Pierre Curzi

Elderly inmates are dying mysteriously one after another in their prison cells.

In an era of political correctness, identity evolution, protests, cultural scandals, activism, media storms, and other disputes, an elderly man no longer having faith in humanity, discovers new landmarks and thus his happiness.

A professor of philosophy teaches lessons to his awakened students. One day, one of his students decides to put his lessons into practice, and she goes on a journey that shakes her deepest convictions.

When Gérard finds a dead raccoon in his front yard, the old man becomes strangely distressed, shaken by thoughts of his own demise. Jocelyne watches the despair of her husband grow along with his obsession with the animal’s body, and his anguish takes root in her own mind. After a night of torment, they decide to go and bury the raccoon on the land where their house once stood in Joutel, a former mining town deserted since 1998. When they get there, the boreal forest is creeping in on the ruins of her former house, plunging Jocelyne into a deep nostalgia. Here, after a morbid picnic marking the raccoon’s burial, the couple meets a mystical being who leads them to make peace with their inner demons.

Pierrot is serene and has no fear of his premature death. He asks his childhood friend Jacques to help him end his days well. This unusual approach will lead the two friends to a peaceful end.

Скромняга Пьер-Поль, обладатель ученой степени, вынужден подрабатывать курьером. В один прекрасный день, доставляя очередную посылку, он первым оказывается на месте преступления и становится обладателем миллионного куша. Искушение решить все житейские проблемы велико. И пока он размышляет вернуть или присвоить огромную сумму наличных, его начинают преследовать бандиты, а полиция не спускает с него глаз.

A separated couple meet again after 10 years when the body of their missing son is found. Amid the guilt of losing a loved one, they hesitantly move toward affirmation of life, acceptance of death, and even the possibility of reconciliation.

В своих мечтах Жан-Марк — рыцарь в сверкающих доспехах, звезда сцены и экрана и преуспевающий писатель, к ногам и в постель которого падают женщины. На самом деле он — никто, чиновник, ничтожный муж, несостоятельный отец и тайный курильщик. Но Жан-Марк сопротивляется искушениям мира своих грез и намерен дать себе еще один шанс в реальном мире…

Juliette, 15, is the only child of an eminent judge and has had the best of education in the best of schools. Her father is in the limelight because he’s been chosen to preside over one of the most important trials of the past 10 years: the case of Réal Lamontagne, a notorious criminal accused of killing a child. Roméo, 17, is the son of the accused. Even though they come from diametrically opposed universes, Juliette and Roméo fall for each other.

Four talented women become finalists in a singing competition.

A young Haitian (Michel Mpambara) who loves America visits his uncle (Maka Kotto) in Montreal.

Старые друзья встречаются у постели тяжело больного Реми, которому сегодня уже за пятьдесят. Его сын Себастьян прилетает в Монреаль из Англии, чтобы поддержать отца и помочь своей матери. Себастьян хочет облегчить страдания отца и совершает невозможное. Ему удаётся вновь собрать старых приятелей Реми, весёлую кампанию, с которой отец Себастьяна был неразлучен всю жизнь. И вот все они приходят навестить Реми: его друзья, родственники и бывшие любовницы…

This French-Canadian drama takes place just after JFK's assassination and provides insight into the psychological ramifications of that event with its portrayal of a love story between a confused teen and a travelling salesman in a Quebec railroad station. The date is Dec. 19, 1963 and train service has been delayed by a snow storm. Pierre-Paul is a door-to-door salesman. Chili is a despondent teenaged girl. When Pierre-Paul enters a washroom stall he is surprised to find a girl hunched over with a gun in her mouth. He runs to tell the stationmaster, but she has gone by the time they return. He tells the stationmaster that the girl was wearing a kilt. Unfortunately, the station is filled with other school girls dressed in the same outfit. Eventually Chili comes up to Pierre-Paul and a careful romance is initiated as she tells him over her troubled life.

A paraplegic is determined to rebuild her life on her own.

A son is accused of involuntary manslaughter while his younger brother is put in a foster home... .

Фильм представляет собой симпатичную смесь научной фантастики и юмора, сосредоточенного вокруг схем заработка неудачника Дэвида Ла Хэя. Не в силах свести концы с концами из-за своей малооплачиваемой работы, Ла Хэй предлагает себя в качестве подопытного кролика для гениально тупого учёного Мари Тифо. Доктор утверждает, что умственные способности человека могут быть искусственно увеличены. Дэвид берётся предоставить доказательство этого, несмотря на то, что для него вся эта затея кажется весьма рискованной. К счастью для него, его друзьям Стиву и Бозо, которые что-то заподозрили, удаётся проникнуть в лабораторию, и спасти Лу.

Канадские интеллектуалы средних лет, университетские профессора, готовятся к вечеринке и — разговаривают. Мужчины — до поры — отдельно, женщины отдельно. Потом, объединившись за столом, они продолжают дискуссии — все о том же, о сексе.

A government ministry's fast-rising head of security asks a shadowy fixer, Meursault, to steal a bag from an armored truck. Meursault goes to Théo, a former night club owner, in prison for two years on false charges, who's being released in exchange for information about Montreal's underworld. Théo agrees to steal the bag for money and safe passage to the US for himself and his son Robin. Théo brings in two helpers, Gilder, ex-con and set designer, and Roxanne, Gilder's friend, a tough-minded petty thief. Their elaborate plan blows up when a guard, Marcel, takes his responsibilities too seriously. What happens to father and son? Will any of the thieves escape

A government ministry's fast-rising head of security asks a shadowy fixer, Meursault, to steal a bag from an armored truck. Meursault goes to Théo, a former night club owner, in prison for two years on false charges, who's being released in exchange for information about Montreal's underworld. Théo agrees to steal the bag for money and safe passage to the US for himself and his son Robin. Théo brings in two helpers, Gilder, ex-con and set designer, and Roxanne, Gilder's friend, a tough-minded petty thief. Their elaborate plan blows up when a guard, Marcel, takes his responsibilities too seriously. What happens to father and son? Will any of the thieves escape

A woman deals with her mother, an arts professor, plunging into chaos due to Alzheimer's.

Using archival documents, fictions, current accounts, and excerpts from a theatrical creation, Paul Tana paints a nuanced portrait of the Italians of Montreal. From the first waves of immigration at the beginning of the century to the men and women taken to a prisoner of war camps during World War II, to the hardships and joys of building vibrant lives in Montréal. Caffè Italia Montréal chronicles a significant chapter in Canada’s history.

Ovide Plouffe has married Rita. She still tries to attract other men even after their marriage. Unhappy Ovide feels for Marie - a young French woman he had met. But his catholic background and surrounding can't let him love another woman or divorce from his wife. So Ovide finishes with Marie and plans a trip with Rita hoping for reconciliation. At the last instant he announces to Rita that he can't make the trip. She goes alone. The plane explodes, and Ovide is suspected and arrested for this horrible crime.

One day Jean-Baptiste Beauregard (Pierre Curzi) does not go out to face work or daily activities, instead he daydreams about the women in his past, about his teenage years, his failed marriage, and even his boyhood desires. His mental images follow each other across the screen, revealing that the women in his life are all the same (different wigs and costumes on the same actress), and his love life never changes either. This sameness can have a dulling effect on the viewers, indicating that if Jean-Baptiste's reminiscences were trimmed and his daydreams more varied and exciting, he would hold interest a little longer.

A young woman, living with her parents and siblings on a remote farm in harsh, picturesque northern Québec, has three suitors: a steady and unimaginative farmer, Eutrope, the Americanized and wealthy Lorenzo, who has sought his fortune in Boston, and François Paradis, a rough and virile logger who captures her heart despite the warnings of her parents and the village priest. For a year, marked by seasonal change in an atmosphere charged with the strangeness of Indians and the demons of the woods, we see Maria at work and prayer, struggling with decisions, choosing to stay in Canada, in love with François, seeking to change his rough behaviors, and dealing with extraordinary loss.

A city neighborhood is frightened by a strangler and a voyeur. The police detectives, headed by Léopold Latour, are not very efficient in their investigations, though detective Édouard Lambert does a little sleuthing on his own.

Three generations of a family struggle to be open with each other during a week of summer vacation at their country cottage.

An unhappy married woman has an affair with a violent criminal. She gets pregnant with his baby, but he gets arrested and goes to prison. Now what?

The lives of the average Quebecois Plouffe family during the final years of the depression and through World War II.

On a wedding day, women are confined to the kitchen to prepare the meal while the men wait to be served. While men talk politics and sports, women talk about their condition. A teenager observes the gap between the sexes. Co-directed by two actresses, Paule Baillargeon and Frederique Collin, The Red Kitchen is the birth of the Quebec women's cinema. The birth of the film was difficult, and funding has been largely achieved through donations from friends and a benefit concert. This war of the sexes takes place in a demanding formal research, based on the improvisation of the actors, whose preparation took place over long sessions in the workshop. The end result mixes black humour, horror and a very expressive fantasy that gave rise to heated debates.

In this Canadian made oddball mix of music and drama, an actress (Carole Laure) in a traveling musical revue is involved with the show's director until she meets and falls for an aging ecological activist. He too is drawn to her, and together they try to stop a factory from being built over an old-growth forest.

Ромэн Дюпре приезжает в Канаду чтобы опознать убитого сына. Но погибший оказывается ему не знаком. Желая найти отпрыска, давно вступившего не на ту дорожку, Ромэн остается в Канаде... Пожалуй, именно Клод Пиното смог наиболее глубоко раскрыть драматический талант Лино Вентуры как актера. Такая психологическая картина, даже при всей внешности боевика, как «Разгневанный», я лично считаю, входит в свод лучших работ великого актера! Здесь он предстал не самоуверенным громилой или обличенным властью полицейским, а простым обыкновенным человеком с небольшой лишь поправкой на его мускулы и основательную стать.

Anastasia chooses to lock herself in an apartment and tame through rituals. She barricades herself, to protect herself from external violence and the destructive invasion of family life.

A television host tries to react to the process of alienation that the public is subjected to from variety shows.

A dropout gets the margins of society and resists his father’s pressure to return to the bosom of the village. The film transcends anecdote by diving into a wacky and unusual universe, full of fantasy, imagination, and visual and sound gags.

The six members of the working-class Bessette family each mimic a certain stage of the life of the iconic Brother André and are an incarnation of his values and characteristics.