Carmen Beato

At the Holly Day of The Deaths, a mother returns and finds that her three sons are desconsidered, ugly and lazy.

Julio, a young man with few social skills, meets Mara, a girl with whom he shares a weakness for robbing other people's houses.

Bruno, 19 years old, has not begun his sexual life. He feels guilty about his brother's death and one of his exgirlfriends, who happens to be his first love, is back in town to help him out.

At 7:19 a.m., on September 19th of 1985, the most destructive earthquake hit Mexico City. Inside what's left of a building, a group of survivors fight for their lives waiting for rescue.

Дождливым вечером 2 октября 1968 года 8 человек ждут на остановке автобус до Мехико. Небеса, кажется, решили отдать все что у них есть без остатка. А в это время на станции происходят загадочные и ужасные вещи.

Francisco, a man with autism resides secluded, ignored and locked away. He's a burden on his brothers, and decides to flee into the forest, where he befriends a rat.

Rodolfo Guerra, father of three daughters, wakes up one morning and decides he will not go to work; he is tired of being mistreated by his wife. In that one day in which the family routine is broken, Rodolfo opens his eyes and realizes that he is a perfect stranger in his own home. Rodolfo knows that he is risking his job, yet he still takes the time to put the puzzle pieces together to discover many unknown truths that are present among his daily life.

12-летние Сантьяго и Мариана, играя в детективов, случайно обнаруживают подпольную сеть торговцев редкими животными. Игра превращается в серьезное и опасное дело по спасению редчайших мексиканских волков.

Ana dies while attempting to have an abortion. Jeronimo, her boyfriend, falls into a deep depression after his failed suicide. Ana's mother takes care of him bringing him back to the family. Jeronimo, distraught, should make final decisions about what is right even given …his shaken mental state.

Голод — не тетка? Как бы не так! Семья юного Альфредо голодает, потому как главный добытчик, отец семейства, неожиданно скончался. И на мальчишку сваливается тяжелая ответственность: теперь он должен прокормить свою мать и еще двух детей. Ах да, фишка в том, что все они — каннибалы…

This is the story of Javier, a 15 year old Argentinean who left for Mexico carrying the drama of his missing brother, prematurely deprived of his parents, and bearing the weight of collective blame.

Mexican feature film

Действие происходит в 1930-х годах спустя два десятилетия после Мексиканской революции. Каталина Гузман рассказывает историю своей жизни и своего брака с амбициозным генералом Андресом Асенсио. Соблазнив её и женившись, он занимает пост генерал-губернатора, а она выполняет роль светской дамы. Полностью отдавшись политической карьере мужа, Каталина преданна ему, несмотря на его любовницу и детей, которых ей приходится воспитывать. Зрелой женщиной она влюбляется в молодого дирижёра и левого активиста Карлоса Вивеса, который становится её самой большой любовью и трагедией.

Действие происходит в 1930-х годах спустя два десятилетия после Мексиканской революции. Каталина Гузман рассказывает историю своей жизни и своего брака с амбициозным генералом Андресом Асенсио. Соблазнив её и женившись, он занимает пост генерал-губернатора, а она выполняет роль светской дамы. Полностью отдавшись политической карьере мужа, Каталина преданна ему, несмотря на его любовницу и детей, которых ей приходится воспитывать. Зрелой женщиной она влюбляется в молодого дирижёра и левого активиста Карлоса Вивеса, который становится её самой большой любовью и трагедией.

Mexico City, 1960. Aurelia lives happily with her family. Just before the birth of her third daughter, her husband dies in an accident. Years later, Leonor, the oldest daughter, has quit her studies to help her mother support the household. Beatriz, immersed in her music, lets life slip her by like a strange melody. Adolescent Nadia has only one interest in life: to seek new experiences. Aurelia starts to lose her sensibility to pain, and the family relationships become so alienated that they begin to disintegrate like the house they live in.

Mexican director Enrique Begne's drama Two Embraces (AKA Dos Abrazos, 2007) follows four lonely and disenfranchised urbanites in contemporary Mexico City: a preteen boy under tremendous emotional strain, the pretty cashier with whom he is infatuated, an enraged and embittered cabbie, and the estranged daughter of one of his fares. Per the film's title, these characters pair off, finding unexpected hope and salvation in one another.

It was the year of 1962 when I turned 12 and my breasts began to grow. Cecilia, my sister, went to study in Paris, I was left alone with my parents and their problems. I discovered that the breasts made men and women crazy, while mine began to draw the attention of my friends without adults realizing that I needed a bra.

Compilation of short film about sex, love and other perversions.

A fairy tale about the political and socioeconomic realities of Mexico.

Laura and Beatriz are two sisters in search of a dream in common: to run a guest house abroad and live off the rents. Laura travels to Spain to start off the project, and Beatriz remains alone in Mexico waiting for the right moment to catch up to her sister. While Beatriz nurtures the desire of moving away, she begins to feed off dreams and fantasies. In the midst of easy love affairs that earn her enough money to support Laura, Beatriz meets Carlos, a man with whom she travels throughout Mexico, discovering the inimaginable beauty of her country, her soul and her own body.

A comedic drama featuring two couples and two old friends in Mexico City. Tomas visits Carlos and Ana, while Miguel and Andrea are joined by Maria. The presence of guests triggers lust, rejection, infidelities, reconciliation and other consequences.

Gabriel is a filmmaker in Mexico City, where he is a victim of crime and violence sometimes even three times a day. This is a black comedy that shows the extreme situation Mexico City is suffering as far as crime is concerned, and the tension the city and it's inhabitants live day after day.

Filmmaker Ernesto Rimoch looks at the potent combination of love and ambition in this film about a couple who's so happy their daughter is marrying into a rich clan that they throw the best wedding ever, even if they can't afford it. When the father (Damián Alcázar) loses the money to pay for the musician, mayhem ensues. The film itself is made to look like a videotaping of the wedding, revealing who's responsible for the crime.