Himself
Learn the origins and rise of modern day hula-hooping through eight extraordinary stories of hoop devotees who have embraced it as an art form, a teaching aid, and even an instrument of redemption. From the streets, to intimate clubs, to giant arenas, we alternate between self-filmed video diaries, verité documentary footage, and spectacularly filmed performances in an attempt to celebrate the healing power of movement and the spirit of human inventiveness.
Himself
Join everyone’s favorite Audio-Animatronic family—Father, Mother, daughter Jane (and her unnamed brother), Grandma, Grandpa, and, of course, Cousin Orville—for a very entertaining and enlightening “spin” through time.
Himself
The origins of Halloween are explored in this engrossing program on the subject. A ghoulish array of costumes, make up, and decoration descend on communities every year on October 31st, but few people are aware of how the celebration came to exist. Harry Smith attempts to get to the bottom of the mystery in THE HAUNTED HISTORY OF HALLOWEEN, which delves into the 3,000 years of hoopla that traditionally unfolds when October comes around. As the history is explained, so are various failed attempts to co-opt the festival by various religious groups; but the most compelling revelation is how little the festival has changed over the centuries. A marvelous way to gain a historical perspective on this entertaining holiday, Smith's program is almost as fun as carving a pumpkin, donning a spooky costume, and undertaking a little trick or treating!
Self
Groucho's life story, with jokes
Self
Celebration of Disneyland's 35th Anniversary
Self (archival footage)
Clips from assorted television programs, B-movies, commercials, music performances, newsreels, bloopers, satirical short films and promotional and government films of the 1950s and 1960s are intercut together to tell a single story of various creatures and societal ills attacking American cities.
Himself
Bay Area filmmakers and Canyon Cinema co-founders Ben Van Meter and Bruce Conner were invited to L.A. to talk about Underground Film on the Art Linkletter Show.
Self
Walt Disney and Art Linkletter co-host a live celebration of Disneyland's 1959 expansion that consisted of the debuts of Matterhorn Bobsleds, the Disneyland-Alweg Monorail, and the Submarine Voyage, a project so massive that it was called "The Second Opening of Disneyland". Highlights include a mammoth, star-studded parade and the official launching of the Disneyland submarines by U.S. Navy officers. Among the guests are then-Vice-President Richard Nixon and family, Clint Eastwood, and Meredith Willson, who leads the Disneyland band in his own "76 Trombones." Sponsored by Kodak, the commercial spokespersons include Ozzie and Harriet Nelson.
Relive the magic with hosts Art Linkletter, Bob Cummings and Ronald Reagan at the live opening day celebration. Broadcast on July 17, 1955 to a live audience of over 90 million people, tour every magical land in park, from the Disneyland Express to Sleeping Beauty Castle
Happy Hogan
Борегард Боттомли - бывший ученый. Как и подобает безработному гению, он живет тихой, размеренной жизнью вместе со своей сестрой Гвенн и говорящим попугаем Цезарем. Постоянно читая, Борегард преумножает свои и без того обширные знания. После неудачи с трудоустройством в мыловаренную компанию "Миледи" Борегард решает участвовать в телешоу-викторине "Час счастливчика Хогана. Маскарад и деньги". Каждый правильный ответ удваивает сумму выигрыша. Спонсором шоу является все та же "Миледи". Менеджер компании Барнбридж Уотерс ловко использует подскочивший рейтнг шоу для продвижения продукции фирмы. Шоу продолжается каждую неделю. Жутко эрудированный Борегард не перестает давать правильные ответы и не собирается останавливаться, пока не получит всю "мыльную империю". Чтобы не допустить этого, Уотерс решает использовать "секретное оружие.
Art Linkletter
A comedy based on NBC's "People Are Funny" radio (and later television) program with Art Linkletter with a fictional story of how the program came to be on a national network from its humble beginning at a Nevada radio station. Jack Haley is a producer with only half-rights to the program while Ozzie Nelson and Helen Walker are the radio writers and supply the romance. Rudy Vallee, always able to burlesque himself intentional and, quite often, unintentional, is the owner of the sought-after sponsoring company. Frances Langford, as herself, sings "I'm in the Mood for Love" while the Vagabonds quartet (billed 12th and last) chimes in on "Angeline" and "The Old Square Dance is Back Again."