Sofia Dimopoulou

Sofia Dimopoulou

Профиль

Sofia Dimopoulou

Фильмы

Handling the Undead
Local Casting
On an abnormally hot summer day in Oslo, a strange electric field surrounds the city as a collective migraine spreads across town and the newly deceased awake from death.
Bastards
Executive Producer
The Bastards have left the city behind. Their house in the countryside smells of nothing but summer. Five girls and five boys living in the moment, for the moment. No outsider comes around here, and all the insiders take turns standing guard, kissing each other, playing dead. They are still kids. They are your kids. They are our Bastards.
Tailor
Casting
A coming-of-old-age story of an eccentric Tailor who doesn't quit fit into the world and has isolated himself into the attic of the family's tailoring shop. On the verge of losing everything, he finally gets triggered: with a wondrously strange bricolage coach-a tailor shop on wheels- he reinvents his life and his craft. He changes the brides of Athens and falls in love for the first time in his 50s.
Eftihia
Casting
A biographical film about the life of the greatest songwriter in Greece , Eftyhia Papagianopoulou (1893-1972)
The Arm Wrestler
Producer
Panayiotis is a 30-year-old champion at arm wrestling and owner of a tavern in a remote Greek village. On the occasion of a forthcoming arm-wrestling fight in Athens and his training for it, the film builds the portrait of a young man who shifts daily between his dreams and the reality of life in the Greek countryside.
J.A.C.E.
Casting
Twice-orphaned Jace, a seven-year-old Albanian of Greek origin, witnesses a massacre that wipes out his entire foster family in Argyrokastron, and then falls in the hands of a bunch of ruthless gangsters who "export" children abroad for various profitable reasons (ranging from beggary to organ trade). Jace ends up in Athens, Greece, begging at street corners, exploring the secret horrors of brutal institutions for young offenders or, much later, serving obscure patrons, in an underworld where violent loss seems to be his only destiny. The movie follows Jace's inverted Odyssey in a dark universe of abuse, murder and fear, as he desperately (and silently) seeks for a "family" of his own or, at least, for a sense of belonging