Gilles Renaud

Anna (Laurie Gagné) is going through a particularly stressful time: she is preparing to reconnect with Jason (Thomas Lapointe), the son she was forced to place for adoption almost 20 years ago. Unable to go through with this meeting, she takes refuge, clandestinely, in the house of an elderly couple. A dramatic event changes everything and forces Anna to forge an impromptu relationship with Victorine (Louise Turcot). The strange cohabitation of these two women will help them find the courage to face their trials.

Éloi, whose father was killed in a hunting accident a year ago, is called to take part in a strange tribute ceremony in the country. There, immersed in a disturbing world of strange mystical codes, he learns that his father was tracking a huge buck with awe-inspiring antlers alongside the “Indian”. After several outstanding short films, Aurtenèche delivers a first feature that obliquely references the legend of Saint Hubert, who encountered the Almighty while hunting a stag. A cryptic thriller, hidden manuscripts, the quest for self-knowledge, psychotropic drugs: La Contemplation du mystère boldly shifts between moods and genres.

Пара из Квебека сталкивается с ловушками, давлением и завышенными ожиданиями, связанными с воспитанием детей в обществе, одержимом успехом и имиджем в социальных сетях. © HDRezka

Неожиданное происшествие на стадионе, во время матча по американскому футболу, привело к открытиям, которые оказались весьма важными для истории Канады.

Жак — актёр театра, влезший в долги, убегает из Монреаля в деревню. Там он встречает Симона, грубого и коварного фермера, который манипуляциями втягивает его в своего рода деловые отношения. После тяжелого старта мужчины помогают друг другу выращивать марихуану. Позже они встречают Франческу, резкую девушку, которую возьмут в долю…

Gaby owns a farm on which he raises lambs: Bouchard & Sons Farm. But he has no sons. Rather, he has two daughters that he raised like princesses and who live far away, in the big city. One day, the oldest asks him for some financial support so she doesn't end up losing her house...

It's Bernard's birthday, but he is not happy about it. In a strange world where adults are selfish and indifferent, his parents never accepted him as a child. Bernard doesn't want to grow up if it means to become like them. So he creates a suit that stops his growth. The day he reaches 10 years of age, Bernard will confront his parents and his whole world.

An obsessed scholar attempts to withdraw from the world but finds personal ties drawing him back into the family he had left behind, in this novelistic, beautifully modulated drama from acclaimed Québécois filmmaker Bernard Émond.

Two old friends and small-time crooks embark on a crime spree, but take an unexpected detour that could lead them down the road to redemption.

Raymond is a jealous, misanthropic, couch potato. Angèle is a sexy TV star, childish and disillusioned. One Halloween, their mother, Solange, suddenly dies. Raymond calls his sister for the first time in 10 years. She agrees to meet him and begins to investigate their mother's death, all in keeping with her TV role of police commissioner. But nothing is simple with the Marchildons. Between a dithering Raymond, the ghost of Solange who continues to haunt her children, and Angèle who's going crazy interviewing suspects, one more bizarre than the next, and the bodies that are filling up the basement, it's hard to keep their love straight. But then, love was always a little twisted in the Marchildon household.

Juliette, 15, is the only child of an eminent judge and has had the best of education in the best of schools. Her father is in the limelight because he’s been chosen to preside over one of the most important trials of the past 10 years: the case of Réal Lamontagne, a notorious criminal accused of killing a child. Roméo, 17, is the son of the accused. Even though they come from diametrically opposed universes, Juliette and Roméo fall for each other.

Six people, some more depressed than others, living through the worst day of their lives.

Élevé par des parents parfaits dans une banlieue proprette, frère cadet d'une fille à qui tout réussit et flanqué d'un ami tombeur, le pauvre Thomas se sent bien ordinaire. Alors qu'il tente désespérément de terminer ses études en architecture avec succès, le jeune homme rencontrera Audrey, une belle ténébreuse qui lui donnera des ailes. Évidemment, le bonheur n'est jamais simple et la vie peut être parfois cruelle...

Что, казалось бы, может быть общего между двумя совершенно разными полицейскими: ярым поборником справедливости Мартином Уордом (Колм Фиори) и Давидом Бушаром (Патрик Юар), умеющим законы ловко обходить? Но судьбе было угодно свести их вместе в расследовании серии жестоких убийств. Начав следствие, напарники сталкиваются с необычной проблемой, поскольку могут понять друг друга далеко не всегда. Мартину и Дэвиду придется изрядно поднапрячься, чтобы найти элементарные точки соприкосновения. Но недаром говорится, что общее дело сближает.

It is the early 20th century. A stranger arrives in the small, rural community and disrupts the lives of its inhabitants. The man, who refuses to give his name, is dubbed The Outlander. A traveller who disdains conventional behaviour and parochialism, The Outlander disturbs the villagers' complacency and scandalizes the community; he also elicits admiration and gains a woman's love. He ultimately leaves in the same manner he had arrived, but not before he has helped the villagers open their eyes to the larger world beyond their village.

Exile and possibly death are in the cards for the Queen of France in this edgy cloak-and-dagger adventure based on Alexandre Dumas' unrivaled tale of THE THREE MUSKETEERS and their reckless romantic friend D'Artagnan. Supernatural powers and dark mystical forces add an exciting twist to this classic tale.

His father's untimely death sends young Wahab into an intense turmoil. Shaken by family feuds and what he discovers, he decides to bury his father in his native Lebanon. But the idea will prove no less trying in a country scarred by war where a new corpse is one too many.

This is the story of Mr. Brochu, whose friends like to call "the Boss". He runs his gas station the best he can and tries to stay happy no matter what happens. This movie relates all the small tragedies surrounding the gaz bar, such as hold-ups, competition from the big companies invading the neighbourhood, and the fact that is sons don't seem to be interested in the gas station.

A 12-year-old girl faces a father she hardly remembers after his transition into a woman.

When Remy, an ad consultant, falls in love with Sarah, the newest star of an ad campaign, sparks fly. The only problem is that they are both married. Sarah's husband knows she will eventually get tired of Remy while his wife just can't let go. At first she throws him out, begs him to come back, cheats on him, hates him, and finally slumps into the worse depression ever. It is amazing what love can do...

When 24 year old apiring actor Mathieu meets and falls for 39 year old Jean-Marc who has just ended a seven year relationship, things are not all roses. In addition to their age difference there's the matter of Mathieu's five year old son from a previous marriage.

In Quebec 40s, orphans or abandoned children are placed in a gigantic psychiatric hospital where children were locked. Were they sick? No, they simply had no family. To escape this oppressive universe, they created a parallel world: the institution's basement where, in a maze of tunnels, they founded an independent company, with its rituals, spells. A young girl, Agnes, reigns over this underground world that adults seem to tolerate.

Two men spend 24 hours driving around the outskirts of Montreal.

The lives of the average Quebecois Plouffe family during the final years of the depression and through World War II.

On a wedding day, women are confined to the kitchen to prepare the meal while the men wait to be served. While men talk politics and sports, women talk about their condition. A teenager observes the gap between the sexes. Co-directed by two actresses, Paule Baillargeon and Frederique Collin, The Red Kitchen is the birth of the Quebec women's cinema. The birth of the film was difficult, and funding has been largely achieved through donations from friends and a benefit concert. This war of the sexes takes place in a demanding formal research, based on the improvisation of the actors, whose preparation took place over long sessions in the workshop. The end result mixes black humour, horror and a very expressive fantasy that gave rise to heated debates.

In this Canadian made oddball mix of music and drama, an actress (Carole Laure) in a traveling musical revue is involved with the show's director until she meets and falls for an aging ecological activist. He too is drawn to her, and together they try to stop a factory from being built over an old-growth forest.

One of Canada's talented directors, actress Micheline Lanctot expresses an effective, engaging approach in this simple, poignant drama about Armand (Jocelyn Berube), a handyman with one problem romance after another. The quiet Armand settles into Montreal after his wife has left him and before long, he continues the momentum when an ill-considered liaison with a nubile woman ends on her insistence. Next, Armand gives his heart to a frustrated housewife, though this decision is hardly well thought out. In the meantime, a gay man who rents out a room in his apartment has unfulfilled longings directed at the unsuspecting handyman. L'Homme a Tout Faire won a Silver Medal for "Best Picture" at the 1980 San Sebastian Film Festival.

30-year-old Quebec City native Gisèle lives a quiet life as a secretary without happiness with her parents and siblings. One day, tired of being teased by her office mates, she decides to consult a marriage agency to find her soul mate.

Anastasia chooses to lock herself in an apartment and tame through rituals. She barricades herself, to protect herself from external violence and the destructive invasion of family life.

In 1940, two sisters work in an ammunition factory, but dream of marriage.

Robert decides to drop everything and go back to his homeland, accompanied by his daughter and a couple of friends.

Seasoned drug smuggler and thief François “Chico” Tremblay is tired of his modest lifestyle. Given the opportunity to earn $50,000 killing a prominent New York City gangster, he leaps at the opportunity, ignoring the warnings of Montreal’s leading mob boss, who has forbidden local criminals from taking the assignment. Upon his return, Chico discovers he is being pursued from all sides, prompting an unlikely response: he calls a local talk radio show and starts revealing the mafia’s most carefully guarded secrets. As his revelations get more shocking, so do the tactics of his adversaries, culminating in a devastating gut punch of a finale.

Two women and a transvestite gay man cross paths in this French Canadian drama. The transvestite is preparing for a drag-queen beauty pageant, and has decided to present himself as Cleopatra. Of the two women, one was just fired from her waitressing job and seeks to go back to work at the nightclub where the beauty pageant is to be held. The other woman's mother has just won one million food stamps.

Each married on their side, a teacher and a sociologist meet by chance in Quebec. Political and intellectual discussions followed a brief mad love.

Summoned by his bosses to broadcast only neutral information, Jean, a reporter, leaves town with his friend to go and collect testimonies from simple people, in the heart of the Laurentians, and reach out to them and outside society at genuine freedom, happiness. The departure is joyous, but the isolation in which they confine themselves does not bring either of them the results they expected. The adventure ends in failure. Would it be an illusion to believe that one can escape the community to which one belongs?