Bill Daniel

"Who Is Bozo Texino?" is a film study on the 100-year-old tradition of hobo and railworker graffiti. Mostly shot on freight trips across the western US, the film includes interviews with some of the railroad’s greatest graffiti legends: Colossus of Roads, The Rambler, Herby (RIP) and the granddaddy of them all, Bozo Texino. The film also catches some of the socio-economic history of hobo subculture from its roots after the Civil War to the present day. The range of the interviews, and the film’s style deal with both the clichés and the harsh realities of tramp life.

A tour through the mind of obsessive collagist and front yard artist Richard Tracy. While confined to a psychiatric ward at age 50, "Richart" Tracy made this discovery: "If you want to get out of the hospital - start making art like this. They will get rid of you - fast!" Seventeen years later, he's turned three residential lots into a massive black and white maze of his visions. This documentary takes a trip through his yard, art, methods and his mind. Wait until you see what he keeps in his basement!

BooBoo, a young telepath, and her father, Yogi, are revolutionaries pitted against the "New Electromagnetic Order". Their story, set in the year 2007 in a blighted Nevada outpost, is interwoven with a history of the development of electromagnetic technologies, from X-rays to atom bombs, from television to the Internet.

BooBoo, a young telepath, and her father, Yogi, are revolutionaries pitted against the "New Electromagnetic Order". Their story, set in the year 2007 in a blighted Nevada outpost, is interwoven with a history of the development of electromagnetic technologies, from X-rays to atom bombs, from television to the Internet.

Lesson 9 is a short film about the loss of a lover to insanity. Part horror story, noir-like mystery and disaster film, Lesson 9 weaves together shards of a narrative that has been shattered like excerpts from the journal of a lover gone mad. A disaster movie after the disaster, the film uses three different definitions of possession to form its thematic structure and to explore love, loss, sexuality and insanity.

Within days of the release of Negativland's clever parody of U2 and Casey Kasem, recording industry giant Island Records descended upon the band with a battery of lawyers intent on erasing the piece from the history of rock music. Craig "Tribulation 99" Baldwin follows this and other intellectual property controversies across the contemporary arts scene. Playful and ironic, his cut-and-paste collage-essay surveys the prospects for an "electronic folk culture" in the midst of an increasingly commodified corporate media landscape.

Baldwin’s “pseudo-pseudo-documentary” presents a factual chronicle of US intervention in Latin America in the form of the ultimate far-right conspiracy theory, combining covert action, environmental catastrophe, space aliens, cattle mutilations, killer bees, religious prophecy, doomsday diatribes, and just about every other crackpot theory broadcast through the dentures of the modern paranoiac.