Mariana Gajá

SDL Estela is a woman who lives between reality and imagination inside a psychiatric hospital. The recurring apparitions of Diana, his daughter, will cause Estela to prepare to face her fate and finally accept the loss of Diana.

Трое отъявленных молодых преступников из Мехико планируют совершить крупнейшее ограбление в истории в канун Рождества. Но кто-то прознаёт об их планах и намерен преподать им урок.

When she is fired from her only job in a series of infomercials, Amanda, an actress with little talent and whose film career is forgotten, decides to resume her career in the midst of an economic crisis that leads her to a questionnaire about her vocation, but also, that the shore to rethink its responsibility as the mother of Nicolás, a 7-year-old boy to whom she had not paid much attention until then.

Mexican feature film

The coming of age story of a boy that after a traumatic event is taken to beautiful Cuernavaca, where he has to find his father while trying to adapt to life with his grandmother, who has problems of her own.

Amanda is 33 years old. Her dull life is suddenly altered when she is forced to take care of her old alcoholic grandmother, Dolores, a retired actress who lives on her past glories. Up until now, Amanda has never had much of a relationship with her grandmother.

Javier se ha casado con María, el amor de su vida, y ahora lo único que desea es estar feliz con ella el resto de su vida, pero el destino se la quita poco después de la boda. Ahora Javier está enredado en sus emociones: ¿cómo aceptará la muerte de su mujer para encontrar nuevamente el amor?

In a town in Veracruz being buffeted by cold northerly winds, seven men and woman start out on paths that will change their lives. A well-intentioned Christian gives in to the temptation of a young widow: a mayor succumbs to his greed: an elderly lady adopts a young burn victim: a doctor breaks away from a past that had hardened her heart: an old priest comes and goes trying to understand and a lost poet rediscovers his capacity to love and write. All these passions come together in a yearning to give meaning to their lives.

Mauro Hernandez, a young preventive policeman, gets involved in a coke deal, and to keep some of the money he has for paying for the transaction, gives his gun away to cover the deal. He argues to Joaquin, old drug dealer and ex-policeman and ends up threatening him. On his way out of the operation, Mauro and his partner policemen, a gang controlled by Joaquin, stop their way out start a wrangle where Mauro is wounded. His body armor couldn´t even stop a small touch of the knife. The scandal on the bad quality of body armors turns into an investigation of malversation of police funds which is exaggerated and misreported by the media. Apparently made in 2009, but not released until 2011.

Three couples, three destinies, three stories: a man imagines his life a disaster due to the abandonment of his wife; a successful model who is unfaithful to her own agency and the reunion of a man and a woman who are unfaithful to their respective partners.

Orlando (Juan Manuel Bernal) is a neurotic dubbing director of series B that desqui-ta of all your frustrations and anger with their coworkers. Orlando lives with Sonia (Mariana Gaja), a woman "new age" in quest for inner peace. He, in crisis, stifled by the love of So-nia and tempted by the novelty of another woman, can not desci-FRAR the complicated language of life as a couple of young people, and going from flower to flower revealing its inability of being alone. On the other hand we have to Mauritius (José María Yazpik), a young and awkward to relate hermit who loves and despises while René (Cecilia Suárez), a beautiful woman "postmodern"

A young woman, Anacruz, goes up to a cabin on the slopes of the volcano Popocatéptl intending to finish her thesis on the prehispanic myths of the area. However, she encounters local characters, such as the hermit Soto, who makes her aware of the false myths in her own life.

Sin Destino follows the life of a 15 year old Mexican boy, Francisco, as he struggles to survive on the streets. His primary source of income is money raised by prostituting himself to men for sex, and the film implies that this learned behaviour has arisen as a result of a contact with a single man when Francisco was 9 years old. This man, Sebastien, is an "artist" who initially claimed to want to photograph the boy, but it is clear that their relationship at one time extended far beyond that of photographer/model.

Будучи мятежным подростком, выросшим в Мексике в начале 1980-х, Хорхе подружился с необычной затворницей-пенсионеркой Эсперансой после того, как прокрался в её дом за футбольным мячом, полагая, что дом заброшен. По мере того, как Хорхе ищет убежища от своих повседневных проблем дома и в школе, он находит покой в компании мудрой старой незнакомки, их связь укрепляется, и Эсперанса учит молодого нарушителя спокойствия ценности жизни и чудесам своего мексиканского наследия. Вскоре после этого Эсперанса скончалась, и юный Хорхе применяет её мудрость и пытается найти наилучшее решение для своей жизненной ситуации. 15 лет спустя, просматривая новости, Хорхе замечает фото своего старого друга, когда репортер скорбно рассказывает о годовщине смерти первой латиноамериканской женщины, получившей Нобелевскую премию по литературе.