Charles Pinion

TRY AGAIN brings us into the mind of Walt Eichner, a middle-aged failure on the verge of ending it all. However, it turns out Walt isn’t any better at ending his life than he is at living it. Each attempt to formulate his grand demise is stymied by circumstance and bad planning, leading Walt to consider that suicide isn’t the neat solution he thought it would be.

The skeleton crew of a dig site remain over the weekend as they continue with research into a mummy they’ve found. One of them takes the research a little too far, performing a ritual to bring the spirit of the mummy back to life.

The skeleton crew of a dig site remain over the weekend as they continue with research into a mummy they’ve found. One of them takes the research a little too far, performing a ritual to bring the spirit of the mummy back to life.

The skeleton crew of a dig site remain over the weekend as they continue with research into a mummy they’ve found. One of them takes the research a little too far, performing a ritual to bring the spirit of the mummy back to life.

A mysterious cult leader inspires a nationwide craze for anal sex – a "Cornhole Armageddon" – where its followers become possessed with the Spirit of Sodomy, sprout glitter stigmata, foam at the mouth, and succumb to an overwhelming desire to sodomise each other.

Debbie goes to hell after she commits suicide. When she gets there she finds herself in the middle of a power struggle. The Devil asks her to get his horns back so that he can regain control of his realm.

Via Cinema Contra Cinema: " [Filmmaker Charles] Pinion's third video, WE AWAIT (1996), was set in San Francisco's Mission district, and locates its action within the psychic and social confines of a family of cannibals who are slowly possessed by a sentient psychoactive green fungus."

Via Cinema Contra Cinema: " [Filmmaker Charles] Pinion's third video, WE AWAIT (1996), was set in San Francisco's Mission district, and locates its action within the psychic and social confines of a family of cannibals who are slowly possessed by a sentient psychoactive green fungus."

Via Cinema Contra Cinema: " [Filmmaker Charles] Pinion's third video, WE AWAIT (1996), was set in San Francisco's Mission district, and locates its action within the psychic and social confines of a family of cannibals who are slowly possessed by a sentient psychoactive green fungus."

Via Cinema Contra Cinema: " [Filmmaker Charles] Pinion's third video, WE AWAIT (1996), was set in San Francisco's Mission district, and locates its action within the psychic and social confines of a family of cannibals who are slowly possessed by a sentient psychoactive green fungus."

Inspired by and loosely based on the introduction to Blue Of Noon by Georges Bataille, the title was taken from the name of the main character. It is a short portrayal of one person's descent into a state of degradation. In spite of her affluence, Dirty is rendered helpless in the hands of those she sought to patronise. The shifting points of view of this film allow the viewer to experience the protagonist as she is seen by herself, and how the world sees her.

After a vengeful sorceress is tortured and killed by a corrupt industrialist looking to harness the spectral powers of Red Spirit Lake, her niece arrives in snow covered Angel Falls to settle her aunt's estate.

After a vengeful sorceress is tortured and killed by a corrupt industrialist looking to harness the spectral powers of Red Spirit Lake, her niece arrives in snow covered Angel Falls to settle her aunt's estate.

After a vengeful sorceress is tortured and killed by a corrupt industrialist looking to harness the spectral powers of Red Spirit Lake, her niece arrives in snow covered Angel Falls to settle her aunt's estate.

After a vengeful sorceress is tortured and killed by a corrupt industrialist looking to harness the spectral powers of Red Spirit Lake, her niece arrives in snow covered Angel Falls to settle her aunt's estate.

After a vengeful sorceress is tortured and killed by a corrupt industrialist looking to harness the spectral powers of Red Spirit Lake, her niece arrives in snow covered Angel Falls to settle her aunt's estate.

After a vengeful sorceress is tortured and killed by a corrupt industrialist looking to harness the spectral powers of Red Spirit Lake, her niece arrives in snow covered Angel Falls to settle her aunt's estate.

Laurel Oberion thinks she's buying a nice house, but gets more than she bargained for! Haunted by a dead anthropologist and his satanic wife, Laurel's newfound home turns into a bloodbath of sexual desires when pain and pleasure mix indiscriminately. A basement of terror hides the secret... blood flows as human sacrifice leads to resurrection of a Dark God... and only Laurel can stop it before it's too late! Writer's block becomes psychotic madness in METAL NOIR, where blood-spattered sex leads to face-stabbing gore!

Low budget shot-on-video gore film with comical overtones concerns a skateboarding teen's murder. Rising from the dead with his skateboard, he embarks on a vengeful killing spree.

Low budget shot-on-video gore film with comical overtones concerns a skateboarding teen's murder. Rising from the dead with his skateboard, he embarks on a vengeful killing spree.

Low budget shot-on-video gore film with comical overtones concerns a skateboarding teen's murder. Rising from the dead with his skateboard, he embarks on a vengeful killing spree.

Charles Pinion's student film. Part of the Feller Triptych. Shot in 1988 in Williamsburg, Brooklyn.

Low budget shot-on-video gore film with comical overtones concerns a skateboarding teen's murder. Rising from the dead with his skateboard, he embarks on a vengeful killing spree.