Márcio Vito

Malu — a mercurial, unemployed actress living with her conservative mother in a precarious house in a Rio de Janeiro slum — tries to deal with her strained relationship with her own adult daughter while surviving on memories of her glorious artistic past.

Sisters Mirian and Mirelly were born in the interior of Goiás, but live in different cities. When their mother disappears, the two put aside their differences and come together to look for her, on a journey that could change their lives.

Hickson lived off the books, running from one place to another to make a living. His only great achievement in life had been to win over his wife Jéssika, an evangelical hairdresser and his girlfriend since childhood. The two lead a life without great prospects in the suburbs of Rio de Janeiro until Hickson gets a job at an evangelical radio station. With luck, talent and the help of Jessica, he soon becomes a pastor and has a meteoric rise in the church. But with fame and money comes envy. What now Hickson?

A film that uses the very premise of acting, of the game between real and real fiction, to imagine a world in which art becomes impossible and the artist useless.

Как снять фильм в стране, теряющей свою идентичность? Этот вопрос стоит перед Фернандо, разорившимся 30-летним белым режиссером из Бразилии.

Рио-де-Жанейро, 50-е годы прошлого века. Эвридика и ее старшая сестра Гида мечтают о жизни в Европе. Эвридика намеревается стать пианисткой и уехать учиться в Вену, а Гида жаждет свободы. Она бежит из дома с любовником в надежде обрести рай в далекой Греции. Планам обеих сестер не суждено сбыться. Деспотичный отец приговорит их к долгой разлуке. Но даже вдали друг от друга они будут верить в неизбежность встречи…

В 1979 году девочка-подросток эмигрирует из Парижа в Бразилию. Ее накрывает политико-социальный шторм страны, а так же она выясняет обстоятельства исчезновения своего родного отца.

The trajectory of a romantic couple of contemporary artists reveals how the limits, contradictions and obsessions of a romantic relationship are reflected in each of their artistic endeavors.

After spending years in prison for a crime that shocked the country, a former rock star finds refuge in a humble evangelical church. All he wants is to be forgotten, but his past comes back to haunt him.

A wealthy middle-aged woman unexpectedly finds herself caring for two impoverished young siblings, in this subtle, touching and sincere study of class disparity from Brazilian filmmaker Sandra Kogut.

Silvana is a tired woman. The world no longer belongs to her, the invisible bothers her, the daily life oppresses her. What she wants sometimes is to abandon everything and go back home.

The Tatu Tatuado de Topázio ring, by socialite Gracinha de Medeiros, is on display at a museum. She then hires the clumsy security guards Pedrão and Jorginho to watch over the jewel, a family heirloom. The ring is stolen and the pair accused of theft. To prove that they are innocent, they will have to face Portuguese mobsters and a gang of ninjas.

Brazilian adaptation of Wajdi Mouawad's "Incendies", based on parts of the life of the Lebanese communist militant Soha Bechara.

Giovanni Improtta is a criminal who wants to climb the social ladder and become a law-abiding citizen. To achieve it, he commits some more crimes He is betrayed, and ends up under the spotlight of the media and the radar of the police, falsely charged for murder.

The project '5 x slum, now by ourselves' gathered over 80 young people from Rio's favelas (slums), selected through workshops, script and filmmaking techniques to create a feature film consisting of five stories that reflect different facets of the daily lives of residents of these communities - with the promise of escape stereotypical representations.

Joy is a fable about courage and youth. It tells the story of Luiza, 16 year old girl, who can not stand to hear about the end of the world… On a Christmas night, his cousin John is mysteriously shot in a street in the Lowlands and disappears into the night. Weeks later, while Luiza spends days alone in the apartment where he lives with his mother in Rio de Janeiro, a mysterious visitor comes knocking on your door: John, as a ghost, asking to hide there.

The story of a burglary and its tragic aftereffects.

Regina, a lonely 65 year old who works on the neighborhood watch for the police in Copacabana, believes to have witnessed a murder in the building across the street, and ends up getting involved with the suspect in a potentially dangerous chain of events that will force her to take stock of her life.