Waldemar Januszczak
Рождение : 1954-01-12, Hampshire, England
История
Januszczak was born in Basingstoke, Hampshire, to Polish refugees who had arrived in England after the Second World War.
After studying history of art at the University of Manchester, Januszczak became an art critic – and then arts editor – of The Guardian. In 1990 he was appointed head of arts at the UK's Channel 4 television and in 1992 he became art critic for The Sunday Times. He has been voted Critic of the Year twice by the Press Association.
Januszczak has been described as "a passionate art lover, art critic and writer. His presentation style is casual but informed, enthusiastic, evocative and humorous. He bumbles about on our TV screens, doing for art what David Attenborough has done for the natural world," and someone who acts out of "a refusal to present art as elitist in any way. He makes it utterly accessible and understandable."
Director
Art critic Waldemar Januszczak goes to Ukraine to see how Ukrainian art is being preserved in times of war.
Self
Art critic Waldemar Januszczak goes to Ukraine to see how Ukrainian art is being preserved in times of war.
Himself
Francesco Borromini, a true great of Baroque Rome, is known for his unparalleled genius, serving to revolutionise architecture forever. This documentary tells his story.
Producer
Waldemar Januszczak explores the impact of Mary Magdalene's myth on art and artists. In art all Christian saints are inventions but Mary Magdalene has been the subject of more invention and re-invention than any other.
Director
Waldemar Januszczak explores the impact of Mary Magdalene's myth on art and artists. In art all Christian saints are inventions but Mary Magdalene has been the subject of more invention and re-invention than any other.
Writer
Waldemar Januszczak explores the impact of Mary Magdalene's myth on art and artists. In art all Christian saints are inventions but Mary Magdalene has been the subject of more invention and re-invention than any other.
Presenter
Waldemar Januszczak explores the impact of Mary Magdalene's myth on art and artists. In art all Christian saints are inventions but Mary Magdalene has been the subject of more invention and re-invention than any other.
Writer
A survey of Hans Holbein's career from his beginnings as a religious painter to his work for Henry VIII and beyond. The program also includes a close analysis of "The Ambassadors".
Director
A survey of Hans Holbein's career from his beginnings as a religious painter to his work for Henry VIII and beyond. The program also includes a close analysis of "The Ambassadors".
Himself
A survey of Hans Holbein's career from his beginnings as a religious painter to his work for Henry VIII and beyond. The program also includes a close analysis of "The Ambassadors".
Writer
These days, nobody takes Rubens seriously. His vast and grandiose canvases, stuffed with wobbly mounds of female flesh, have little appeal for the modern gym-subscriber. And it's not just the bulging nudity we don't like. The entire tone of Rubens's art offends us. Everything in it is too big - the epic dramas full of tragedy, the fantastical celestial scenery, the immense canvases and murals adorning the walls and ceilings of Europe's grandest palaces. All of it seems too much for modern sensibilities. But Waldemar Januszczak begs to differ. In Waldemar's eyes, Rubens has been traduced by modern tastes, and a huge misunderstanding of him has taken place. By looking in detail at Rubens's fascinating life, by understanding his art in more enlightened ways, Waldemar sets out to correct the extra-large misconceptions that have arisen about Rubens.
Director
These days, nobody takes Rubens seriously. His vast and grandiose canvases, stuffed with wobbly mounds of female flesh, have little appeal for the modern gym-subscriber. And it's not just the bulging nudity we don't like. The entire tone of Rubens's art offends us. Everything in it is too big - the epic dramas full of tragedy, the fantastical celestial scenery, the immense canvases and murals adorning the walls and ceilings of Europe's grandest palaces. All of it seems too much for modern sensibilities. But Waldemar Januszczak begs to differ. In Waldemar's eyes, Rubens has been traduced by modern tastes, and a huge misunderstanding of him has taken place. By looking in detail at Rubens's fascinating life, by understanding his art in more enlightened ways, Waldemar sets out to correct the extra-large misconceptions that have arisen about Rubens.
Presenter
These days, nobody takes Rubens seriously. His vast and grandiose canvases, stuffed with wobbly mounds of female flesh, have little appeal for the modern gym-subscriber. And it's not just the bulging nudity we don't like. The entire tone of Rubens's art offends us. Everything in it is too big - the epic dramas full of tragedy, the fantastical celestial scenery, the immense canvases and murals adorning the walls and ceilings of Europe's grandest palaces. All of it seems too much for modern sensibilities. But Waldemar Januszczak begs to differ. In Waldemar's eyes, Rubens has been traduced by modern tastes, and a huge misunderstanding of him has taken place. By looking in detail at Rubens's fascinating life, by understanding his art in more enlightened ways, Waldemar sets out to correct the extra-large misconceptions that have arisen about Rubens.
Himself
In 1978 the Undertones released Teenage Kicks, one of the most perfect and enduring pop records of all time - an adolescent anthem that spoke to teenagers all over the globe. It was the first in a string of hits that created a timeless soundtrack to growing up, making the Undertones one of punk rock's most prolific and popular bands.
Director
Acclaimed British art critic, Waldemar Januszczak, investigates the few known facts about William Dobson and seeks out personal stories he left behind as it follows him through his tragically short career. Among the Dobson fans interviewed in the wonderful film is Earl Spencer, brother of the late Princess Diana, who agrees wholeheartedly that William Dobson was the first great British painter.
Acclaimed British art critic, Waldemar Januszczak, investigates the few known facts about William Dobson and seeks out personal stories he left behind as it follows him through his tragically short career. Among the Dobson fans interviewed in the wonderful film is Earl Spencer, brother of the late Princess Diana, who agrees wholeheartedly that William Dobson was the first great British painter.
Director
Has one of Britain's greatest artists been unfairly forgotten? Waldemar Januszczak thinks so. In this documentary, Januszczak argues that the little known 17th-century portrait painter William Dobson was the first English painter of genius. Dobson's life and times are embedded in one of the most turbulent and significant epochs of British history - the English Civil War.
Has one of Britain's greatest artists been unfairly forgotten? Waldemar Januszczak thinks so. In this documentary, Januszczak argues that the little known 17th-century portrait painter William Dobson was the first English painter of genius. Dobson's life and times are embedded in one of the most turbulent and significant epochs of British history - the English Civil War.
Director
Documentary in which art critic Waldemar Januszczak argues that beauty is still to be found in modern art, despite several recent books claiming the contrary.
Documentary in which art critic Waldemar Januszczak argues that beauty is still to be found in modern art, despite several recent books claiming the contrary.
Himself
This mini documentary features a rare interview with infamous graffiti artist Banksy, delving into how he started out as a graffiti writer up to his shift to gallery art, installations, CDs, and more. Til this day only a hand full of people know his real identity, such as friends appearing here: 3D of Massive Attack, Damien Hirst, and others.
Narrator
Фильм рассказывает о жизни художника 19 века Эдуара Мане. Его называют отцом Импрессионизма, хотя он упорно отказывался выставляться вместе с импрессионистами и старался не быть эстетически похожим на Моне, Ренуара и других. В то время как импрессионисты превозносили его, Мане смотрел на них сверху вниз, предпочитая продолжать творить в своем собственном стиле. Скандальные картины, которые принесли ему славу — «Олимпия» и «Завтрак на траве» стали также самыми «запретными» произведениями французского искусства 19 века. Это история о том, как Мане изгнали из официального Парижского салона, после чего он основал Салон Отверженных — ключевое культурное событие эпохи.
Director
Фильм рассказывает о жизни художника 19 века Эдуара Мане. Его называют отцом Импрессионизма, хотя он упорно отказывался выставляться вместе с импрессионистами и старался не быть эстетически похожим на Моне, Ренуара и других. В то время как импрессионисты превозносили его, Мане смотрел на них сверху вниз, предпочитая продолжать творить в своем собственном стиле. Скандальные картины, которые принесли ему славу — «Олимпия» и «Завтрак на траве» стали также самыми «запретными» произведениями французского искусства 19 века. Это история о том, как Мане изгнали из официального Парижского салона, после чего он основал Салон Отверженных — ключевое культурное событие эпохи.
Director
Art critic Waldemar Januszczak is on the quest to explain exactly what the Sistine Chapel's ceiling is actually trying to tell us.
Self
Art critic Waldemar Januszczak is on the quest to explain exactly what the Sistine Chapel's ceiling is actually trying to tell us.
Director
A film crew goes into Turkmenistan pretending it's for a stag party, but they are really recording a documentary about the secretive country.
Presenter
Art Critic Waldemar Januzczak presents this documentary which details french artist Toulouse-Lautrec's life.
Director
Art Critic Waldemar Januzczak presents this documentary which details french artist Toulouse-Lautrec's life.
Himself
We imagine many things when we think of this word. However, we do not think about Islamic Architecture, which influenced the art of Europe so profoundly. This documentary tours through the Muslim world, in search of that "atmosphere of Paradise," hidden away in mosques and palaces.
Self
Art critic Waldemar Januszczak is on the quest to explain exactly what the Sistine Chapel's ceiling is actually trying to tell us.
Self - presenter
Art critic Waldemar Januzczak explores Beijing's controversial and challenging modern art scene.
Writer
Art critic Waldemar Januzczak explores Beijing's controversial and challenging modern art scene.
Writer
Art critic and broadcaster Waldemar Januszczak wrote and directed this examination of a man who was not only a great painter but sculptor, wood carver, musician, print maker, journalist and ceramicist. As well as telling the remarkable story of Gauguin's life, Januszczak also celebrates Gauguin's achievements and examines the various accusations of sexual misconduct, familial neglect and racism that are frequently made against him.
Director
Art critic and broadcaster Waldemar Januszczak wrote and directed this examination of a man who was not only a great painter but sculptor, wood carver, musician, print maker, journalist and ceramicist. As well as telling the remarkable story of Gauguin's life, Januszczak also celebrates Gauguin's achievements and examines the various accusations of sexual misconduct, familial neglect and racism that are frequently made against him.
Narrator
This rare film tells the strange, disquieting and protracted story of the restoration of Leonardo da Vinci’s famous masterpiece, The Last Supper. Some say the results of the restoration are glorious. Others have called them tragic. Da Vinci’s famously fragile fresco was always going to be a challenge for its secretive Italian restorers. No one, however, could have foreseen how problematic and strange their task would become. Marked by a series of extraordinary mishaps, mistakes, and miscalculations, the incredible restoration is hilarious to watch but may have resulted in the loss of a masterpiece.
Writer
This rare film tells the strange, disquieting and protracted story of the restoration of Leonardo da Vinci’s famous masterpiece, The Last Supper. Some say the results of the restoration are glorious. Others have called them tragic. Da Vinci’s famously fragile fresco was always going to be a challenge for its secretive Italian restorers. No one, however, could have foreseen how problematic and strange their task would become. Marked by a series of extraordinary mishaps, mistakes, and miscalculations, the incredible restoration is hilarious to watch but may have resulted in the loss of a masterpiece.
