, the old folks have a surprise, a good surprise for them. They have decided to go living with one of their children and make him or her inherit the family house.

Like every year, everyone is going back to the ancestral family's home for the Christmas holidays. But this time, the old folks have a surprise, a good surprise for them. They have decided to go living with one of their children and make him or her inherit the family house.