Giorgos Frentzos

It's the last day of the family's vacation. What could go wrong?

Andreas has to take care of the boss’s house and dog. The dog is mad. The house is luxurious. His co-workers are jealous. The neighbor is stalking close by. The dog is called Leben. The dog has its own plans.

Dimitris Pistiolas, a retired employee for the Greek Post Office, is the owner of the largest cinema museum in the world. In two tiny venues in Athens lies his renowned by the Guinness World Records collection. Now, 90 years old, Dimitris recounts his past, hidden in his machines, hoping that his memories are not going to be lost forever.

A teenage girl, in an every day routine, takes the same old bus from her house to the beach and back again, on her back she carries a small container in which she collects fresh sea water. When she comes back in the house the door closes behind her, leaving us confronted with the closed door. During the movie we will witness this daily route, we wont have a glimpse of what's going on inside the house, not until the last moment.

A teenage girl, in an every day routine, takes the same old bus from her house to the beach and back again, on her back she carries a small container in which she collects fresh sea water. When she comes back in the house the door closes behind her, leaving us confronted with the closed door. During the movie we will witness this daily route, we wont have a glimpse of what's going on inside the house, not until the last moment.

At a crossroad in Athens, people of different nationalities, including locals, refugees and tourists come together. Only for a moment.

Margarita is on her way to taking a holiday on a Greek island. When she misses the boat, she finds herself traveling much further away.

Twice-orphaned Jace, a seven-year-old Albanian of Greek origin, witnesses a massacre that wipes out his entire foster family in Argyrokastron, and then falls in the hands of a bunch of ruthless gangsters who "export" children abroad for various profitable reasons (ranging from beggary to organ trade). Jace ends up in Athens, Greece, begging at street corners, exploring the secret horrors of brutal institutions for young offenders or, much later, serving obscure patrons, in an underworld where violent loss seems to be his only destiny. The movie follows Jace's inverted Odyssey in a dark universe of abuse, murder and fear, as he desperately (and silently) seeks for a "family" of his own or, at least, for a sense of belonging

Margarita works as a flight assistant. Her life is divided between travels and the care of her sick father. When he dies, she decides to make a fresh start to her life. She begins a trip to Northern Greece seeking...

A writer, locked in his house, writes about a young man who wanders in Athens and tries its fruits.

Three stories dealing with three men and their stance towards life, given their personal background. All stories are held in Northern Greece (Macedonia and Thrace), covering all the spectrum from urban to rural settings.

The story of a thirties bank employee whose wife becomes a luxury prostitute. The same would happen with the next woman who knows. Xouan a promoter says he belongs to a particular class of people and asks him to work together.

Four episodes, four instances from a man’s life covering 25 years, from 1965 in Germany to 1990 in Athens. The episodes seem to be irrelevant to one another, yet they all focus on male powerplay, reveal the self-consciousness and moderation of the protagonist’s idiosyncrasy and depict some special aspects of the Greek male mentality. Probably Nikos Panayotopoulos’ most personal film, covering a substantial period of his generation’s years, “I’m dreaming of my friends” is based on the book by Dimitris Nollas, looks a lot like a “road movie” and features an all-male cast, as if there’s no room for women in it.

A typical experimental film, in which a variety of audiovisual techniques are used to create the sense of polymorphic eroticism as developed by European and Mediterranean cinematography of the 20th century. Combining the methods of “animation” and “live action”, this intricate work embodies the idea of an “ars combinatoria”. The structure is loose, with neither a central axis nor a point where everything converges, contributing greatly to the open-ended character of the film, where rhythm is the key element.