Eugenio Polgovsky
Рождение : 1977-06-29, Mexico City, Mexico
Смерть : 2017-08-11
История
Eugenio Polgovsky (June 29, 1977 – August 11, 2017; Mexico City) was a Mexican filmmaker and visual artist. He worked as director, cinematographer, editor, sound designer and producer of his films. Polgovsky was known for the Mexican documentaries "Tropic of Cancer" ( Semaine de la Critique 2005) and Los Herederos "The Inheritors" (Mostra of Venice, Orrizontti 2008 & Berlinale Generation 2009).
He was the first filmmaker invited in the history of Trinity College, Cambridge, as Fellow Communer in Arts in 2016.
Polgovsky was the founder of Tecolote Films in Mexico City (2004). He has received 4 Ariel Awards, (Mexican Academy Awards) and more than 20 International awards for his films, including the Joris Ivens Award in Cinema Du Réel, París 2005. He became a visionary, innovative and independent documentarist, and he brought an experimental spirit and a poetic eye to the medium of cinematography and worked closely and in a prolonged way with the communities whose stories and conditions he has sought to explore. His personal cinematography enchained with a meticulous and original editing explored the backgrounds of the Mexican reality, from the rural ancient world to the present of the mega city of Mexico. The MoMa of NY presented his film "Tropic of Cancer" as part of a selection of the region’s most innovative contemporary films.
Director of Photography
The pigeon is probably fake, says the five-year-old daughter of Mexican filmmaker Eugenio Polgovsky. Perhaps it’s a robot. Why else would a pigeon sit so still on that nest she built atop the power lines, diagonally under their window? For seven days and nights, Polgovsky filmed the bird from his second floor apartment. Together with daughter Mile, he watches life go by: the bin men, the neighbours and their dogs, the gas delivery man, the squirrels dashing through the treetops in search of food. All from the same perspective – basically identical to that of the brooding pigeon, who gets most attention. "Papa, why are you filming her, really?"
Director
The pigeon is probably fake, says the five-year-old daughter of Mexican filmmaker Eugenio Polgovsky. Perhaps it’s a robot. Why else would a pigeon sit so still on that nest she built atop the power lines, diagonally under their window? For seven days and nights, Polgovsky filmed the bird from his second floor apartment. Together with daughter Mile, he watches life go by: the bin men, the neighbours and their dogs, the gas delivery man, the squirrels dashing through the treetops in search of food. All from the same perspective – basically identical to that of the brooding pigeon, who gets most attention. "Papa, why are you filming her, really?"
Director
In Lightbyrinth, 21st-century digital technology meets 19th-century animation in a homage to eminent physicist James C. Maxwell. Filmed in Cambridge using his original zoetrope, the film conjures a sense of wonder at early image-making processes. Intricate editing and sound design create a playful diffraction of colors and a joyful dance of lights and bodies.
Producer
At the foot of the waterfall once known as the Mexican Niagra, the people of El Salto dream only of crystalline waters. Fish, colorful birds and swimming in the river are now just memories of the fishermen who lost their world when the train and industry arrived. Resurrection is an eye opener upon the ruins of the present. The exemplary fight for survival of a family, which goes hand in hand with the destiny of a river.
Editor
At the foot of the waterfall once known as the Mexican Niagra, the people of El Salto dream only of crystalline waters. Fish, colorful birds and swimming in the river are now just memories of the fishermen who lost their world when the train and industry arrived. Resurrection is an eye opener upon the ruins of the present. The exemplary fight for survival of a family, which goes hand in hand with the destiny of a river.
Director of Photography
At the foot of the waterfall once known as the Mexican Niagra, the people of El Salto dream only of crystalline waters. Fish, colorful birds and swimming in the river are now just memories of the fishermen who lost their world when the train and industry arrived. Resurrection is an eye opener upon the ruins of the present. The exemplary fight for survival of a family, which goes hand in hand with the destiny of a river.
Screenplay
At the foot of the waterfall once known as the Mexican Niagra, the people of El Salto dream only of crystalline waters. Fish, colorful birds and swimming in the river are now just memories of the fishermen who lost their world when the train and industry arrived. Resurrection is an eye opener upon the ruins of the present. The exemplary fight for survival of a family, which goes hand in hand with the destiny of a river.
Director
At the foot of the waterfall once known as the Mexican Niagra, the people of El Salto dream only of crystalline waters. Fish, colorful birds and swimming in the river are now just memories of the fishermen who lost their world when the train and industry arrived. Resurrection is an eye opener upon the ruins of the present. The exemplary fight for survival of a family, which goes hand in hand with the destiny of a river.
Director
In Lightbyrinth 21st-century digital technology meets 19th-century animation in homage to eminent physicist James C. Maxwell. Filmed in Cambridge using his original zoetrope, the film conjures a sense of wonder at early image-making processes. The intricate editing and sound design create a playful diffraction of colors and a joyful dance of lights and bodies.
Director
Filmed in Times Square, this short film presents a dystopian vision of urban life, in which the celebration of high finance rewrites the topography of the city, while natural landscapes and indigenous cultures are trapped in a hyperbolic visual regime.
Thanks
Когда 12-летняя Эстела влюбляется в полицейского, замешанного в торговле наркотиками, мексиканская семья оказывается втянутой в насилие и жестокость.
Director
There was a time when the El Salto de Juanacatlán waterfall was considered the Niagara Falls of Mexico for its beauty and crystal-clear waters. The growth of industry in Guadalajara and the incessant pouring of toxic and chemical substances into the Santiago River have devastated this once pristine area, which now also poisons the town itself. For 30 years a family: Graciela, her husband Enrique, and their daughter Sofía, have dedicated themselves to fight against the indifference of the authorities and the impunity of corporations to rescue what was once a river full of life.
Sound
A shaman’s mystical invocations, a protest of furious electricians on a hunger strike and a euphoric football crowd collide in the Zócalo of Mexico City, the country’s central square and ancient ceremonial heart of the Aztec empire. Mitote (Nahuatl for chaos or celebration) transforms the plaza into a wrestling ring, where national commemorations, postmodern rituals and the remains of pre-Hispanic culture clash to the beat of a country enraged.
Editor
A shaman’s mystical invocations, a protest of furious electricians on a hunger strike and a euphoric football crowd collide in the Zócalo of Mexico City, the country’s central square and ancient ceremonial heart of the Aztec empire. Mitote (Nahuatl for chaos or celebration) transforms the plaza into a wrestling ring, where national commemorations, postmodern rituals and the remains of pre-Hispanic culture clash to the beat of a country enraged.
Director of Photography
A shaman’s mystical invocations, a protest of furious electricians on a hunger strike and a euphoric football crowd collide in the Zócalo of Mexico City, the country’s central square and ancient ceremonial heart of the Aztec empire. Mitote (Nahuatl for chaos or celebration) transforms the plaza into a wrestling ring, where national commemorations, postmodern rituals and the remains of pre-Hispanic culture clash to the beat of a country enraged.
Writer
A shaman’s mystical invocations, a protest of furious electricians on a hunger strike and a euphoric football crowd collide in the Zócalo of Mexico City, the country’s central square and ancient ceremonial heart of the Aztec empire. Mitote (Nahuatl for chaos or celebration) transforms the plaza into a wrestling ring, where national commemorations, postmodern rituals and the remains of pre-Hispanic culture clash to the beat of a country enraged.
Director
A shaman’s mystical invocations, a protest of furious electricians on a hunger strike and a euphoric football crowd collide in the Zócalo of Mexico City, the country’s central square and ancient ceremonial heart of the Aztec empire. Mitote (Nahuatl for chaos or celebration) transforms the plaza into a wrestling ring, where national commemorations, postmodern rituals and the remains of pre-Hispanic culture clash to the beat of a country enraged.
Director of Photography
A young man learns that people don't expect others to have good intentions.
Director of Photography
The Inheritors immerses us in the daily lives of children who, with their families, survive only by their unrelenting labor. Polgovsky spent two years filming in many of the poorest rural areas of Mexico.
Director
The Inheritors immerses us in the daily lives of children who, with their families, survive only by their unrelenting labor. Polgovsky spent two years filming in many of the poorest rural areas of Mexico.
Director of Photography
Кризисный день из жизни Кристобаля — избалованного парня из состоятельной семьи, который решил закатить вечеринку на вилле родителей. Однако веселье — лишь ширма, скрывающая множество реальных проблем.
Director of Photography
The documentary shows the world of the surrealist Canadian artist Alan Glass, his work, his home, his friends, his boxes, all his universe is presented through the point of view of art critics, artists and friends.
Director of Photography
Based on historical and sociological studies, this film reconstructs and illustrates, through documentary and fiction techniques, the story of an Acme model film projector used by Mexican-American businessman and filmmaker Edmundo Padilla during his forays along the northern border of Mexico. between 1920 and 1937, as well as those transhumant film exhibitors who worked in brothels.
Director of Photography
Editor
Screenplay
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Director
Director of Photography
In San Luis Potosi, Mexico, residents survive by hunting animals and selling them on the freeway.
Editor
In San Luis Potosi, Mexico, residents survive by hunting animals and selling them on the freeway.
Writer
In San Luis Potosi, Mexico, residents survive by hunting animals and selling them on the freeway.
Director
In San Luis Potosi, Mexico, residents survive by hunting animals and selling them on the freeway.
Director of Photography
A young man is madly in love with his mother, until he discovers a horrible truth about her sexual behavior.
Director of Photography
Director
The coming-of-age story of young milkboy Martín (García Bernal). While his friends Jesús (Altomaro) and Roberto (Mora) are cocky and apparently they have a lot of experience in sex, young Martín is shy, quiet and virgin. Everything changes when the young cocky boys want to prove they're men and go to a brothel without Martín.
