Fritz Hollergschwandtner

German TV adaptation of Grimm‘s fairy tale “Sleeping Beauty“.

Isabella Eklöf is an unemployed actress in her early thirties. Her friends all enjoy stable relationships, children and successful careers. In order to jump-start her life she decides to lie a bit on her next job application with unexpected consequences.

It all starts when she runs away from the altar in a church in Hamburg. Easygoing Henny Schönberg has qualms about marrying in the very last second and runs off to leave her stunned would-be husband Martin von Platt. Still dressed in her wedding gown, she takes the next best flight, not caring about its destination.

Henriette, the buoyant wife of a politician leaves her ambitious husband in the middle of an election campaign and begins a new life. The fact that, as the still legally married wife of a public figure, she takes a job as a model for lingerie just can't go well.

Kurt Schneider is a superficial and funloving character. Instigated by his mother he swindles his way into the legacy of a house and some money. Both Kurti and his mother are certain there are no legal heirs to the property. Great is their surprise when Ilona appears, who is the legal heiress coming from a remote part of Yugoslavia. Several attempts to get rid of that "Tschusch" prove unsuccessful. Once Mama Schneider gets to know that Ilona is also the beneficiary of a sizable life assurance contract, she destines her son to marry Ilona. While trying to double-cross Ilona, Kurti actually falls in love with her. Now it is Ilona's turn to take vengeance on mother Schneider and to prompt Kurti to take a clear-cut decision...

1969. The Prague Spring has been demolished. New barbed wire installations have been erected. Julia, who is thirteen, has moved with her mother to a village in northern Austria which lies on the Czech border. Julia has not spoken since her father's death. Her isolation increases in the village where she is an outsider. Provoked into proving her courage by some young villagers, she walks into no-man's land. She discovers a forgotten tunnel which leads to a construction site on the Czech side of the border. Julia makes the acquaintance of Roland, a forty-five-year-old surveyor, on "the other side". An ambivalent father-daughter relationship develops between them. Roman is the only one to whom she confides the secret of her border crossings. Due to his affection for her, she regains her ability to speak. And she starts to feel at ease with Alexander, who is her age. Roman makes new plans at Julia's urging. The insurmountable border foritfications will remain vulnerable . . .

Picking up where "God Does Not Believe In Us Anymore" leaves off, Freddy struggles to find work after arriving in New York in 1940. His world of refugee acquaintances includes the depressed daughter of a poet/delicatessen owner, an aging surgeon who cannot find work, and a lovable charlatan photographer. Corti's trilogy continues with "Welcome in Vienna"

Телевизионнный фильм. Третий фильм из цикла «Туда и обратно» австрийского режиссёра Акселя Корти. Два еврея — Фредди, эмигрировавший из Вены после гитлеровского вторжения, и Адлер, бывший левый интеллектуал из Берлина — возвращаются в 1944 году в Австрию солдатами американской армии. Фредди влюбляется в дочь фашиста, Адлер пытается перейти в коммунистическую зону. Однако с наступлением холодной войны и обострением антисемитизма, идеализм обоих разбивается о всеобщий цинизм, оппортунизм и самообман.

Tommi Fischer, a newly divorced copywriter is looking for a replacement mother for his son. When he falls for the emancipated costume designer Evelyn he soon finds himself in the undesired role of a stay-at-home dad.

Vienna in the eighties. An accidental meeting in a restaurant. She, Hannah, is Jewish and has a live-in lover, a young and successful architect. He, Friedrich, is a German and lives permanently in Vienna. Two worlds collide with another, begin to become entangled in each other. Friedrich too, has his problems. He is a "German", which fascinates and repels Hannah at the same time. She tries to get over her confusion by being ironic and flirtatious. Simultaneously, what she has tried to suppress breaks through in flashbacks...

Kurt Gerber is attending his final class and gets into trouble with the math professor, a frustrated self-assured petty bourgeois sadist. The duel ends in catastrophe.