Rodrigo Plá

Elena is a single mother dependant on Social Services. Her son Tom has behaviour issues and is stigmatised at school as a "problem child". An absent father further complicates their difficult relationship. Tom is diagnosed with Attention Deficit Hyperactivity Disorder and given psychiatric medication, but a strange accident alerts his mother as to their side effects. When she refuses to continue administering the drugs to him, Social Services threaten to take Tom from her.

Elena is a single mother dependant on Social Services. Her son Tom has behaviour issues and is stigmatised at school as a "problem child". An absent father further complicates their difficult relationship. Tom is diagnosed with Attention Deficit Hyperactivity Disorder and given psychiatric medication, but a strange accident alerts his mother as to their side effects. When she refuses to continue administering the drugs to him, Social Services threaten to take Tom from her.

Elena is a single mother dependant on Social Services. Her son Tom has behaviour issues and is stigmatised at school as a "problem child". An absent father further complicates their difficult relationship. Tom is diagnosed with Attention Deficit Hyperactivity Disorder and given psychiatric medication, but a strange accident alerts his mother as to their side effects. When she refuses to continue administering the drugs to him, Social Services threaten to take Tom from her.

When Sonia receives the news that her husband’s cancer has progressed to a critical stage, she races to secure the insurance company’s approval for the care that can help him.

Agustín forgets things; he is aging and he knows it. María is never alone: she watches over everyone, sleeps very little, and works too much. She’s increasingly overwhelmed. One day, on impulse, María decides to abandon Agustín.

Agustín forgets things; he is aging and he knows it. María is never alone: she watches over everyone, sleeps very little, and works too much. She’s increasingly overwhelmed. One day, on impulse, María decides to abandon Agustín.

Признание в любви к Мексике 10-ти выдающихся мексиканских режиссеров. Каждый из них снял 10-минутную новеллу в своем уникальном стиле. Каждый фильм снят в духе мексиканской революции. «В духе», — потому что эти короткометражки не о самой революции, но они несут настроение Мексиканской революции 1910 года. Фильм «Революция, я люблю тебя» являет собой хороший пример народного кино, продолжая традиции фильмов «Париж, я люблю тебя», «Нью-Йорк, я люблю тебя», «Москва, я люблю тебя».

To redeem himself from a great sin, a man dedicates himself to building a church.

To redeem himself from a great sin, a man dedicates himself to building a church.

To redeem himself from a great sin, a man dedicates himself to building a church.

To redeem himself from a great sin, a man dedicates himself to building a church.

Residents of an enclosed neighborhood in the middle of Mexico DF are shocked by a violent crime, and for one resident in particular, young Alejandro, the drama is ratcheted up when he encounters the lone kid who escaped the event and is hiding out within the neighborhood's borders.

Residents of an enclosed neighborhood in the middle of Mexico DF are shocked by a violent crime, and for one resident in particular, young Alejandro, the drama is ratcheted up when he encounters the lone kid who escaped the event and is hiding out within the neighborhood's borders.

This is the story of Pablo, a young uruguayan exiled in México, whose father was disappeared during the military dictatorship.

This is the story of Pablo, a young uruguayan exiled in México, whose father was disappeared during the military dictatorship.